The property, a collaboration with architect and interior designer Jolson and Eckersley Garden Architecture, comprises just ten residences, including two penthouses. Jolson’s holistic approach to exterior and interior design is expressed in a rigorous three-story form with a sculptured façade that engages with the calm and nurturing streetscape. The entry is encased in a woven metal veil which draws dappled light into the street-front residences, allowing interior spaces to engage with the tree canopies outdoors. Ground-floor residences with private gardens dissolve the distinction between indoors and outside, creating borrowed exterior rooms. Within each home, adaptable spaces allow seamless flow. A palette of stone, timber and steel is neutral, textured and timeless. Davis Avenue promotes a living experience that is simple and considered.
Davis Avenue, Melbourne, Australia, by Orchard Piper
Photography by Lucas Allen
A meandering stream collides with the rigid geometry of orchards to provide a setting for this rural residence. It is comprised of earthen masses which bracket the landscape and protect the interior from intense southern sun. The resultant open space is used for living, cooking and dining. A cantilevered roof gathers the space, making inside and out feel as one. Concrete, steel, reclaimed wood and water are employed to enhance the connection between building, landscape, and the surrounding agricultural vernacular.
San Joaquin Valley Residence, by Aidlin Darling Design
Group of low laminated and glued glass round tables, consoles and shelves characterized by a special iridescent multicolored finish; the nuance varies according to the incidence angle of the light and to the vantage point. Objects with magical and ethereal appearance emerge. Presented at the Salone del Mobile 2015, available in transparent glass or acid-etched glass.
Shimmer, by Patricia Urquiola, for Glas Italia
Some prismatic volumes come out from the four stone sidewalls, thus enclosing the space and differentiating each room. The area between the rooms is covered by a timber roof acting as a hall and a connector. The opening sequence of the gaps of the home located in a residential area surrounded by large pine forest reflects the hierarchical order of the outdoor areas. The aim of the proposal is the creation of different outdoor areas linked to the rooms inside, according to their level of privacy. Each room is differently high according to its use and spreads its program on a single level, except for the bedrooms’ bay. This operation generates a cross-shaped plan that arranges the external space. The materials, together with the raking light from a longitudinal roof light, produce a warm and cosy atmosphere. The timber volume works as a connector and distributor of the different rooms, and at the same time opens to all the outdoor areas. The volumes containing the living room, the dining room and the kitchen, however independents, are visually linked because of their position, making the house wider and more transparent. The other two volumes host the main bedroom, two bedrooms on the lower floor and a studio on the upper floor. A continuous veranda enlarge the rooms, generating outdoor areas that open and extend the rooms.
A House Surrounded By A Pine Forest, Valencia, Spain, by Ramon Esteve
Photography by Mariela Apollonio
Development of the furniture for the Rossini Bar in Merano Italy.
Rossini Furniture Dev., by Zanzotti
Photography by Leopold Jonas
Whilst respecting the original structure and architectural style from around 1900, a new look has been created with an impressive new interpretation of the stylistic features of the past. In the centre stands a bar clad in brilliant white tiles. Around it are grouped bar stools which were developed by the designer himself and act as a stylistic element with their special combination of leather upholstered seats, aluminium legs and wooden feet. The lounge area, raised on a wooden floor, has also been furnished using designs by Christian Zanzotti, including armchairs manufactured in aluminium and wood and bronze tables. Above them, geometrically arranged lights give the dark walls a discreet club feel. The most striking feature is the gleaming gold ceiling which, combined with other gold accents, serves as a reminder of ages past.
The Rossini Cocktail Bar, Merano, Italy, by Zanzotti
Photography by Oliver Jaist
A coffee table that acknowledges the need for storage, and individuality in a simple and practical solution. Thanks to its pivoting system, 4 individual areas are created that can be either concealed or shown at will.
Times 4 Coffee Table, by Gonçalo Campos, for Polit
Ceramics and blown glass are linked by a polished brass ring. The dimmer’s control lever is also made of polished brass. The ABALLS collection includes a chandelier, hanging lamps available in three different sizes and table lamps available in two sizes. The chandelier showcases a golden electroplated or white, black lacquered steel structure matching the colors of the ceramic bodies. 24 blown glass diffusers complete the fixture. The hanging and tablelamps are made up of a blown glass diffuser and a white, black or golden ceramics base. The result is a set of strongly decorative objects that produce a warm ambient light and can be used in a domestic environment as well as in contract projects.
Parachilna Aballs Lamps, by Jaime Hayon
Divided into three blocks – two downstairs and one that forms the upper deck – forming a “U”, they organize social area, the lounge and intimate area on an impactful way. The volumes of the ground are exposed concrete, in contrast with the white brickwork of the rooms. Fully closed to the street, the lobby was organized in a large wooden box, like a theater stage. The coating continuity between the door and the walls leaves completely open and camouflaged through an electronic system.
The inner hall follows the same finish in Cumaru wood and lighting have stemmed from a large domus. The circulation is organized behind the single wall of the dining room, which hides the circulation between the hall and the staircase. In the living there is a strong contrasts between the exposed concrete, wood and marble, which opens up to the recreation area. The pool is surrounded by a large wooden deck, which creates a junction with the recreation area, equipped with gourmet kitchen and a home theater. In opposite side to the living area, the volume of concrete with wooden brise soleils gives place to a guest room and to a recreation area.
AN House, Sao Paulo, Brazil, by Guilherme Torres
Photography by Denilson Machado
The 2200 sq. ft. residence is located on a severe hillside site in Malibu overlooking the Pacific Ocean. The project is an extensive remodel of an existing post-and-beam home in need of a structural, programmatic and environmental upgrade. The residence is re-envisioned for the 21st century. The existing roof geometry is accentuated creating a language of faceted surfaces. The articulated volume of the building’s front facade extends indoors to define the interior spaces, resulting in a dematerialization of the roof, wall and floor planes. A forced perspective is created, framing the extraordinary views out to the Santa Monica Bay. The minimal, gallery-like living space is designed to accommodate the client’s extensive collection of contemporary art. Display niches, lighting and the configuration of the spaces are planned to enhance the experience of viewing the art. The stair has cantilevering steel treads, each with a custom laser-cut pattern. Light from the skylight above filters through the perforated stair to project an ever-changing texture of shadow and light, enlivening the walls and floor. A grand entry door made of a stainless steel tube frame marks the threshold into the relatively small house. The 10’ high door makes use of a hydraulic pivot and a concealed magnetic locking device.
Montee Karp Residence, California, USA , by Patrick Tighe Architecture
Photography by Art Gray and Bran Arifin