The McCann Erickson Headquarters in New York. It’s the first corporate headquarters undertaken by Design Research Studio, the interior and architectural division of Tom Dixon, alongside US architectural firm Gensler.
McCann Offices, New York, by Design Research Studio
Apple’s lead designer, Jonathan Ive, has worked with designer Marc Newson to design a limited edition Leica camera, the Leica M. Speaking to Wired.co.uk, Leica confirmed the “truly one-off model” will “never be reproduced”. Its creation is a customised version of the original Leica M, launched in 2012, according to Leica but this updated design from Ive and Newson was created to benefit a Sotheby’s charity auction to raise money for The Global Fund to Fight AIDS, Tuberculosis and Malaria.
Leica M, Limited Edition, by Jonathan Ive & Marc Newson, for Leica
The Milan flagship is fluid and playful. A dialogue of geometry and materiality creates an enchanting rhythm of folds and recesses further shaped by functional and ergonomic considerations. Modular display units showcase shoes and also provide seating, while a seamless integration of diverse forms invites our curiosity. The juxtaposition of these distinct elements of the design defines the different areas of the store. Rooted in a palette of subtle monochromatic shades, Zaha Hadid created an interior landscape of discovery centred on two separate zones to enhance the relationship between the customer and the collection.
Experimentation with materials and construction technologies further define the unique space. The curved modular seating and freestanding display elements have been constructed from fibreglass dipped in rose gold – a technique similar to that used in boat manufacturing. Also, the glass-reinforced concrete (GRC) of the store’s walls and ceiling expresses solidity whilst at the same time the delicate precision of complex curvatures focus on special areas for display.
Stuart Weitzman Flagship Store, Milan, Italy, by Zaha Hadid
Concrete envelops the building, like weathered skin tanned by Portugal’s climate. The skin has wrinkles and flaws that trap the light. This denotes its strength of character. Below the day zone exposed to air and light, lies an underground family room. It acts as a rest-stop before reaching the bedrooms. The sofa invites us to sit for a moment and unravel the secrets of the raw material, the only décor. The bedroom includes a bath and shower. Everything is incorporated into a single room to save on space. This is what counts. The central block of the day zone supports the roof, like an umbrella encircled by a crown of luminosity. In the dead of the night, you may well think a star has landed on earth.
Rainha, Portugal, by Atelier d’Architecture Bruno Erpicum & Partners
Photography © Jean-Luc Laloux
The new installation ‘De-Evolution,’ by American designer Brad Ascalon, is a thematic follow up to ‘The Dream,’ a piece which was created for an exhibition at Gallery R’Pure during New York Design Week in May of 2012. De-Evolution takes a critical jab at the increasing political, environmental and ethical deterioration that continues to be tolerated in America, while at the same time it pays homage to the country’s underlying beauty. The piece was created and will be exhibited with the support of the famed Italian fabric house Dedar, as well as the organizing committee of Moscow Design Week, which invited Ascalon to exhibit as the sole American design delegate for 2013.
De-Evolution, by Brad Ascalon, Moscow, Russia, October 11-17, 2013, Artplay Design Center
Bitterli House, Zurich, Switzerland, by Roger Stüssi, Photography © Bruno Helbling
Traffic is a collection of furniture using wire and upholstery. The correlation between the three-dimensional line drawing of the metal rod and the geometric volumes of the cushions marks a significant shift from the common connotation of wire furniture. The unassuming simplicity of its conception impart a pleasant casualness. The refinement of detailing and carefully tailored proportions stimulate a resounding elegance. The inherent logic of construction creates a formal grammar which allows for a number of functional declinations to form the Traffic collection: an armchair, a two seater sofa, a small bench (which also serves as ottoman), a chaise longue. All pieces are available with upholstery in fabric or leather. The metal structure is either powder coated (in high gloss colours) or chrome plated.
Traffic Collection, by Konstantin Grcic, for Magis
Situated in Heringsdorf, a spa on the island of Usedom, Villa Oppenheim is one of the finest examples of the historic spa architecture of the German Baltic. We have renovated the villa at the front of the main promenade of the popular resort on the basis of its original design, restoring it to its original use as an exclusive, private holiday residence. To create a house as a unified whole, Pott Architects also took on the custom-made interior design of the villa. This included the design of kitchens and baths, even an in-house wellness area, down to the furniture and every last detail. We have succeeded in maintaining the character of the house while adding new elements to create a modern appearance. The result is a shining example of a 21st century spa in the lovely setting of the Usedom holiday resort.
Villa Oppenheim, Usedom, Germany, by Pott Architects
Photography © Sebastian Treytnar, KLAFS
A universal floor lamp with a “trick” in an extruded and textile covered plastic profile, which carries the LED head: moving the head along the profile changes its orientation continuously. Rope Trick floor lamp serves as a reading light next to a bed, a chair or a table. After sliding the head in its up-most position, the light is cast upwards onto the wall or ceiling which creates an indirect atmospheric illumination.
Rope Trick Lamp, by Stefan Diez Office, for Wrong for Hay