The Groninger Museum presents the first large-scale solo exhibition of the work of Jaime Hayon (Madrid, 1974). Hayon is one of the most acclaimed designers of his generation. His work consists of autonomous and applied projects, across various disciplines such as ceramics, wood, glass, textiles, product, furniture and interior design. This exhibition is a reflection of the past ten years, a period of intense creativity and growth, in which Hayon has increasingly developed his autonomous work.
Hayon was educated as an industrial designer in Madrid and Paris, and subsequently joined Fabrica, the communications research centre of the Italian clothing label Benetton, in 1997. Within a relatively short time he rose from being a simple student to head of department. In 2000, he started up his own company and made his debut in the art design world with the ceramic work Mediterranean Digital Baroque. The Groninger Museum has been following Jaime Hayon for quite some time. In 2009, the Museum purchased two large installations (Mediterranean Digital Baroque and Mon Cirque) and in 2010 he designed the Museum’s new information centre. With commissions from all over the world and a host of renowned clients, Hayon is regarded as one of the most influential young designers of the present day. The exhibition includes the installations Mediterranean Digital Baroque and Mon Cirque as well as the now iconic Green Chicken and commissioned works for clients such as Baccarat and Lladro. American Chateau, the collaborative project he made with his partner artist, Nienke Klunder, is also featured in the exhibition.
A remarkable element of the exhibition is The Tournament: a unique work that consists of a life-size chess set made of turned wood and hand-painted ceramics, which the Groninger Museum managed to purchase recently. Hayon created this work in 2009, having been commissioned by the Design Festival London to do so; the work was inspired by the Battle of Trafalgar. This is the Dutch première of the artwork. The intention is to organize chess games at specified times. Jaime Hayon’s work issues from an irresistible urge to create his own world. It occupies a central position between autonomous art and design, where amusing, fantastic and narrative elements are combined with a keen eye for detail and finishing. His signature is characterized by a stylized input in which diverse styles blend together. Making use of all these other elements, Hayon translates craftsmanship and traditional techniques into emotionally influential objects and interiors that invite the viewer to be a part of them.
Jaime Hayon: Funtastico, October 13, 2013 – March 30, 2014, at Groninger Museum, Netherlands, Photography © klunderbie, Jaime Hayon
How do you achieve greater creativity at the world’s best restaurant?
René Redzepi committed to writing a journal for an entire year to reflect on this question and the result is A Work in Progress: Journal, Recipes and Snapshots. Three books in one, a journal, recipe book and flick book, A Work in Progress recounts the day-to-day life at Noma – from the trials of developing new dishes to the successes that come with winning the 50 Best Restaurant award. While the journal is the book’s heart, it is supported by the recipe book containing 100 brand new recipes and the flick book of 200 candid images which provide a stunning, and often humorous, insight into the inner workings of the restaurant and its talented team of chefs. Reflective, insightful and compelling, René interweaves observations on creativity, collaboration and ambition making A Work in Progress of interest to food lovers and general readers alike.
René Redzepi: A Work in Progress, Journal, Recipes and Snapshots, Hardback & Paperback, 220 x 267 mm (11 x 9 1/8 in), 648 pp, 300 colour illustrations ISBN: 9780714866918, Published by Phaidon
Buy it here: Amazon
Ramat Hasharon House 13, Isreal, by Pitsou Kedem Architect
systems is an exhibition of commissioned poster designs and ‘60s Braun products.
Recent years have seen a revival of interest in modernist graphic design, but little agreement about what, in practical terms, this might mean or what is ultimately at stake in it. Thirty-four leading graphic designers and studios were invited to produce a poster design on the theme of Braun systems design. From repetition and development to nostalgia and critique, the diversity of response to the systems brief offers a snapshot of the international graphic design scene in this moment of uncertain possibility. At the same time, systems samples some of the best and most challenging work currently being produced.The works are available for purchase as a limited edition of A1 prints, individually or as a cased set.
Japanese designer Tokujin Yoshioka has created a boutique for Issey Miyake, stocking the more experimental and unusual creations from the legendary designer. Yoshioka wanted to play on the idea of shopping in laboratories, so he designed the Issey Miyake Reality Lab. with a clinically themed interior divided into blue and green coloured zones, he describes “the contrast between the texture of peeled wall and the futuristic coloured aluminium expresses contrast between history and future.”
