“For a while now, I’ve been working for the platform lift-makers Aritco on a brief to design a lift like a piece of furniture. It’s taken three years, from a blank sheet of paper to the final product in which I designed everything from the shaft to the lift platform and also came up with a whole new solution for the lift control panel. My ambition was to come up with the ultimate flexibility for consumers, who have to be able to identify with their choice of lift through a range of options in terms of materials and colours. Lighting was a key element throughout the prototyping in that the lift walls are backlit under a surface covered in patterns or images. The lift for Aritco is due to be launched to tie in with Stockholm Design Week 2016 and will be the first-ever purpose-designed residential lift to reach the market”.
Aritco Elevator, by Alexander Lervik
Stockholm is a city of candlelight, with candles illuminating countless venues and gatherings across the Swedish capital. Inspired by this, Luca Nichetto designed an oil lamp in hand-blown Murano glass. Comprising two connecting components, the lamp echoes the form of a wine glass, subtly suggesting the act of drinking. A coloured opaque base sits under a larger transparent top, which is available in several patterns. As well as being ornamental, these patterns transform the nature of the light emitted by the lamp. As the patterns overlap, they form complex motifs, granting the lamp a decorative quality that shines through even when the lamp is off.
Halo, by Nichetto Studio
Photography by Studio Pointer
The bookcases are a new interpretation of traditional revolving bookcases, these often featuring three or four levels with larger volumes being stored at the bottom. Folkform believe, that in this time of increased digitalisation of texts, the book as a physical object will become increasingly desirable and that the reader will prefer a smaller number of well chosen volumes housed in a beautiful piece of furniture to a large number of books in a wall-to- wall bookcase.
Revolving Bookcases, by FOLKFORM
Moshe Safdie’s Habitat 67 is an iconic landmark that has inspired architecture since its inception in 1967. This beautifully composed apartment building offers tenants the possibility of living in a village within a high-rise context. The stacking of each apartment allows each tenant to have a one-of-a-kind unit layout while sharing a garden terrace with an adjoining tenant. The only commonality of these unique spaces is the panoramic view of the city skyline across the St-Lawrence river below.
Our mandate for the H67 project was to refurbish a unit that had been remodeled many times in the past, resulting in views obstructed by opaque interior partitions. As a result, primary challenge was not only to restore the panoramic views to optimize the distribution of light throughout the apartment but to also retain the private interior spaces required for comfortable living. The functional and minimal design of the open space was obtained by removing all interior walls. Then, glass was added to the original concrete walls to add qualities of transparency and reflection.
The apartment gives the impression of being part of a series of moving cubes, evoking the flow of the river that runs beside this modern day version of hanging gardens. Integrating the qualities of an individual home and garden into an urban high-rise, through a medium of prefabricated cubes was a revolutionary concept that rethought the apartment building concept in 1967.
H67, Montréal, Canada, by Studio Practice
Photography by Adrien Williams & Gorgin S. Fazli
Designed as a peaceful dwelling amid an opus of bird songs, Arboretum House grows out of its forested site within the diverse landscape of the University of Wisconsin Arboretum neighborhood as a cultivated collection of forms that combine to create an architectural ecosystem.
Arboretum House, by Bruns Architecture
Photography by Tricia Shay Photography
Single-family house with two stories – ground floor and basement – designed by Contaminar atelier, located between the rural area surrounding the Lis River and the urban periphery of the city of Leiria. Positioned on a small plot, this house is located in a small-scale chaotic urban area, surrounded by greenhouses and cropland. Occupying the entirety of the space, the house itself represents the borders of the plot, living around small patios. These in turn provide privacy and transport the user to a different type of space with a more introspective atmosphere, creating a composition of occupied and empty spaces on the plan and elevations.
The general geometry of the house, which appears to be rigid, is interrupted by circular openings that afford a poetic aspect to the spaces. The various axes are based on a 3,5 x 3,5 metres grid, organizing and providing discipline to the space. In the centre there is a patio that extends to the basement, delineating the separation of the social and private areas on the upper floor. In the more private area, another patio separates the suite from the other rooms.
Adjacent to the kitchen is a third patio lined with sucupira wood, interacting with the exterior and creating a permeating effect between the inside and outside spaces. The same effect is achieved with the suite patio, as the spaces are hybrid, distinct and comfortable.
The two central patios of the house converge through a unique garden space in the basement, interacting with the gym space and a social space. Part of this garden extends to a mid-floor level and creates the separation between another patio and the basement, reserved for more technical functionalities. The basement space is characterized by the presence of concrete and zenith lighting, creating a more dramatic atmosphere.
Casa dos Claros, Leiria, Portugal, by Contaminar Arquitectos
Photography by Fernando Guerra
As humanity finds itself more and more exploded and human beings are less and less (or increasingly) aware of themselves in the “coming community” of unidentified unity- seeking entities deciphered by Giorgio Agamben, Konstantin Grcic’s series from Da Messina’s Saint Jerome represents a significant contribution to the displacement of the issue of the individual. In these five pieces of furniture, the way the sitter positions himself is always an open question: there is, in each of the pieces, a choice to be made between the several places to sit; there is in every case a need to accept, with the angles of the seats and the curve of the legs, a certain tension.
There is no discomfort, but challenge in comfort, exactly as we should not let ourselves limit ourselves in ourselves, but in fact should expand, exercise our abilities in order to expand our world. The five items are all a small pedestal – a stage, seemingly separating us from the world; and there is a certain amount of theatricality in each of them, by mean of the materials used; fibre-cement, aluminium, marble, 3D print, all make for quite an effect. But at the same time there is no weight that would locate them beyond the logics of life: they all remain in the human community, and do not seem to escape into another world.
Exhibition: Hieronymus, at Galerie kreo, Paris, March 23 – July 14, 2016
Simon Astridge Architecture Workshop was approached by a high end kitchen specialist to create a new wine tasting concept and experience in the basement of their new showroom refurbishment. They answered the brief by creating a wine cave clad entirely in matt black concrete panels. The concrete panels absorb the majority of natural light and create low levels of illumination that give maximum atmosphere for the wine tasting experience. A spiral wine cellar was added into the basement with an opening glazed lid capable of storing 2800 bottles of wine. All metalwork for the project, including staircase, handrails and wine cages were designed by SAAW.
Wine Cellar, London, United Kingdom, by Simon Astridge Architecture Workshop
Photography by Nicholas Worley
A small one bedroom beach house. The primary design elements are shutters made out of low-maintenance native hardwoods that will age and eventually blend in with the surrounding tropical landscape.
Tropical Beach House, Far North Queensland, Australia, by Renato D’Ettorre Architects
Photography by Willem Rethmeier