Casa Pinheiro, São Paulo, Brazil, by Studio MK27 – Marcio Kogan, Photography © FG+SG – Fernando Guerra
For the month of contemporary art, Gallery S. Bensimon invites the Mexican sculptor Sebastian to present an exhibition of his work, convertible for children sculptures and bronze series “Quantum”. The sculptor place in his creations mathematical laws or generally fundamental laws, including balance and strength. The exhibition will be an opportunity to discover parts which have been investigated both in formal terms, as color or material.
Sculpture, by Sebastian, October 24 – December 10 at Gallery S. Bensimon, 111 rue de Turenne 75003 Paris
Summer in the Greek islands is all about being outside. The aim of the Plane House is to merge internal and external space, maximising the benefits of both and minimising the impact on the surrounding landscape.
To avoid block volumes that split and dominate space, horizontal planes are inserted into the slope, immediately providing levels for sunbathing, sleeping and eating, as well as vast, open area of shade. They cool and shade the space beneath whilst allowing the flow of sunlight and maintaining the stunning 270 degree view over the coastline. Space between the planes is defined by various flexible panels and glazed screens. Designated cooking, eating and relaxation zones are offset from each other to provide cosiness without sacrificing openness.
The pool is strategically placed to enjoy the view but also to create a cooling breeze over the terrace and into the house as the north wind flows uphill and over its surface. Photovoltaic panels power the pool mechanics and grey-water is recycled and used for irrigation, toilet flushing and fire extinguishing. The landscape is respected and continues over the green roof plane, creeps up along the site boundaries and penetrates vertically through the roof as existing trees stand in the space, undisturbed.
The powerful identity of the concrete planes creates a strong narrative on approaching the house from the coastal road that winds below. From a distance the planes are distinctively separated but as you draw nearer and approach the house from the side, the perspective alters closing the gap between them. On arrival and on entering the space they part once more, opening to reveal the breathtaking view and let the fresh air flow through.
Plane House, by K Studio
Night photographs of the Brazilian capital created by architectural photographer Andrew Prokos are among this year’s winners at the International Photography Awards competition. Entitled “Niemeyer’s Brasilia” the series of photographs capture the surreal architecture of Oscar Niemeyer, who shaped the Brazilian capital for over 50 years.
“I became fascinated by Oscar Niemeyer’s buildings as works of art in themselves, and the fact that Niemeyer had unprecedented influence over the architecture of the capital during his long lifetime” says photographer Andrew Prokos. Niemeyer, who passed away in 2012 at the age of 104, was Brazil’s best known architect and the designer of the United Nations buildings in New York.
Niemeyer’s Brasilia, Photography © Andrew Prokos
The design light has adjustable arms and an orientable head for a flexible use. The LED light is operated by means of a built-in sensor dimmer located in its head.
The McCann Erickson Headquarters in New York. It’s the first corporate headquarters undertaken by Design Research Studio, the interior and architectural division of Tom Dixon, alongside US architectural firm Gensler.
McCann Offices, New York, by Design Research Studio
Apple’s lead designer, Jonathan Ive, has worked with designer Marc Newson to design a limited edition Leica camera, the Leica M. Speaking to Wired.co.uk, Leica confirmed the “truly one-off model” will “never be reproduced”. Its creation is a customised version of the original Leica M, launched in 2012, according to Leica but this updated design from Ive and Newson was created to benefit a Sotheby’s charity auction to raise money for The Global Fund to Fight AIDS, Tuberculosis and Malaria.
Leica M, Limited Edition, by Jonathan Ive & Marc Newson, for Leica
The Milan flagship is fluid and playful. A dialogue of geometry and materiality creates an enchanting rhythm of folds and recesses further shaped by functional and ergonomic considerations. Modular display units showcase shoes and also provide seating, while a seamless integration of diverse forms invites our curiosity. The juxtaposition of these distinct elements of the design defines the different areas of the store. Rooted in a palette of subtle monochromatic shades, Zaha Hadid created an interior landscape of discovery centred on two separate zones to enhance the relationship between the customer and the collection.
Experimentation with materials and construction technologies further define the unique space. The curved modular seating and freestanding display elements have been constructed from fibreglass dipped in rose gold – a technique similar to that used in boat manufacturing. Also, the glass-reinforced concrete (GRC) of the store’s walls and ceiling expresses solidity whilst at the same time the delicate precision of complex curvatures focus on special areas for display.
Stuart Weitzman Flagship Store, Milan, Italy, by Zaha Hadid
Concrete envelops the building, like weathered skin tanned by Portugal’s climate. The skin has wrinkles and flaws that trap the light. This denotes its strength of character. Below the day zone exposed to air and light, lies an underground family room. It acts as a rest-stop before reaching the bedrooms. The sofa invites us to sit for a moment and unravel the secrets of the raw material, the only décor. The bedroom includes a bath and shower. Everything is incorporated into a single room to save on space. This is what counts. The central block of the day zone supports the roof, like an umbrella encircled by a crown of luminosity. In the dead of the night, you may well think a star has landed on earth.
Rainha, Portugal, by Atelier d’Architecture Bruno Erpicum & Partners
Photography © Jean-Luc Laloux