Issey Miyake Reality Lab, 5-3-10 Minami Aomaya, Minato-ku, Tokyo, by Tokujin Yoshioka, Photography by Masaya Yoshimura
Mathieu Lehanneur and Pullman reinvents meetings with the ‘Business Playground’ room as a perfect illustration of the “blurring” of private and professional life. This room reflects the brand’s ‘Work hard, Play hard’ motto as well as its guests’ lifestyle. It combines performance and pleasure with a fresh take on the traditional aspects of a meeting: a meeting table designed like a poker table, a private area for informal conversations or breaks, and a cabinet of curiosities. All these features are designed to stimulate creativity and reinvent international hospitality codes. The Pullman London St Pancras will premier the ‘Business Playground’ room from November 2013, before it is gradually rolled out across the network starting in 2014. Pullman is an event organization expert, with over 30,000 events organized in its hotels. It aims to offer a unique meeting experience and remove the increasingly artificial barrier between work and relaxation. The ‘Business Playground’ room is a far cry from very formal conventional meeting rooms and disrupts the codes of business with style by focusing on defining elements and unique furniture create specially for Pullman.
Next to Schiphol, Amsterdam’s international airport, Powerhouse Company designed Art Warehouse, a new space that combines art storage, meeting rooms and exhibition space. LiNK Art Company is an art consultancy for businesses, institutions and individual clients, providing a wide range of art services. Together with Studio Rublek – architectural light designers – they asked for a new space that is efficient in storing art and also serves as a maximized showcase for guests. The paradox of efficiency and beauty is solved by creating a grid based on shelving systems and placing a modern pavilion in the center of the space. The ground level handles all logistics and situates the storage facility. This specially designed depot fulfills the highest standards for art care, maintenance and storage. The walls of the pavilion are used to exhibit a selection of the available art pieces. Different lighting fixtures, from Studio Rublek, illuminate the art. The walls also create two meeting rooms in the heart of the pavilion. These meeting rooms can be divided and closed off with sliding doors integrated in the walls. The first floor, with its mirror glass outer edge, serves as a terrace in the space. This terrace provides an extension of the exhibition space where special pieces – like design furniture and contemporary sculptures – can be exhibited. The space also gives a panoramic overview of the currently stored art. With all these different spaces and functions, Art Warehouse is a multifunctional framework for meetings, exhibitions, art storage and light design in an existing warehouse building.
Art Warehouse, Schiphol, The Netherlands, by Powerhouse Company
Photography by Christian van der Kooy
The house takes up its position, back facing the other houses, and simply embraces the entire horizon. The architect has limited terrain to work on. The trick however is to release all the emotions of the place: opening or splitting, reflecting infinity. Space and time are two infinite things that pass us by. Architecture, however, enables us to model space and set time, like a sundial. It can also embody a third infinite thing: beauty. The white walls are blank pages for nature’s expression. The Sabine is a slow-growing pine, recounting the story of an ancient world.
Infinity, Baleares, Spain, by Atelier d’Architecture Bruno Erpicum & Partners
Photography © Jean-Luc Laloux
It is said that 6 degrees of association separates every human on earth from another. The Gordons Bay House asks how 6 degrees of separation might negotiate a web of complex associations in order to produce an architecture that works for a wide group of people. Set on the hillside overlooking Gordons Bay, the design consists of three levels, each level alternatively offset from the boundary by six degrees. These devices allow the project to avoid stepping on neighbour’s toes, without compromising the quality of the dwelling. The alternating levels all pivot around a dramatic double height gallery stairwell that accommodates the client’s extensive collection of artwork and draws light and air through the centre of the dwelling.
The architecture is embraced and enhanced by landscaping designed by Terragram. A generous lawn is surrounded by edible plants, trees, vegetables and herbs, and the public lane to the south has been enhanced with endemic flowering plants. Built to last, the house uses off-form concrete slabs and edge beams allowing the structure to cantilever gracefully. This palette of materials, as well as the use of aluminium louvers, new and salvaged timbers, and sandstone all elegantly speaks of its seaside setting.
Gordon’s Bay House, Sydney, Australia, by Luigi Rosselli Architects
Valcucine presents the New Logica System as part of a world tour, Kitchen, Soul, Design L’Italia che Vive, a twelve-month journey throughout all of 2013. Five stops: Milan, London, New York, Moscow, and Shanghai. It’s an international tour that will show the industry’s leading international professionals the ingenuity, creativity, and overall excellence of Italian kitchen manufacturers.
After having revolutionised ergonomics by presenting the Logica System in 1996 with its 80cm depth and equipped back section, removable jumbo drawers and wall units with Ala and Aerius lift-up doors, Valcucine is now presenting the new equipped back section. The back section is capable of containing and concealing, when necessary, all the kitchen equipment: the dish-drainer, weighing scales, small appliances, removable cooking receptacles, bottle-racks, power sockets, a monitor, a kitchen roll holder, the tap, hooks for utensils and even a cooker hood. Everything on hand, everything tidy in an instant.