Stripe is an upholstered lounge chair in a slim and lightweight appearing design. A special and simple linkage between the plywood seat shell and the base frame made of steel, makes the chair smoothly rocking without any mechanical suspension.
Although Japan boasts of many outstanding traditional craftworks, the majority of these craftworks are endangered. One of them is the paper lantern called “Chouchin”. An effective means to help these lanterns to survive into the future is by utilize them. Here, we designed lighting equipment for the Gifu Chouchins famously known to have a history of about 500 years ago.
For many years an aesthetic called “Innei Raisan” (In Praise of Shadows) had existed in Japan. Nevertheless, we often see light spreading across uniformly at every corner to overcome darkness. In such an environment, it is difficult for Japanese to maintain a keen sensitivity to beauty, which has continuously been passed down from generations to generations.
Strangely enough, the power saving deployed after 3.11 (the Great East Japan Earthquake) reminded the Japanese people of the spirit of “Innei Raisan” (In Praise of Shadows). We now know that the humble and gentle charm of light we rediscovered when saving power is enough for us. In that regard, we designed Chouchin Lamp as we felt it was necessary for light to reflect Japan in such a situation.
In Japan, the idea that worldly things do not last long is now to taking roots. Japan has come to see beauty out of the fragility of temporary things. We incorporated this specific idea into our design and hope that Chouchin Lamp will introduce the beauty of tradition into your living space and bring back the light reflects Japan.
In the vast barren landscapes of the southern Kalahari, Sociable Weaver Birds assume ownership of the telephone poles that cut across their habitat.Their burgeoning nests are at once inertly statuesque and teeming with life. The twigs and grass collected to build these nests combine to give strangely recognisable personalities to the otherwise inanimate poles.
Assimilation, by Dillon Marsh
A small, iconic fixture inspired by the classical silhouette of a grain silo. This shape was refined during the design phase to finally become SILO — a minimalistic pendant with a distinct industrial character. SILO, with its colour range of white, black, yellow and green, can both step forward in a room and become a dynamic element or step back and blend into its surroundings.
Silo Pendant Lamp, by Note Design Studio, for Zero
After Ray’s death, the Eames family shared and cared for the Eames House and grounds, always mindful to safeguard their authenticity for the future. Now, the Eames Foundation is ready to preserve the house as it existed when Charles and Ray lived and worked in it for the last, most prolific half of their lives. This includes not only conserving the house for the future but also celebrating and transmiting the legacy and philosophy of Charles and Ray.
Help preserve the Eames House and own a piece of the Eames legacy. Each print is hand numbered. These prints are 100% original works inspired by the elegant geometry and understated simplicity of Eames designs. All proceeds will support the projects of the Eames Foundation.
Eames House Prints, Limited Edition of 500, from the Eames House
The Woods is the second collaboration between the Norwegian design studios StokkeAustad and Andreas Engesvik, Oslo. The inspiration was found in the forests and the lights of the North. A tree changing colours and transparency through the seasons is a fascinating process which was captured in this glass object.
Our ambition was to work sculpturally — without any specific function other than the purely decorative. A renewed interest in the field of craftsmanship, tradition and new categories – has brought us into an area and expressions that we wanted to explore further. Thus, reducing the gap between industrial design and what we know as arts and crafts.
The unique, free standing glass sculpture The Woods, is a made out of hand blown glass. Each sculpture consists of seven trees — joined in two separate sections.
The Woods, by StokkeAustad and Andreas Engesvik
Juno can be construed as symbolic of a classic farmhouse chair. To create it, the designer implemented traditional artisanship techniques in combination with a variety of modern elements. In doing so, he succeeded in reinterpreting the archetypal wooden chair entirely, while still staying true to its origins. The resulting piece is an impressive interpretation, but offers a great deal more comfort. The seat is made of a flexible, moulded wood shell that yields when it is leaned upon. Overall, Juno conveys a less rustic impression, and considerably more femininity. Juno is a sturdy yet elegant chair that inspires curiosity and has an almost sculptural appeal.
The house consists of two building volumes: a homogeneous, black saddle roof structure – turned on a cantilevered flat roof white box. Minimal intrusion into the hillside topography. The body of each open toward the natural space.
Neubau Atelierhaus, Wenzenbach, Germany, by Fabi Architekten