The conversion of a former manufacturing workshop in a Parisian alley to a family apartment. Multifunctional wooden cabinetry lines the perimeter of the space to open up the central living area.
Kabinett, Paris, by Septembre, Photography by Maris Mezulis
The North Delegates’ Lounge inside the United Nations was designed as a place for informal meetings. The casual setting was furnished by leading designers of the time including Hans Wegner, Peter Hvidt, Jacob Kjaer, and Nanna Ditzel. The interior was the pinnacle of postwar / modern design splendor reflective of the era. It was refined, clean and handsome. But decades of wear and tear not to mention various additions tarnished its luster. Enter Rem Koolhaus and Hella Jongerius. The Dutch masters were selected to redesign the lounge as part of UN’s nearly $2 billion plan to renovate the entire building. Artworks and some of the lighting and furnishings were preserved but for the most part, Jongerius transformed the lounge into a colorful, casual, and dare we say fun environment. The renovation and redesign was a gift from the Netherlands to the UN.
Redesign of the North Delegates’ Lounge, United Nations, New York, by Hella Jongerius and Rem Koolhaas, Photography © Frank Oudeman
For more than 150 years, the longstanding silver manufactory of Jarosinski & Vaugoin has been producing high-quality silver objects. At the beginning of the 20th century, the manufactory–founded in 1847 by Carl Vaugoin, who specialized in heavy, handmade cutlery–relocated to Zieglergasse in Vienna’s 7th district, just a few minutes’ walk from Feichtner’s current studio. Today, Jean-Paul Vaugoin represents the sixth generation of his family to continue the tradition of this renowned business. For their collaboration, Feichtner took inspiration from Jarosinski & Vaugoin’s history: during the late 1960s, the silver manufactory produced several replicas of the legendary Saliera by Benvenuto Cellini, of which one was presented by the Republic of Austria to Queen Elizabeth II as an official gift on the occasion of her state visit in 1969. The manufactory’s current collaboration with Feichtner has given rise to a series of silver spice containers that are gold-plated on the inside. The salt cellar can be tilted to remove salt through an opening with two fingers in order to sprinkle it. In this way, Feichtner gets the salt cellar’s users to playfully but consciously approach the concept underlying an object that sees little use today, rather than just to casually shake on salt. “I didn’t want to design a second Saliera–instead, I wanted to come up with a new take on its approach to salt,” says Thomas Feichtner of his design. “Saliera” will be first shown on the occasion of the opening of the Vienna Design Week 2013.
The Kearsarge Residence is a major renovation of the 1968 M.G. Residence by the Romanian-American mid-century modernist architect Haralamb H. Georgescu.
Located on a flag lot in Brentwood, California, the site for the Kearsarge Residence has a unique character as a forest within the city. The challenges of working on a historic architectural home is one filled with a unique set of choices. These choices arise from questioning what makes the house important as well as what elements deserve to be preserved and what can be changed to make the house comfortable and livable for years to come.
We don’t live today the way we lived forty five years ago and we will live differently forty five years from now. The goal was to honor Georgescu’s work by restoring the house to it’s true character where appropriate as well as updating the house in keeping with the original design spirit.
We began working on the house after decades of wear and tear as well as modifications by subsequent owners. For example, the open sight lines that are characteristic of Georgescu’s work was interrupted by an owner closing off of the office wall to create an additional bedroom. One of the first tasks was opening up this wall back to it’s original intent, so there is interaction between three levels: The Office, Loft and Living Room.
As we began to peel back layers of the existing building during construction, we discovered that the ceiling of the main space had a rich blue-grey tone that was simply painted over in white. With the uncovering of more elements, it was determined that the original architect extended this colored ceiling from from the Living Room to the the outdoor soffits, creating an indoor-outdoor effect when standing in the space.
Taking cues from the the original cabinetry, all casework was re-created in mahogany wood. The Dining Room Cabinetry was restored to the original details while most other areas used more modern detailing, but within the same language as the original design. Throughout the process we were constantly asking ourselves “What would Georgescu do today?” Picking up on the original white oak used on the stair treads, this became the species of choice used throughout. The new wood floors replaced large expanses of purple carpet and checkered linoleum.
On outside, a deteriorated wood decking was replaced with ipe wood while the wood railing posts and metal mesh was replaced with steel posts and a cable rail system. Under the ipe guardrail cap, an LED rope light gives a pleasant glow to the deck for evening and night time entertaining.
Kearsarge Residence, by Haralamb H. Georgescu, Restoration by © Kurt Krueger Architect
Winners of the 2013 Restaurant & Bar Design Awards have been announced. Norman Foster’s Atrium Champagne Bar in London won for Best Bar.
Atrium Champagne Bar, London, by Foster + Partners, Overall Winner 2013 Restaurant & Bar Design Awards
Meltdown is an interpretation and attempt to make something beautiful from the disastrous nuclear accident in Fukushima. Would an actual meltdown occur and what would the impact be? The disaster is reflected in the lamps where the process already begun and the bulb are about to melt through the last defense of the glass.
Connoisseurs architecture of the middle of the twentieth century, Michael and Gabrielle Boyd discovered a forgotten masterpiece of Oscar Niemeyer and brought him back to life.
Strick House, Santa Monica, California, USA, by Oscar Niemeyer
via: Architectural Digest
Read More: Strick House by Oscar Niemeyer I
Wall Shadows, by Charles Kalpakian, for Omikron Design
The house is situated on a corner lot in the typical 30’s district ‘de Elzent’ against the natural landscape of the Dommel valley, in the center of Eindhoven. The existing main house is relatively small in structure, however, the lot size is sufficient enough to resist an carefully threaded extension. An extension where extra comfort is added to the existing house. The transparent addition to the house is a continuation of an earlier exterior expansion with thin floating concrete eaves. These overhangs give a balanced picture, allowing the spaces seamlessly to blend, and gives the garden an intimate enclosed character. The sightlines are important, creating separate spaces as a study niche, a lowered seating area with wide windowsills and a hanging fireplace. The roof connects the spaces seamlessly into each other. Much attention is paid to careful detailing. Positioning of roof lights, (curved) walls, steps, niches which store the curtains, floor heating and cooling ceiling, acoustic panels and lighting are seamlessly concealed and determine the appearance and character of the area.
House IV, Eindhoven, Netherlands by De Bever Architecten
Photography by Norbert van Onna
The Washington Collection for Knoll, David Adjaye’s first collection of furniture, transforms his architectural and sculptural vision into accessible objects for the home and office. The collection consists of two cantilevered side chairs, a club chair, an ottoman, a side table and a monumental coffee table. David Adjaye said, “Knoll approaches furniture as making connections between people and how they work and live their daily lives. This project has been an exhilarating and collaborative experience – an unexpected balancing act between the design and engineering processes. My original idea of what this furniture should be was continuously refined and transformed throughout.”
Commenting on Adjaye’s work, Knoll design director Benjamin Pardo said, “David is doing really innovative and important architectural projects, and what really interested us was to see that work on an entirely new scale.” Adjaye’s limited edition cast bronze coffee table reflects this cross-over. The sculptural table with a clear glass top is constructed from four cast bronze panels, and four connecting plates. The roughhewn exterior contrasts the highly reflective, hand polished interior surface. To mark our 75th anniversary the bronze coffee table is limited to an edition of 75.
The Washington Collection, by David Adjaye, for Knoll