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Clear Lake Cottage by MacLennan Jaunkalns Miller Architects

A Toronto family of five requested a cottage that is ‘modern and open’ but retains a quintessential ‘cottage feel’. The building was to be commodious and accommodate extended family but should avoid ostentation in scale and modernity. The Clear Lake Cottage proposes a simple tent-like envelope to house both program and outdoor spaces under a single vernacular form. A singular roof presents a child-like impression of house; rectilinear and ordered in symmetry while playfully skewed in volume. Nestled within a forest, the building is sculpted and stepped to take advantage of the land; modeling the natural grade. Open and closed faces respond to shoreline views or quiet wooded depths. Like a tent the porosity of the building’s envelope strengthens the experience of ‘cottage’.

Three volumes: a communal space, a bedroom bar, and a master suite are registered in response to the site to achieve views, separation, and privacy. The roof peak creates a sleeping loft, and enhances the communal space. The plan aligns a series of large sliding windows for summer cross ventilation. The tent-like ‘big top’ of the Douglas Fir interior has three exterior spaces carved into it to create sheltered outdoor areas. The relationship to site, the transition spaces, and operable transparent skin connects to this privileged landscape.

Clear Lake Cottage, Parry Sound, Ontario, Canada by MacLennan Jaunkalns Miller Architects

Gallery Sèvres Cité de la Céramique by A+A Cooren

The aim of the display system for the Manufacture of Sèvres is to enhance their four centuries of creation through a selection of 100 pieces. Reminiscent of the sunrise in Asia, the vaporised yellow gradation opens a vertical evasion of the space. The void created between the thin-edge plywood shelves and the light wire-cube structure, expresses the lightness and the impression of floating shelves.

Galerie de Sèvres – Cité de la Céramique, Paris, France, by A+A Cooren
Photography © Lorenz Cugini

329 Prepared DC-motors, Cotton Balls, Toluene Tank by Zimoun

Permanent installation. DC-motors, cotton balls, filler wires, power supply, lighting system, bench foundation, toluene tank (1951), Dottikon, Switzerland, by Zimoun

Candy Collection by Sylvain Willenz

Candy Collection reinvents the steel reinforcement bars normally used for concrete structures. Thanks to an industrial coating process, the common and usually unattractive rusty steel bars are given a new and seducing identity. The Candy shelves explores beauty and simplicity of ready-available construction materials to make furniture. A commonly known bar, by means of a simple design and an industrial intervention, becomes a beautiful and classic piece of furniture. Surprisingly, the purely functional texture of the bar becomes a decorative element once painted.

The Candy shelves clearly refer to 1960’s furniture, through the use of a structure holding boards of varying and contrasted colours and finishes as well as perforated metal tray elements and accessories.

Candy Collection, by Sylvain Willenz, for Cappellini

Burton Residence by Marmol Radziner

This vacation home is set on the crest of a grassy knoll on a 160-acre site in Mendocino County. The goal was to preserve and enhance the natural beauty of the property by siting the retreat in a careful, simple, and unobtrusive manner. The 10-module home forms an L-shaped plan, framing views of a canopy of mature oak trees to the south and east.

The road leading to the house climbs the hill and ends at the carport at the home’s west end. A set of concrete stairs lead up a gentle grade from the carport to the entry deck, which runs along the north side of the home. The main volume is oriented east to west and arranged in an open plan. The living room, kitchen, and dining room collectively open southward onto a covered patio with an outdoor fireplace and pool area. From the main volume, the master bedroom extends to the north, following the edge of the hilltop and ending in a private deck that takes in the morning light from the east.

Long Valley Ranch utilizes a number of sustainable strategies and materials. Passive solar heating and cooling are achieved through use of concrete flooring, covered decks, and natural through breezes. A 17-kW solar array offsets the electricity usage of the house, and a tankless hot water heater provides on-demand water heating. Sustainable materials are used throughout, including recycled denim insulation and low-VOC paint.

Burton Residence, Mendocino County, California, USA, by Marmol Radziner
Photography © Joe Fletcher

Prehistoric Aliens by Glimpt

“The name, Prehistoric Aliens, was inspired by Peru’s fantastic cultural heritage which often seems very mystical and ancient to our western eyes. The small coffee tables are almost like small spaceships that have just landed, with their leader, The Robot.”

Prehistoric Aliens, by Mattias Rask and Tor Palm, Glimpt, in collaboration with Artesanos Don Bosco.

