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“The most precious metal on earth now empowers your most precious asset: your skin.”
Cellular cream may or may not work, but what works for us is the packaging. Is that a precious stone in the applicator?
Platinum Infused Face Cream, $1,000, by La Prairie
via: The Dieline
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Rooms on the ground floor open out using rotating wooden panels, which are reminiscent of other elements frequently used in Brasilia. Throughout this area there is cross-ventilation. The small foyer in the entrance connects to the second floor with a delicate staircase.
The upper floor is organized in a prism of glass and concrete and is supported by stilts. The living room is in spatial continuity with the kitchen, separated only by a table used to prepare the food. All of the equipment and furniture of the kitchen are available on this table, in order that nothing vertically interrupts the visual transparency of the volume.
Osler House, Brasilia, Brazil by Marcio Kogan
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With an unexpected play of chromatic reflections, this mirror is made with shiny ground edge and an overlapping transparent extra-light tempered glass slab, in the centre of whom a white mirror on the front side and a coloured mirror on the back side are placed. The mirror is supported by four chromium plated metal brackets.
Maya, by Nanda Vigo, for Glas Italia
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The Beogram 4000, was the world’s first electronically controlled tangential gramophone. In this pioneering concept, the pick-up moved in a straight line towards the centre of the record parallel with - or tangentially in relation to - the groove.
The innovative and extremely stylish record deck was designed by Jacob Jensen who helped shape Bang & Olufsen’s product design with its characteristic use of discrete, clear lines and high functionality. It is a design which has helped manifest B&O’s easily recognisable product identity.
The Beogram 4000 is included in the permanent collection of the Museum of Modern Art (MoMA) New York.
Beogram 4000, 1972, by Jacob Jensen, for Bang & Olufsen
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Located in a remote area in the Australian outback, this very small house occupies a footprint of only three square meters. Built offsite and transported to its final destination, it includes a wood burning stove and rainwater collector, and the ability to shut tight when not in use.
Mudgee Permanent Camping Dwelling, by Casey Brown Architecture
via: Designboom
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A coat rack made from curved wood pieces set in a circle, recognized at IFDA (International Furniture Design Competition Asahikawa).
Arc by Elina Hirvelä
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Jacqueline Wagar has hand-selected a collection of holiday properties that encompass contemporary architectural design, Ultimate Hides aims to promote great architecture and design through first-hand experience. By spending time within a property, visitors are able to observe & appreciate the use of materials, colour and space, as well as gain insight into the design process.
Design Destinations: Accommodation by Design, at Ultimate Hides
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The collection of Overscale Candles is supported by a metal “cage”. The two large new elements, the Overscale Flames, are not in wax at all but made from opaque black ceramic, and have space inside for oil and a wick.
Overscale Candles, Flames by Jean Marie Massaud, for B&B Italia
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A resident of Los Angeles since 1920, Julius Shulman has been documenting modernist architecture in Southern California and across the globe for nearly eight decades. His images of Pierre Koenig’s Case Study House No. 22 (1960) in Los Angeles and Richard J. Neutra’s Kaufmann House (1947) in Palm Springs are among the most recognizable and iconic architectural photographs of the 20th century.
Photography: Case Study House #21, Los Angeles, USA 1958, by Pierre Koenig, at Wright
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Like an organically growing structure, a complex form develops out of a suprisingly simple element. Available in white, ruby red and chrome plastic modules - each with three light bulbs - which can be added to each other, so the ligthing object can vary in size, from a single format up to a cluster.
DNA, by Benjamin Hopf & Constantin Wortmann, for Next