In the vast barren landscapes of the southern Kalahari, Sociable Weaver Birds assume ownership of the telephone poles that cut across their habitat.Their burgeoning nests are at once inertly statuesque and teeming with life. The twigs and grass collected to build these nests combine to give strangely recognisable personalities to the otherwise inanimate poles.
Assimilation, by Dillon Marsh
A small, iconic fixture inspired by the classical silhouette of a grain silo. This shape was refined during the design phase to finally become SILO — a minimalistic pendant with a distinct industrial character. SILO, with its colour range of white, black, yellow and green, can both step forward in a room and become a dynamic element or step back and blend into its surroundings.
Silo Pendant Lamp, by Note Design Studio, for Zero
After Ray’s death, the Eames family shared and cared for the Eames House and grounds, always mindful to safeguard their authenticity for the future. Now, the Eames Foundation is ready to preserve the house as it existed when Charles and Ray lived and worked in it for the last, most prolific half of their lives. This includes not only conserving the house for the future but also celebrating and transmiting the legacy and philosophy of Charles and Ray.
Help preserve the Eames House and own a piece of the Eames legacy. Each print is hand numbered. These prints are 100% original works inspired by the elegant geometry and understated simplicity of Eames designs. All proceeds will support the projects of the Eames Foundation.
Eames House Prints, Limited Edition of 500, from the Eames House
The Woods is the second collaboration between the Norwegian design studios StokkeAustad and Andreas Engesvik, Oslo. The inspiration was found in the forests and the lights of the North. A tree changing colours and transparency through the seasons is a fascinating process which was captured in this glass object.
Our ambition was to work sculpturally — without any specific function other than the purely decorative. A renewed interest in the field of craftsmanship, tradition and new categories – has brought us into an area and expressions that we wanted to explore further. Thus, reducing the gap between industrial design and what we know as arts and crafts.
The unique, free standing glass sculpture The Woods, is a made out of hand blown glass. Each sculpture consists of seven trees — joined in two separate sections.
The Woods, by StokkeAustad and Andreas Engesvik
Juno can be construed as symbolic of a classic farmhouse chair. To create it, the designer implemented traditional artisanship techniques in combination with a variety of modern elements. In doing so, he succeeded in reinterpreting the archetypal wooden chair entirely, while still staying true to its origins. The resulting piece is an impressive interpretation, but offers a great deal more comfort. The seat is made of a flexible, moulded wood shell that yields when it is leaned upon. Overall, Juno conveys a less rustic impression, and considerably more femininity. Juno is a sturdy yet elegant chair that inspires curiosity and has an almost sculptural appeal.
The house consists of two building volumes: a homogeneous, black saddle roof structure – turned on a cantilevered flat roof white box. Minimal intrusion into the hillside topography. The body of each open toward the natural space.
Neubau Atelierhaus, Wenzenbach, Germany, by Fabi Architekten
Republic of Fritz Hansen Showroom, Milan, Italy, Project & Art Direction by Studiopepe, Photography by Andrea Ferrari,
Shelving by string® system
This home is on a plot of 3,000sqm with a height of 25m, in a Castellón neighborhood that is only 50% constructed. Looking at the plot, we see that it reflectsits seventeenth century history, which is when overpopulation forced the cultivation of all types of terrain, including those that are very steep, through a system of small terraces with walls made of local rock. The later abandonment allowed the growth of trees, mainly pine and carob. Our position towards the plot was that of absolute respect, so the construction method should also respect the land, thus us opting for a prefabricated building system that is deposited on the land practically without touching it, without cutting down trees, and taking advantage of existing terrace/garden areas, which were rebuilt in the damaged areas, with the same stone and same technique. Part of the house — garage and auxiliary areas — is buried, allowing us to re-introduce native vegetation on the natural terrain. This also allows the plot to be accessedon the upper levelby forklift from a ramp that enters the garage located 13ml under the access level that communicates with both of the home’s levels. All of this is hidden from view. For construction, in trying to lessen the impact on the ground, we chose a metal structure fabricated in a workshop and transported to the site in large pieces that could be assembled on 3 metal, V-shaped pillars. An existing stone terrace supports the back part of the structure.
This home looks as though suspended or in flight due to the dry construction materials used. The façade, resulting in various layers, is finished on the outside with corrugated sheet metal, specially designed to prevent glare and heat, thanks to the shadows caused by the folds. The great front opening is oriented towards magnificent views, and allows adequate sunlight in during the winter, but also protects from the sun in the summer. The solar energy panels with heat pipe technology on the roof allow the home to guarantee that at almost any moment, there will always be hot water available for both domestic use and for under-floor heating. Air currents cross the patio, taking advantage of the different orientations, which permits reductions in air conditioning consumption, which, in any case, has been installed.
The intermediate courtyard allows access under the house, and at the same time, allows all the rooms to face the sun and the views. The whole house revolves around this courtyard. This is a house with a courtyard, but with different connotations since each room in the house can be seen from the courtyard’s central location, as well as the surrounding landscape, and since the courtyard is surrounded on four sides by the house, but is not enclosed by it due to the slope of the plot. In the large front area, which houses the kitchen, living room and master bedroom, the construction system is evident since the pillars and roof structure, formed by metal brackets supporting a corrugated sheet over which the roof is built, can be seen.