Leimu lamps by Magnus Pettersen for Iittala

Iittala is proud to debut Leimu, a new lighting piece by young Norwegian-born designer, Magnus Pettersen. As its flame-evoking name suggests, the copper-brown Leimu creates a relaxed atmosphere for enjoyable moments in good company. With its strong concrete base, the impressive glass lamp portion, inspired by traditional lampshades, makes Leimu a brand-new lighting fixture where sensitivity encounters strength.

Concrete is a captivating material for Pettersen: “It has a raw and cold feel to it. The union of glass and concrete is well known in architecture, but it isn’t necessarily always beautiful. I wanted to smoothly combine opposites in a lamp and show that fierce and sensitive, cold and warm can work well together.” Contrast fascinates Pettersen, whose studio is based in London. His style is referred to as “industrial luxury” because opposites are a recurring feature in his work. He looks at how well different materials or colours merge in an interesting and functional way without prejudice.

From a technical standpoint, harmonising the stem and glass portion was not easy. “Glass is a great material, but it is also very challenging because it is alive and it makes accurate dimensioning very difficult. However, through the know-how of and good communication with Iittala’s glass factory, we were able to combine concrete and glass into an elegant whole.”

Leimu lamp, by Magnus Pettersen, for Iittala

TP-H Residence by Jermyn Manthripragada Architecture

The project is the addition of a dining room, reading room and two bedroom suites to an existing 1948 adobe-brick house. It employs the material and formal language developed for a previous addition (the ‘Box Office’) completed in 2011: spare, platonic boxes of a perceptual mass defined precisely at their junctions to openings with a material thinness.
Four volumes control view and orchestrate movement through their various internal and external alignments. The reading of the solid/void relationship oscillates between additive and subtractive processes–on the one hand understood as a series of connected volumes while on the other seen as an initially pure box from which two L-forms are removed. The result is a rhythmic reciprocity between interior space and garden.

TP-H Residence, Palo Alto, California, by Jermyn Manthripragada Architecture, Photography by Lucas Fladzinski

Exhibition: Gerrit Th. Rietveld at Galerie VIVID

Galerie Vivid is very proud to be the first ever Dutch gallery to organize a comprehensive presentation of the Dutch architect’s original works. Many of his iconic designs will be on display. Amongst others his famous ‘Red–Blue’ chair, the ‘ZigZag’ chair and ‘Beugelstoel’. The works come from major Dutch private collections, most have never seen by the public before.

The generation that has known Gerrit Rietveld in person and worked with him is slowly disappearing. This exhibition will tell the story of these people, show their love for the work of Rietveld and let us admire the Rietveld furniture they collected. The collections represented include architects, previous employees of Rietveld’s architecture firm, teachers and traditional design dealers. One of the highlights of the exhibition will be Rietveld’s, monochrome black ‘rood-blauwe stoel’ designed in 1919, that was commissioned by the famous Dutch designer Kho Liang Ie in 1963.

Gerrit Th. Rietveld, Galerie VIVID, Rotterdam, Netherlands April 7 – June 2, 2013, via: Designartnews

Tom Ford’s New Mexico Ranch by Tadao Ando

Fashion icon Tom Ford, the ardent perfectionist credited with turning around a flagging Gucci and reinvigorating Yves Saint Laurent, is, unsurprisingly, just as exacting about his residences, but has largely kept them out of the limelight. That changed last year when he revealed his Santa Fe ranch in a guest-edited issue of French Vogue. Ford grew up in Austin, Texas, but would travel to New Mexico frequently to visit his grandmother. Evenutally, Ford’s father moved to Santa Fe, and the designer purchased a large tract of land south of town on which he constructed this dreamland of a ranch. Designed by Japanese architect Tadao Ando, the equestrian facility lies amid a 24,000-acre private tract, where classic Westerns like Silverado, Wyatt Earp, and 3:10 to Yuma were once shot. Ford spends roughly a quarter of the year on the ranch.

Tom Ford’s New Mexico Ranch by Tadao Ando, via: Curbed and Full Time Ford
Photography by Guido Mocafico/French Vogue

Buy the book:Ando. Complete Works, Updated Version 2010, Jodidio, Philip, Hardcover, 30.8 x 39 cm (12.1 x 15.4 in.), 600 pages, Published by Taschen, ISBN: 9783836509497
Buy it here: Amazon

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