In the center of the vault-like room is a brass pendulum, which swings back and forth every second. This is meant to symbolize our fight against time, as the brass base would naturally oxidize over time yet the polishing brush at the bottom of the pendulum keeps that process from occurring. Nearby stands two connected saxophones, which emit a sound every 15 minutes like a classic horological sentinel. “This is our town church bell,” Trimarchi explains. A massive slate of round Carrera marble represents time as a circular motion. The handless clock is comprised of two concentric circles, and when the veins in the marble match up, one hour has passed by. An elegant fan clock in another part of the room expresses time as a repetitive pattern. Over the course of five minutes, the shade circumnavigating the brass center playfully unfolds and folds back up again as a reminder of our most common way of measuring time.
Formafantasma: From Then On, by Established & Sons
Photography by Established & Sons and Karen Day
The second OKKO hotel has taken up residence in the heart of Grenoble and its eco-district. With a terrace facing magnificent mountains, the challenge was to come up with a flattering echo for these beautiful rivals. A new range of warm colors is arranged in islands to give structure to the large volumes of the Club. Very contemporary evocations of nature were achieved with a choice of high performance materials and a collection of furniture pieces that hinge on the fundamental concepts of the OKKO ethos. Neither quite the same as the first OKKO nor quite different from it, this unique place combines aesthetics, comfort, timelessness and high standards. To continue to feel at home while being somewhere else. Okko hotels had been founded by Paul Dubrule and Olivier Devys.
A glass box makes up one of the lower volumes and the transparent structure contains the kitchen, living, and dining rooms. Floor-to-ceiling sliding glass doors fully open letting the space continue outdoors. The picturesque swimming pool wraps around the glass volume making the water super enticing. The upper volume houses the master bedroom wing that’s designed as an open floor plan. It hovers over the pool and gives the owners views of the ocean. When the sliding glass doors are open, it’s almost like you’re living outdoors. The glass volume is attached to a structure that contains the garage and a guest wing above. Landscaping plays a key role in the design of the house making it feel like the home is meant to be there.
Interior design by Rees Roberts + Partners LLC (Lucien Rees Roberts, Partner, Kate Rizzo).
Landscape design by Rees Roberts + Partners LLC (David Kelly, Partner).
Surfside Residence, East Hampton, New York, by Steven Harris Architects
Photography by Scott Frances/OTTO
Caché is a lamp series of three pendants and a floor lamp. A sleek and contemporary design manufactured in a ultra-high quality craftsmanship with a lovely brass detail where all the parts are produced in Denmark. The pleated lampshade gives the lamp a special character and adds le Klint’s classical DNA which lies in the unique craft of pleating. Caché which in French means hidden is just the symbolism of the almost hidden hand folded lampshade, which is beautifully integrated in the lamp, and provides the unique character associated with a classical le Klint lamp.
Caché Lamp Series, by Aurélien Barbry Studio, for le Klint
The Brazilian architecture firm of Felipe Hess has designed this bright and spacious apartment located in a 1960’s modernist building in São Paulo for its owner, a young actor who lives alone. With the brief calling for a spacious, open and clean-cut space, the designers decided to tear down almost every wall and unify all social areas. One of its unique features is a 10-meter-long table that runs along one side of the loft-like space, serving different purposes at different points (functioning as a cooking table and office desk with inlaid power plugs and dining table). The apartment’s private areas, comprising a master bedroom with bathroom and closet and a small toilet for visitors, are separated by a large white wall. Reflecting the owner’s occupation, a special area has been created opposite the kitchen for rehearsing plays, simply furnished with a few chairs and amply lit with natural light.
Another feature of the apartment is its main entrance which has been placed inside a cube construction, that is completely covered in bright yellow tiles from floor to ceiling. In order to create a seamless surface of tiles, the designers decided not to use a door handle; instead, you open the door in true 1960′s James Bond style by entering a PIN on a number-pad hidden behind one of the tiles. As the entrance cube is covered with shelves from the outside, an illusion is created – as upon entering, it seems like you are coming out of a magic door through the bookcase.
