Inspired by small structures found in nature, the Chicago Spire, formerly known as the Fordham Spire and 400 North Lake Shore Drive, will be the tallest building in North America when it is completed in 2010. At 2000 feet it will be the first building to reach that milestone.
Stacked up like poker chips, each ring is 95mm tall with lacquered tabletops.
Babel Cocktail Table, by Fredrik Mattson, for Blå Station
Looks like a bad chair day.
Corallo, by Fernando Campana, Humberto Campana, for edra
Displayed at Illums Bolighus in Copenhagen, and subsequently sold at auction, proceeds to the Danish AIDS Foundation.
Series 7 chair, by Arne Jacobsen, for Fritz Hansen
KD 27 Table lamp, (sold), by Joe Colombo, for Kartell at City Furniture
This subtle “removable skin” echoes the neighboring gallery after-hours shutters, subtly contextualizing the building within its site. The building can literally become a uniform minimal cube, or it can open completely (as well as virtually unlimited permutations between). South of the loggia, twenty foot tall, upwardly pivoting glass walls open completely, thus blurring the boundary between the inside and outside – the double height living room and loggia become one. Similarly, a series of interior sliding glass doors create an open “universal floor” in each of the duplex houses – one vast and uninterrupted expanse which transitions seamlessly from inside to outside, or partition the space into private areas.
- Shigeru Ban
Inspired by spaceships and jet fighters, Kinzo Air is a new range of office furniture designed by German architects Kinzo, The Trio just picked up a red dot award for their new office furniture system that kitted out the new headquarters of Germany’s leading tabloid and Europe’s largest Newspaper ‘Bild’., owned by publishing giant Axel Springer.
Kinzo Air, by Designer, for Kinzo
Located in the city-center of Maastricht, this renovated 15th century monastery of the Crutched Friars offers you a breathtaking synthesis of a veritable Gothic exterior with a sleek, dressed-down modern interior. Many innovative solutions for structural challenges (e.g. a glass elevator connecting the church to the monastery area) only confirm the notion that the sobriety of modern style forms a perfect match for a late-medieval architectural expression of religious virtue.