Montreal photographer Chris Forsyth captures the ideals of the city’s underground system through ‘The Montreal Metro Project’, an ongoing photo series that accentuates the beauty of each station and encourages others to acknowledge it, too. Forsyth shifts one’s attention to the striking designs of some of Montreal’s 68 metro stations — each one designed by a different architect and reflective of the architectural trends, such as Brutalism and Modernism, that were dominant during the construction of the metro system in the ’60s and ’70s.
Montreal Metro’s Underground Architecture, by Chris M Forsyth
The client’s requirement was for a pavilion to be connected to the main historic house causing the least visual interference with the surrounding parkland. The pavilion was for an indoor pool, and some space for fitness, service and leasure in a climate controlled space. The main house, an early 1900 liberty building had been renovated by the clients ten years previously. The main house ground floor sat 100 cm above the external ground and as such had little connection to the surrounding parkland.The client also desired a glass enclosed space attached to the main house to enjoy the view of its natural surroundings.
The previous renovation of the house included landscaping and the addition of a small artificial lake in the south corner of the parkland. The aim was to achieve a sense of continuity within the volume inside and outside the pool. A small white ceramic mosaic tile was chosen. The west side of the pavilion (front) houses a sliding door. The door totally disappears into a structural cavity to maximize the connection with the surrounding artificial lake and parkland. In summer the indoor and outdoor spaces become one, a seamless conversation between both water surfaces (pool and lake).
La Piscina del Roccolo, by act_romegialli
Photography by Marcello Mariana
Project created in collaboration with furniture company Todeschini, on the occasion of the temporary decoration exhibition Casa Cor São Paulo 2015.
Inspired by the American décor diva Dorothy Draper, architect Guilherme Torres has created a cosmopolitan, playful and contemporary vision on 400 square meters that brings back the glamor of the golden days of the Jockey Club building – host of the exhibition and stage of memorable parties of São Paulo high society on its golden years.
Project for Casa Cor 2015, by Studio Guilherme Torres with Todeschini
Photography by Lufe Gomez
The architectonic models of 41 great Japanese designers are on display at the Triennale di Milano exhibition facilities between July 10-19, 2015. They express the deepest inner spirit of an architectonic culture that thrives on the connections between the avant-garde and the memories of the past. The Archi Depot Foundation (Organization for the conservation of the culture of architecture) was founded in 2015 by Terrada Warehouse and Tokyo Design Center companies, to safeguard and conserve the models and designs of Japanese architectonic culture. The primary objective of the foundation is to conserve and present to the general public architectonic models that still play an important role in the transmission of the architects’ vision and thoughts to the public at large.
The design of No.2 is rational and long-lasting, but more so the new monochromatic solid brushed steel case, domed sapphire glass and Swiss quartz movement construction, marks outmost premium details which are what makes No.2 a successful evolutionary inheritor of No.1. The new addition to the TID collection is also available in two sizes, both the 40 mm and 36 mm. Besides working as a natural part of your everyday life, the watch you wear must be able to match any fraction of your life. That is why No.2 is both minimal and efficient.
TID No.2, by Form Us With Love, for TID
Implanted between two historic stone buildings, in an exceptional place, the new building is characterised by a volume inserted into the ground and emerging at both ends at different altitudes. Its size and orientation are precisely defined by the topography of the site. The upper terrace, old area of milking cows, retains its character and proportions of origin.
The volumetric impact on this remarkable site is reduced. It boils down to the appearance on the surface of two precise and mineral shapes, abstract marks and isolated contextual scale. These emergences define the access to the main space and bring the natural light as differentiated way.
For its physical, properties, the concrete, here used in its simplest form, replaced the stone. At the time wall and roof, it expresses multiple possibilities of use. The strong mineral expression becomes the dominant feature of the new construction and gives the building a real authenticity and established a particular dialogue between tradition and modernity.
Community Shelter, Mollens, Switzerland, by frundgallina
Photography by Milo Keller
The project attempts to frame and diversify the views over its surroundings and incorporate them within the most significant spaces in the house. The main space, connected through a double height corridor to the back patio, incorporates sun inside the house for both comfort and climatic reasons. The house has a green roof that helps to control its interior temperature changes, and will incorporate state of the art environmental conditions to fulfill the highest environmental standards. The configuration of the house, based on the openings to the different environments that surround it, defines unique relationships with the water and the mountain – its real asset.
Sunflower House, Girona, Spain, by Cadaval & Solà-Morales
Photography by Sandra Pereznieto
The Six Walls House is hidden amongst the pine trees and rocky landscape of Nacka, it has been designed in such a way as to make the most out of its location’s generous views over the sea and surrounding nature. Six Walls House became early in the process a working title. The house consists of six 5.4 meter high walls located along the promenade to the waterfront. The walls are anchored to a closed wall to the north. As a contrast to the context, the house was built around a robust and clear material where concrete blocks with cement plaster became an important part.
Six Walls House, Nacka, Sweden, by Arrhov Frick
Photography by Mikael Olsson
The Bridge House addresses the condition of views and the wooded landscape. It is composed of three volumetric elements: the bedroom volume, the living volume, and a bar of bedrooms that spans between the first two. The space at the ground floor between the volumes is enclosed with glass and will house entrance and living areas. The void between volumes frames views of the landscape, but also allows the landscape to slide through the house- allowing the inside and outside to blur. The composition of rectilinear elements allows each to remain legible, while producing a fourth implied volume between them. The fourth space is an “outdoor” room, momentarily “held” between the others and extending out into the landscape.
Bridge House, Virginia, United States, by Höweler + Yoon Architecture
This project originates in the architecture plan of the Transparent Japanese House, first presented in 2002. The structure sits alongside the Shoren-in Temple, which was built during the Heian period between 794 and 1185. The idea has been developed into a transparent teahouse, an architectural project incorporating a symbolic Japanese cultural image – to host elaborate tea ceremonies. The tea houses’s roof is made up of overlapping glass planes, supported by a slender steel framework featuring a mirrored surface that camouflages with the glass.
KOU-AN Glass Tea House, Kyoto, Japan by Tokujin Yoshioka
Photography by Yasutake Kondo