Quantcast

Follow Daily Icon

Email Address:

Pallas & Diana Tables by Konstantin Grcic for Classicon

Munich-based designer Konstantin Grcic has developed a new color palette for the ‘Diana’ side table series and the ‘Pallas’ table by Classicon. The collection of powder-coated, sheet metal furniture pieces comprises of honey yellow, signal white, ocean blue, coral red, bronze-brown, chocolate brown and white aluminium colorways. Constructed out of steel, the ‘Pallas’ table reveals itself with detailed kinks and notches; the tactile appeal of the powder coated metal surface gives way to smooth lines, stimulates and engages conversation from the wide, proportionate seating arrangement. ‘Pallas’ is also available in an outdoor variation with a galvanized steel finish.

Pallas Table, Diana Tables, by Konstantin Grcic, for Classicon

Hotel Dupanlou by Studio Makkink & Bey

For the project, Studio Makkink & Bey developed a series of spatial installations that transform the historic Hôtel chambers into lively public spaces. Carpets and curtains create rooms within the room. Antique pieces are scattered throughout, reflecting the past, and new furniture by Prooff “inspire and stimulate the functions of today and tomorrow.”

“Invited by the The French Artistic Nationale Commission Makkink & Bey furnished the main room as well as 23 working/meeting rooms of Hôtel Dupanloup by creating eclectic three dimensional collages of furniture; amongst others Prooff Worksofa’s, EarChairs and SideSeats in new colourschemes, a ‘Dupanloup chair- and table’ specially designed for the project, antique pieces of furniture, a special edition of the Tree trunk Bench and re-designs made of Ikea furniture by students of École Supérieure d’Art et de design d’Orléans that participated in a summer workshop with Studio Makkink & Bey.

Carpets and curtains outline the reprogrammed spaces and introduce a new heraldy that narrates about the content of the local archives (such as from the local Fine Art Museum, the Frac Centre and the House of Jeanne d’Arc). The spirits of the past and present are merged and create rich contexts for researchers -and visitors of the International Research Center of the University of Orléans to meet- and work in. Even when not in use these ‘room in a room’ interiors are intriguing spatial still lifes that portray several layers of time, or as Director of Cultural Affair of the Centre Region Sylvie Le Clech describes them; ‘A treasure hunt across centuries’.

Hotel Dupanlou, Orléans, France, by Studio Makkink & Bey
Photography by Ministère de la culture et de la communication / Drac Centre, François Lauginie, Studio Makkink & Bey

Pollock Arm Chair by Charles Pollock for Knoll

Designed more than half a century ago by the late Charles Pollock, Knoll is reintroducing the iconic ’657 Sling-back Lounge’, also known as the Pollock Arm Chair, a minimal chair of polished chrome steel tubing and natural cowhide. Originally manufactured from 1964-79, the chair has been out of production for nearly 35 years but never out of mind nor off design wish lists. The chair’s tubular steel legs connect to cast-aluminum arms and stretchers with exposed hardware, exemplifying Pollock’s honest approach to design.

Pollock Arm Chair, by Charles Pollock, for Knoll

Boa Nova Tea House by Alvaro Siza Vieira

Renowned Portuguese architect Álvaro Siza has fully renovated the Boa Nova Tea House in Matosinhos, Portugal, one of his earliest commissions (1963). The refurbished building will open as a restaurant, and outside mealtimes it will be possible to visit with guided tours by the Association Casa da Arquitectura. “One of Siza’s first built projects, it is significant that the restaurant is not far from the town of Matosinhos where the architect grew up, and set in a landscape that he was intimately familiar with. It was still possible in Portugal of the 1960s to make architecture by working in close contact with the site, and this work, much like the Leça Swimming Pools of 1966, is about ‘building the landscape’ of this marginal zone on the Atlantic – through a careful analysis of the weather and tides, existing plant life and rock formations, and the relationship to the avenue and city behind.” says Álvaro Siza.

Boa Nova Tea House, Matosinhos, Portugal, by Alvaro Siza Vieira
Photography by Joao Morgado

Desert Courtyard House by Wendell Burnette Architects

The building site, further down a long private drive, levels out toward the west into an edge condition dominated by an expansive vista – layers and layers of distant mountain ranges – that in the evening seem to epitomize the drama of the Arizona Sunset. Due to the elevation of the site beneath the community’s gaze and the entry gate at the road it became important to us – to recede the house as a deep shadow – into the depth and complexity of the desert floor below.

