An eclectic mix of houses, gravel roads ending at the bay and wooded lots provide a nostalgic, informal setting for this new house. In an effort to integrate living spaces with the outdoors while maintaining privacy from Burbage Lane and neighboring houses, the scheme is organized around a centrally located garden. With sixteen foot high ceilings, the eastern volume contains the public living spaces. Continuous clerestory windows assist in providing an abundance of natural light into the space, allowing views to the treetops and sky while minimizing the close proximity of the adjacent houses. A twenty foot wide glass wall slides into a pocket, enhancing the relationship to the outdoors, and provides a sense of living in a garden. The two story western volume is comprised of bedrooms and a small second floor living space. A one story glass link connects the volumes and visually opens to the central garden.
The house was conceived as two simple, flat-roofed volumes, varying in height, intersecting and overlapping a one story circulation space which connects the volumes. The east volume is constructed with cement board, the west volume with corrugated siding and the one story connecting space with the ground face concrete block. The exterior material palette is quiet and subdued. Materials are selected for their expected long term durability, ease of installation and initial cost. The impact of the one story horizontal volume facing the street is intended to reflect the scale of neighboring structures while the narrow two story volumes are oriented perpendicular to the street reducing their apparent scale. This house is designed in strong counterpoint to many of the houses built in the last era of abundant resources, expensive materials, and limitless floor area. The house is not large; it comprises three bedrooms and 2400 square feet. The house is constructed with modest materials that include concrete floors throughout the first floor, oak flooring on the second floor and plastic laminate and oak millwork.
The Lujan House, Ocean View, Delaware, by Robert M. Gurney
Photography by Anice Hoachlander, HD Photo
The project is to design a condo with an area of 1,600 sq.ft. in Montreal. It is located at the second floor of a 1920’s industrial building on St-Dominique Street. It was previously owned by the Dominion Preserving Company Limited where was produce the famous Habitant canned soups. The mandate was to relocate the kitchen and to add a third bedroom for the couple’s second child. The 10 feet length sofa, with the new gas fireplace, defines the living room. The existing second bedroom has been reduced to create a hallway to access the third bedroom. Adjacent, the bathroom is a continuation of the frosted glass facade; thus, these two rooms have natural light from the living room windows, facing southwest, while preserving privacy. At the entrance, the closed room has been abolished to make way for multifunctional storage cabinets and white soundproof curtain has been installed ahead the principal door. The kitchen, open plan, is an extension of this entrance, where unfolds the dining room. On the ground, the existing solid maple floors were sanded and varnished. The steel structure in the center of the space is bare, expose and fireproof. Only the bathroom have a white epoxy floor finish, matched with sink and faucet. The shower is enclosed by a grey epoxy on all surfaces. A clear glass panel, installed at the end of the shower, accentuates the depth of the space by its reflection.
Espace St-Dominique, Montreal, Canada, by Anne Sophie Goneau
Photography by Adrien Williams
The owners of this new residence, a married couple, lost their previous home in a forest fire near Boulder three years ago. After considering the options, they decided to head back into the burn zone, purchasing a steep site located in an area burned in the same fire. While the site sits at an elevation of 7500 feet it is just seven miles from downtown Boulder. The 2200-square-foot house, a simple bar shifted at the point of entry between the garage and main house and skewed at both ends to capture views, hovers above the stark slope of the hillside below. Views are framed under and through the house, at times seeming to bring the distant mountains inside. There are two slotted openings on the north side placed strategically to wash light onto the floor of the main living space and the wall of the master bedroom. A skylight fills the entire hallway to the bedrooms to create a light-filled transition from the living room. The south side of the house is almost completely glazed, allowing the abundant winter sun to passively heat the radiant concrete mass floor. Heat is provided by a geothermal heat pump, while an 8KW PV array offsets the electrical use to bring the house close to net zero energy performance.
Sunshine Canyon Residence, Boulder, Colorado, by THA Architecture
Photography by Jeremy Bittermann
“Flowers aren’t just beautiful to show on tables,” said Makoto Azuma, a 38-year-old artist based in Tokyo. His latest installation piece, if you could call it that, takes this statement to the extreme. Two botanical objects – “Shiki 1,” a Japanese white pine bonsai suspended from a metal frame, and an untitled arrangement of orchids, hydrangeas, lilies and irises, among other blossoms – were launched into the stratosphere on Tuesday in Black Rock Desert outside Gerlach, Nevada, a site made famous for its hosting of the annual Burning Man festival. ”I wanted to see the movement and beauty of plants and flowers suspended in space,” Azuma explained that morning.
