“Simplicity, quality, function and innovation have been the central tenets during the design process throughout this project. The mechanism we designed for this pen is completely unique, yet intuitive and reliable. We wanted to transcend the classical twisting or clicking mechanisms by developing this precise and user friendly piece of engineering.”
Align Pen, by Beyond Object
This unconventional design by Pitsou Kedem blurs the borders between private space and outdoor space. In a new building, in the old north of Tel Aviv, a unique penthouse covering an entire floor of some 600 square meters, is open and transparent in four directions. The entire penthouse is wrapped with a screen of clear walls. The internal spaces, floating within the building’s shell, are fully exposed to the city. Passages and movement, or corridors in conventional design language, to the rooms and then, on to the apartment’s spaces are next to the structure’s outer shell. No rooms connect with this outer shell and no rooms block or shut off the view over the city. The levels of transparency and exposure are regulated using various methods of shading. Thus long and continuous lines of sight are preserved from one of the apartment to the other.
Along the entire frontage, some 25 meters, there are transparent, teak framed, sliding doors which allow for the opening and closing of the various internal spaces, such as bedrooms and bathrooms, to the external shell. Thus the city merges into the apartment, the climate is regulated and the residents can enjoy the sky line and changing lights at any given time. The apartment’s style corresponds with international styling whilst retaining classical influences in the spirit of the period. Such as, for example, the style of French architect Jean Prouvé whose work was unembellished, placing the emphasis on practicality. The materials used in the apartment’s construction are, for the most part, shown in their raw state. The floor is poured terrazzo and an exposed concrete wall in the living room is offset with a metal bookcase. The pool is completely covered with dark stone so that the city can be reflected in its entirety in the water. Along the balcony we find planters with Frangipani trees that reflect and continue the characteristic flora of many Tel Aviv gardens. The apartment’s residents have an impressive collection of art. This played a significant role in the design of the spaces, each of which relates to the specific piece displayed in it. And the responsibility for bringing a smile to the design has been given the yellow hue that has been used in the main door, the closet and additional touches of yellow scattered around the apartment.
Open and Transparent to the City, Tel Aviv, Israel, by Pitsou Kedem Architects
Photography by Amit Geron
In collaboration with Jean-Marc Estaque, cabinetmaker and Meilleur Ouvrier de France, the designer Didier Versavel imagined the “Precious” collection. Startling small volumes faceted wood and fluorescent PMMA. This surprising combination of materials, solid wood and plexiglass fluorescent echoes Meet the master craftsman and designer, between tradition and modernity. The Precious range comes in many variations, center table, empty pocket, magazine rack, lamp ask or lampshade.
Precious Series, by Jean-Marc Estaque and Meilleur Ouvrier, for Didier Versavel
Photography by Marc Mesplié
Located in Hawthorn, this wide, open-planned office space and reception occupies 250sqm. The composition of this office space required innovative thinking and clever design solutions to make it practical whilst remaining simple, clean and light-filled. As a prominent Project and Development Management consultancy group, the interior acknowledges the client Case Meallin’s respect for professionalism, planning and efficiency. Applying a grounding palette of charcoal and white, these blues feature in the custom floor covering and as geometric graphics in both the kitchen splashback and office glazing, which creates visual intrigue without playing to short-term trends.
Floor to ceiling natural oak timber screens generate a sense of large scale proportion whilst highlighting the divisions, providing privacy and distinguishing staff zoning between spaces. Throughout the office, efficient planning and clean architectural lines ensure spaces are light-filled and well-proportioned, whilst maintaining a fluidity from one space to the next.