The plinth was cast in place with one material throughout such that a wall, a floor, a ramp, a step, or a bench could be experienced as part of one contiguous stone. The Verde River eventually connects to the Salt River, which collectively tumbles some of the worlds hardest aggregate through the lowest point of the valley, where along with sand and cement, it is harvested for locally produced concrete. A “highway concrete mix” with oversized 1 ½” aggregate was specifically selected for this project and mixed with a small percentage of the earth pigment – raw umber. We wanted to work the surfaces of the plinth in order to reveal the composite qualities of the material, sand, conglomerate gravel, pebbles, broken stone, in a cement matrix, and consequently a window into the geologic time of this place.

The overall height of the landform follows the design guidelines and therefore the ground at precisely 24’ above natural grade in a segmented monocline that spirals almost imperceptibly up and around and out where the solid mass of the courtyard form opens up to the distant west. In conjunction with this geometry, the outsides of the earth and concrete landform are faceted inward 3 degrees from vertical. The hat required for the earth walls protects the monolithic courtyard form as a contiguous part of a faceted shadow that begins at the outermost edge of the monocline and continues inward toward the inner court where it stops just short of itself inscribing an irregular frame for the sky.

Desert Courtyard House, Scottsdale, Arizona, by Wendell Burnette Architects
Photography by Bill Timmerman

Aura Mirrors by Bjørn van den Berg

Aura mirror series are developed out of a metaphor of a glowing object. The hemispherical shaped mirrors with a solid aluminium base are electroplated with copper, chrome and nickel coating. This converts the mirrors into a whole reflecting object rather than just a surface. The flat mirror surface in the core of the hemispheres is tilted towards you.

The project is about tactility and sensibility. Aura´s format relates to fit into two open hands. The way the massive and seamless material feels against your skin gives a sense of holding something scarce. The polished surface contrasts to your natural skin and the way the heavy material is pressed into your hands. Other aspects of sensibility Aura touches is when the object is exposed to light. Then the light is reflected differently from the flat mirror surface and the circular body; making you aware of your surrounding and light changes.The thought is to create physical and mental recognition in the moment. Aura mirror series consists of wall and table mirror.

Aura, by Bjørn van den Berg

North Sea Apartment by John Pawson

Knokke lies on the easterly extremity of the Belgian coast, close to the Netherlands border. A key challenge for the interior architecture of this apartment on the dunes was to harmonise the potential for expansiveness offered by the raw floor plan with the programmatic requirements of the brief. The layout falls into two main territories: roughly one quarter of the floor area is given over to generous private quarters, incorporating bedroom, dressing area, shower and terrace; with the remainder of the plan left spatially fluid, preserving internal vistas of twenty metres while accommodating the functions of kitchen, dining, living and library.

North Sea Apartment, Knokke, Belgium, by John Pawson, Project Architect
Ben Collins, Mark Treharne, Photography by Pieter-Jan De Pue

Bamboo Lighting by Estudi Arola for Vibia

Its name, its structure and its ability to adapt to the surroundings owes its conception to the bamboo plant. Their idea was to take advantage of led technology to “cultivate a crop” of very slender shaped lamps in a variety of heights which allow the users to create a personalized combination of lighting to suit their needs and which is ideal for outdoor spaces. The slim lines of the Bamboo collection, designed by Antoni Arola & Enric Rodríguez, integrates natu- rally with exterior surroundings. During the day it melts discreetly into the landscape. At night, Bam – Boo illuminates and highlights paths, transit areas and also large open spaces. The result is a light installation that emits concentrated light beams through the darkness, illuminating without contaminating.

Bamboo, by Antoni Arola and Enric Rodríguez, Estudi Arola, for Vibia

The Lujan House by Robert M. Gurney

An eclectic mix of houses, gravel roads ending at the bay and wooded lots provide a nostalgic, informal setting for this new house. In an effort to integrate living spaces with the outdoors while maintaining privacy from Burbage Lane and neighboring houses, the scheme is organized around a centrally located garden. With sixteen foot high ceilings, the eastern volume contains the public living spaces. Continuous clerestory windows assist in providing an abundance of natural light into the space, allowing views to the treetops and sky while minimizing the close proximity of the adjacent houses. A twenty foot wide glass wall slides into a pocket, enhancing the relationship to the outdoors, and provides a sense of living in a garden. The two story western volume is comprised of bedrooms and a small second floor living space. A one story glass link connects the volumes and visually opens to the central garden.

