Photography: Vitra Campus Fashion by Pasquale Abbattisata

(pictured) Vitra Marshmallow Sofa, Eames House Bird, Nelson Table, Asterisk Wall Clock, Sunflower Wall Clock

Only two fashion photographers have been allowed to shoot on location at the Vitra Campus in Weil am Rhein until now. The latest is Pasquale Abbattisata’s shoot realised for ELLE Deutschland. The setting includes the new Vitrahaus designed by Architects Herzog & de Meuron, as well as the Vitra Design Museum building by Frank O. Gehry.

Photography: Fashion at the Vitra Campus, Weil am Rhein, Germany, by Pasquale Abbattisata, for ELLE Germany
via: Vitra Facebook Page

Photography: Arctic Technology by Christian Houge

“This art project has taken me deep into the arctic landscape on Spitsbergen throughout the past seven years, on ten trips in total. I have become obsessed with the fantastic contrasts between the primal landscape and technology, between Man and the manmade; between our extrovert search for knowledge, and our introvert search for insight.”
– Christian Houge

Arctic Technology, by Christian Houge

Photography: Ditte Isager on Noma & Chef René Redzepi

Photographer Ditte Isager has captured the essence of Chef René Redzepi, head chef of Copenhagen restaurant, Noma

Book Early, Reservations: Noma, Photography by Ditte Isager
View the interview on Charlie Rose

René Redzepi has been widely credited with re-inventing Nordic cuisine. His Copenhagen restaurant, Noma, was recognized as the third best in the world by the San Pellegrino World’s 50 Best Restaurant awards in 2009 and received the unique ‘Chef’s Choice’ award at the same ceremony. Redzepi operates at the cutting edge of gourmet cuisine, combining an unrelenting creativity and a remarkable level of craftsmanship with an inimitable and innate knowledge of the produce of his Nordic terroir.

Noma: Time and Place in Nordic Cuisine, Published by Phaidon, Hardback, 290 x 250 mm, 11 3/8 x 9 7/8 in, 320 pp, 200 colour illustrations ISBN: 9780714859033

Buy the Book: Amazon

Photography: Brutalism in the UK by Andy Spain

Brutalism is the term coined to describe the raw architecture often made with concrete during the 1950s and 1960s (with a later resurgence).

When you go into a gallery a painting might cause you to stop and look, it isn’t the spectacle but the aesthetics ability to hold the viewer. Concrete buildings have this ability. They don’t fit into the streets and city centres where they appear (they are by their very nature brutal rather than accommodating) but there strength and power speak of a time when people had a belief in architecture as a force for civic good. These structures were solid spaces to create a solid and strong world emerging from the gloom of the second world war. The buildings represent what was great about building a society, universities, hospitals, local governments as opposed to the steel and glass of contemporary retail and office complexes. These buildings were about real people and real issues and they wore this realism brutally on the outside.

But it’s more than that. The form is itself appealing (beyond what that form represents). Simplicity in architecture is rare and to strip back so much of the adornments and leave the bare walls is somehow sensual, the opposite of what so many critics claim. The way lines are created and cut against the sky or interact with other buildings. The regularity of shape and form caused by the shutter process of creating the concrete, the ability to go up to the building and feel the roughness of the concrete matching and creating an indexical link with the way the building was made.

Sometimes a book is hard to read or a film is hard to watch but by completing it you know it was something important and worthwhile which deserved your perseverance. These buildings also deserve your perseverance. They are evidence of a modernism, a time when we didn’t dress up architecture but left it cold and honest for all to see.

Brutalism in the UK, © Andy Spain, via: Arch Daily

Photography: Relics by Amir Zaki

Relics, is a series of lifeguard towers that populate the beaches of Southern California’s Pacific coast, by LA-based photographer and artist Amir Zaki, who is careful to categorize the work as portraiture rather than typology, casting it in an interpretative rather than documentary light.

Relics by Amir Zaki

Photography: Horizons by Bruno Cals

Horizons, a series of architectural photographs by Brazilian photographer Bruno Cals, will be on view at 1500 Gallery. The six photographs in the exhibition are part of a personal artistic project that Cals, a well-known fashion/advertising photographer based in São Paulo, Brazil, has been working on since 2008.

The photographs in the Horizons series are suggestive of something beyond the record presented. The images of the buildings in São Paulo, Tokyo and Buenos Aires explore the limits of two-dimensionality, and articulate a radically different perspective on a commonplace visual scenario. In expressing this fresh point of view, Bruno Cals has invoked contrasting themes of possibility versus impossibility, presence versus emptiness, and search versus satisfaction.

Horizons, by Bruno Cals, May 6-July 31, 1500 Gallery, New York

Photography: Antarctic Research Bases

Wired magazine has published images of Antarctic research bases. Engineered for long-term habitation in the most extreme conditions, many are built on stilts, so they don’t get buried in the snow. If there were more bases, it would make for an interesting typology, like Canada’s disappearing Wheat Kings.

Photography: Antarctic Research Bases, via: Wired Magazine

Photography: While You Slept by Tobler & Schilling

While you slept, we revolutionized the world. When she was imprisoned in your bunker, we changed the music…

While You Slept, Photography by Stefan Tobler & Holger Schilling

Photography: Dark Lens Series by Cédric Delsaux

Advertising photographer Cédric Delsaux has finished his series on combining two worlds: Star Wars and earth.

Dark Lens Series by Cédric Delsaux, via: Amusement

Photography: Kim Høltermand

Kim Høltermand (born 1977) is a Danish architectural photographer who also works as a fingerprints expert in The Crime Scene Unit of The Danish National Police when he’s not out taking moody epic photos of modern architecture. The 32-year-old has become well known in the field of architectural photography, being featured in endless amounts of blogs and international magazines such as Baumeister, DWELL, D-Mode, GRAFIK, Euroman, Politiken, C-Heads Magazine, etc.

Photography by Kim Høltermand, via: Archinect