Case Meallin Office, Melbourne, Australia, by Mim Design
Photography by Peter Clarke
“Disconnecting”; a wall cuts the home off from the world outside: the French coast distorted by common town planning. On the other side, the sea. Nature stirs. Wind bends tree trunks. The roof bows before a bustling environment. Bedrooms transform into terrace: a concrete passageway leading outside. A moment to breathe; punctuation in sentences. A tile-covered ceiling salutes the spirit of Provençal homes. Below, only wood and concrete form the building. Beyond any codes, the natural, raw materials stand eternal. Concrete has a soul; it has something to say. The bedrooms sit alongside undergrowth. Two intimate, comfortable places facing each other. On one side, trees provide shady spots, on the other, a mass of concrete offers protection and a cool haven.
ALON House, France, by Atelier d’Architecture Bruno Erpicum & Partners
Photography by Jean-Luc Laloux
Matsuso T is a collaboration project between Hiroshima’s expert carpentry workers and Jin Kuramoto design studio. Many of the professional wood working techniques used by expert carpentry workers in Hiroshima come from traditional wooden boat making. These boat making techniques can be seen in the overall design, as well as a gracious harmony between function and form.
Matsuso T, by Jin Kuramoto Studio
Photography by Takumi Ota
G12 House, Überlingen, Germany, by (se)arch Freie Architekten BDA
Photography by Zooey Braun
The owners of this house are a family of five with kids ranging from elementary school to middle school. They had hired Klopf Architecture about 10 years ago to design an addition to their ranch home, but had dreamed of living in a modern home even back then. When they eventually found the right home, an Eichler in Burlingame that had recently been used as a group home for up to 12 people at a time, they knew from the start they wanted an open, light-filled, clean, bright (and of course updated) home. The owners shared much of the same tastes with us, so the design was a very smooth collaboration. The family had been collecting mid-century modern furniture, and once they were moved into this house rounded out their collection to furnish the whole house.
Project goals were to allow for more connection than even the original house had, as well as increase the functionality of utility spaces and improve the kitchen / family room so that a family of five could live together happily in these spaces. There were removed half the wall between the kitchen / family area and dining room, and also replaced half the solid wall of the dining room with a large, fixed window to the back yard – this gives a direct view to the rear yard from the computer desk area, as well as allows much more circulation into and out of the kitchen / family room area. We also reconfigured a hallway closet, laundry closet, and 2-room bathroom into a full bath, a half bath, a laundry room, and a linen closet. We widened the space in the kitchen and set up a huge, single plane island for projects, feeding the kids, entertaining, and work space.
Double Gable Eichler Remodel, Burlingame, California, by Klopf Architecture
Photography by Mariko Reed
At the bauhaus art school in Dessau, two original buildings designed by Walter Gropius have been restored and reinterpreted by German practice BFM Architekten. The project, which reopened its doors on may 16th, 2014, generated a great deal of debate regarding alternative approaches to the memorial site. Potential options included the complete reconstruction of of the homes, in line with the principles of monument protection; the aesthetic reconstruction of the outer shells in the interests of tourism; and the conservation of the structures as historic records of destruction.
The final decision was to integrate both reconstruction and conservation, safeguarding the legacy of the building with an updated and reconfigured design. The completed structures stand as stacked compositions of concrete, influenced by their former structural shape. Externally as well as internally, many of the design’s intricate details have been excluded, simplifying the existing volumes.
Bauhaus Masterhouses, Dessau, by Walter Gropius
Photography by Sebastian Gündel and Christoph Rokitta
Casa Spodsbjerg is a family summer home on a rocky beach in Denmark. Completed in 2010 by Arkitema Architects, this house is designed to take advantage of the views and characteristics of its site. The structure is composed of two staggered volumes on a concrete foundation. One volume houses the living rooms while the other holds the bedrooms and bathrooms. The living room utilizes floor to ceiling windows to achieve an unbroken view of the sea and beach. The bedrooms are on the second story and are more shielded, allowing for a quiet and peaceful place to rest. Casa Spodsbjerg uses a limited number of materials in its design. Concrete is used for the base and internal forms, the floors are a light hardwood, and the ceilings covered with a warm, slatted wood.
Casa Spodsbjerg, Denmark, by Arkitema Architects