Apartamento Sergipe, São Paulo, Brazil, by Felipe Hess
Photography by Ricardo Bassetti
The municipality of Wemmel, situated on the outskirts of Brussels, is well known for its green areas with their monumental villas of the upper class. After a search of several years, the principal saw a house situated in one of those quarters. It was not his dream house but because of its marvellous location and the south orientated garden, he decided to buy it.
DmvA was commissioned to turn the rather classical house into a contemporary edifice. No sooner said than done, but the fact that also the neighbours had to approve the design to get a building license, as prescribed in the building regulations, had a great impact on the design. So no total ‘methamorphosis’ of the existing house, just small interventions. The façades of the existing house were painted white. The interior was furnished in black and white. The swimming pool was renovated and framed by an illuminating glazed ‘retaining wall. Finally, two sculptural white volumes were added connecting inside and outside, linking house, pool and garden.
House LS, Brussels, Belgium, by dmvA
Photography by Frederik Vercruysse
Caslon is a high class sofa and one-seater with international potential and generosity. Caslon is architectural in the outer shapes and carries elegant sewing details that enhances the feeling of exclusivity. At a distance Caslon blends into the interior without screaming for attention, but once you get close you start noticing the care for details.
“There is a pure simplicity to the front, which draws the perfect balance of hard and soft, of pure geometry in its form and unexpected beauty in its details.” says Brad Ascalon. “The sofa is at first glance, simple, easily understandable, unadorned. But as one examines it in greater depth and with greater closeness, one begins to see the details – the stitching, the treatment of its upholstery, the attention given from every angle.”
Caslon Collection, by Brad Ascalon, for Mitab
The residence was designed to take advantage of the site’s striking features, including majestic oak trees and large boulders. The house is divided into two wings. A public wing includes living, dining and kitchen areas and opens up to the main outdoor dining and lounging areas. The second, more intimate wing, contains bedrooms, bathrooms and a library all of which open up to small outdoor courtyards and terraces. The property also includes a lap-pool and an existing guest house.
The building is constructed of exposed steel, glass, concrete and insulated metal panels. The Montecito Residence takes full advantage of the indoor-outdoor living made possible by California Coast’s mild climate. Designed specifically without air-conditioning, the house is cooled exclusively by cross-ventilation. Large operable sectional glass doors, sliding doors and windows can be opened and closed to quickly adjust to the climate conditions and the occupants’ comfort. In addition, the house’s radiant heat system is fed by solar collector panels. Other sustainable features include highly efficient boilers, photovoltaic panels and an Energy-Star rated “cool” roof.
Montecito Residence, Montecito, California, by Barton Myers Associates
Photography by Ciro Coelho
On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic. There we have erected a house as if it were a jetty facing out to sea. A house that is a podium crowned by an upper horizontal plane. On this resoundingly horizontal plane, bare and denuded, we face out to the distant horizon traced by the sea where the sun goes down. A horizontal plane on high built in stone, Roman travertine, as if it were sand, an infinite plane facing the infinite sea. Nothing more and nothing less.
The House of the Infinite, Cádiz, Spain, by Alberto Campo Baeza
Photography by Javier Callejas
Ruutu, which means diamond or square in Finnish, is a collection of 10 vases available in five sizes and seven colours. When collected and combined, they make small seamless installations where both the strength and the delicate nature of the glass come alive. Like Ittala’s iconic Alvar Aalto collection, Ruutu is also created in Iittala’s Finland factory. However, where the Aalto vase embodies an organic form, Ruutu follows strict form and makes a perfect collectible.
Designers Ronan and Erwan Bouroullec explain, “Iittala knows very well how to manipulate colours. In Ruutu, we were able to create a delicate, watercolour-like palettes that intermingle with each other when combining sizes and colours. Ruutu allows a game of composition. We wanted to show the sophisticated range of Iittala colours while at the same time handing the job over to the user who will feel tempted to have several modules to create his or her own individual assemblage.”
Ruutu was an inspiring challenge in the Iittala glass factory given the many hours required to create symmetry, yet keep the feel of a handcrafted, unique product. “We were seeking to express the purity of glass blowing in this simple diamond shape,” explain the Bouroullec brothers. “Glass is a material that likes round shapes. When hot it flows like honey and does not like to be pulled into a very precise geometric shape. By developing the strict shape we are reaching the limits of the material, and using the highest level of the Iittala glass-blowing expertise.”