Dotdotdot has designed a showroom in Pont Saint Martin, Val d’Aosta for the Data Center Technology & Operations of Engineering, a leading company in Italy, specialized in software and IT services. This communication-oriented ambience dedicated specifically to the clients illustrates the corporate values, the solutions, the projects and the projects through a demonstrative pathway has been designed to make the invisible visible.
Subdivision of the spaces, furnishing solutions, interactive experiences: in this project for Engineering dotdotdot has exploited, maximized and optimized its know-how in architecture, interiors and interaction design. The hub of the project is the ‘demo’ area where the clients will enjoy a full immersion and interactive experience, thanks to the large table used as a platform for navigating the multi-media contents. This table provides direct feedback on the large curved video-projection wall; this adds a touch of scenographic impact that is transformed into a visual support of the contents.
On entering the showroom, the client immediately becomes the protagonist of the full immersion and communicational experience. The different ambiences, split by function, are part of a single visual identity, expressing the corporate values of innovation, research, internationalization and growth. The space has been designed to be versatile and flexible, to satisfy the different needs of the participants and the varying degree of communication required and the depth of investigation/research applied to the contents. The furnishings have also been designed to guarantee maximum versatility. The materials – full-depth color MDF (medium-dense fibreboard) and the colorways combine to project an overall visual identity that differentiates the spaces according to function.
The objective of the design was to use architectonic choices, the materials and color to explain to the client the study behind the interfaces, the infographs and the communication, with the perception of an ambience that is undeniably avant-garde yet extremely user-friendly.
Showroom, by Dotdotdot, for the Data Center Technology & Operations of Engineering
Photography by Mauro Angelantoni
A striking occasional table for home and contract use. The white lacquered cylindrical table is made from a patented environment-friendly resin that contains handmade fish replicas, therefore no need of additional decoration than themselves. The designers explain: Fish that aren’t fish. That seem to float in water that isn’t water. They seem to be suspended in air that isn’t air. Like a dream. A wonderful mixture between minimalism and poetry is the result of this charming project, that is available in different versions of fish compositions and table sizes.
Up in the Air, by Ramón Úbeda and Otto Canalda, for Viccarbe
Iceberg, as the name states was inspired by the form and beauty of these large glacial structures. Capturing their breathtaking splendor this collection clusters to illuminate with a subtle white and blue light. These are not ordinary pendants lights, but an incredible array of glass sculptures gracefully floating in space.
Lomocubes is a new innovative and sophisticated residential project by MPA Architetti, located in Lugano and commissioned by the entrepreneur Alessandro Lo Monaco. Lomocubes is a luxurious and high profile condominium that overlooks the Lugano lakeshores. It is a groundbreaking architectural project that marks a new frontier in residential building construction. Finished in July 2013, Lomocubes synthesizes the best relationship between interior and exterior spaces, giving from the living room of each unit a wonderful view on the lake. A texture-in-motion built with a rigorous and wise use of materials leads to a seductive aesthetic result established on the succession between full and empty spaces, transparency and opacity.
Lomocubes, Lugano, Switzerand, by MPA Architetti
This project is conceived as a domestic landscape that blurs the boundary between interior and exterior space in a temperate coastal rainforest climate. It is essentially a ranch house typology with a guest house stacked upon it – for an physically active empty nest couple who enjoy the idea of welcoming family home for the holidays. The domestic program is spread across the entire site, and the vertical circulation is deliberately understated.
The programmatic organization allows the primary residents to live entirely on the ground floor. The japanese-inspired courtyard ‘moss garden’ operates as a multi-faceted architectural device – it provides circulation along the primary project axis from the main entry through to the backyard pool and workout pavilion; it provides a visual extension of the living room into the garden; and the sliding glass doors in the kitchen (conceived as a glass box in the garden) open directly into the courtyard and the outdoor dining space beyond. The central living space is bracketed on the south side by a large concrete fireplace which provides privacy from the street, and it extends visually into the mossy minimalist courtyard to the north. The orientation, form, and positioning of the upper volume was designed to protect against direct solar gain during the summer months, while allowing light at lower sun angles to penetrate into the spaces during the winter months.
Ocean Park House,Vancouver, Canada, by Campos Leckie Studio
Photography by Ema Peter
It’s nature inspiring the shapes of Pandora, that live in the echoes of their minimal texture. Ethereal entities that make of the light an added value, building up an outfit out of time, playing to conceal the material composing them. The project makes of the versatility its overriding characteristic: Pandora can be used as floor lamps both in external and internal spaces, such as hanging lamps or floor lamps.