The house was conceived as two simple, flat-roofed volumes, varying in height, intersecting and overlapping a one story circulation space which connects the volumes. The east volume is constructed with cement board, the west volume with corrugated siding and the one story connecting space with the ground face concrete block. The exterior material palette is quiet and subdued. Materials are selected for their expected long term durability, ease of installation and initial cost. The impact of the one story horizontal volume facing the street is intended to reflect the scale of neighboring structures while the narrow two story volumes are oriented perpendicular to the street reducing their apparent scale. This house is designed in strong counterpoint to many of the houses built in the last era of abundant resources, expensive materials, and limitless floor area. The house is not large; it comprises three bedrooms and 2400 square feet. The house is constructed with modest materials that include concrete floors throughout the first floor, oak flooring on the second floor and plastic laminate and oak millwork.

The Lujan House, Ocean View, Delaware, by Robert M. Gurney
Photography by Anice Hoachlander, HD Photo

Espace St-Dominique by Anne Sophie Goneau

The project is to design a condo with an area of 1,600 sq.ft. in Montreal. It is located at the second floor of a 1920’s industrial building on St-Dominique Street. It was previously owned by the Dominion Preserving Company Limited where was produce the famous Habitant canned soups. The mandate was to relocate the kitchen and to add a third bedroom for the couple’s second child. The 10 feet length sofa, with the new gas fireplace, defines the living room. The existing second bedroom has been reduced to create a hallway to access the third bedroom. Adjacent, the bathroom is a continuation of the frosted glass facade; thus, these two rooms have natural light from the living room windows, facing southwest, while preserving privacy. At the entrance, the closed room has been abolished to make way for multifunctional storage cabinets and white soundproof curtain has been installed ahead the principal door. The kitchen, open plan, is an extension of this entrance, where unfolds the dining room. On the ground, the existing solid maple floors were sanded and varnished. The steel structure in the center of the space is bare, expose and fireproof. Only the bathroom have a white epoxy floor finish, matched with sink and faucet. The shower is enclosed by a grey epoxy on all surfaces. A clear glass panel, installed at the end of the shower, accentuates the depth of the space by its reflection.

Espace St-Dominique, Montreal, Canada, by Anne Sophie Goneau
Photography by Adrien Williams

Editor's Picks

Studioilse w084t Task Lamp
A dimmable table lamp constructed of iron for its feelings of stability, reliability, trust; wood with its warmth and life, and porcelain for its intimate glow. [more...]

Suggested Reading

The Story of Eames Furniture
Brimming with images and insightful text, this unique book is the benchmark reference on what is arguably the most influential and important furniture brand of our time. [more...]
Buy it here: Amazon

The Guggenheim: Frank Lloyd Wright and the Making of the Modern Museum
First-ever book to explore the process behind one of the greatest modern buildings in America. [more...]
Buy it here: Amazon

MoonFire: The Epic Journey of Apollo 11
A unique tribute to the defining scientific mission of our time, the 40th anniversary of the Apollo 11 Moon landing. [more...]
Buy it here: Amazon

Cars Freedom Style Sex Power Motion Colour Everything

Cars
Freedom Style Sex Power Motion Colour Everything. This lavish and beautifully designed book is the gift book for all car enthusiasts and design aficionados. [more...]
Buy it here: Amazon

Design Icons

Diz Armchair by Sergio Rodrigues
Handcrafted from solid eucalyptus this Brazilian classic is designed with soothing smooth edges, making it one of the most comfortable and laid-back lounge chairs around. [more...]

Resources

More Books

Case Study Houses
“It’s a huge coffee-table book, which analyses each of the houses in chronological order, with plans, sketches and glorious photographs.” [more...]
Buy it here: Amazon

The Eames Lounge Chair
The book examines the evolution of a design icon and places it in its cultural, historical and social context. [more...]
Buy it here: Amazon

The U.N. Building
Symbol of world humanitarianism, a beacon of unity after the Second World War. More than 50 years on, the 39-story building is regarded as one of the pinnacles of mid-century modernism. [more...]
Buy it here: Amazon

Loblolly House
Including a DVD of the film "A House in the Trees", a real-time documentary of the design, fabrication, and assembly of this amazing house. [more...]
Buy it here: Amazon

Desire
The Shape of Things to Come. An up-to-date comprehensive survey on furniture and object design today, showcasing the crème de la crème of designers. [more...]
Buy it here: Amazon

Marcel Wanders
Behind the Ceiling is the first monograph on one of the most influential, prolific and celebrated international designers today. [more...]
Buy it here: Amazon

How to Wrap Five Eggs
A mid-60s classic of Japanese design. Stunningly laid-out paean to traditional Japanese packaging is rife with sumptuous black and white photos of all manner of boxes, wrappers and containers that appear at once homely and sophisticated, ingeniously utilitarian yet fine and rare. [more...]
Buy it here: Amazon

Services