In taking photographs from a helicopter, Yann Arthus-Bertrand became a painter. Symbols of movement and maybe more.
(from top to bottom) Tarmac 11, aéroport de Montevideo, Uruguay, Tarmac 9, aéroport de Paris-Roissy Charles de Gaulle, Tarmac 10, aéroport de Phuket Town, Thailand, Tarmac 3, aéroport de Paris-Roissy Charles de Gaulle, France
Tarmac by Yann Arthus-Bertrand at Galerie Louis Carré & Cie
Narrated by Dustin Hoffman, Visual Acoustics celebrates the life and career of Julius Shulman, the world’s greatest architectural photographer, whose images brought modern architecture to the American mainstream.
Visual Acoustics: The Modernism of Julius Shulman, Directed by Eric Bricker
The digital archives of Google Books now hosts over 1,860 issues of LIFE magazine, other unpublished photos are also available on Google, including seldom seen images of Charles and Ray Eames at their Pacific Palisades home, also known as Case Study House No. 8. Other LIFE features include Raymond Loewy’s Palm Springs Pad.
LIFE photographer Gjon Mili visited Picasso in 1949. Mili showed the artist some of his photographs of ice skaters with tiny lights affixed to their skates jumping in the dark–and Picasso’s mind began to race. The series of photographs–Picasso’s light drawings–were made with a small flashlight in a dark room; the images vanished almost as soon as they were created.
Picasso’s Light Drawings, Photographed by Gjon Mili, for LIFE
Photographs by the London photographer, Hélène Binet of structures by architect Peter Zumthor, will be on show at the Gabrielle Ammann Gallery in Cologne. Works by Zumthor include Therme Vals spa in Switzerland, and Kolumba Art Museum of the diocese of Cologne.
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Leica MP, M7, by Leica
Considered compositions and delicate colour sensibility are the hallmarks of Belgian Photographer Frederik Vercruysse.
Images by, Frederik Vercruysse Photographer
Exhaust manifolds from a series of photographs of the Renault Formula One facitlities.
Renault F1, Photography by Benedict Redgrove
German architectural photographer, Michael Schnell, has completed a series on two museums dedicated to the car in Stuttgart, the Mercedes-Benz Museum and the Porsche Museum. The structure of the Mercedes Museum is based on a cloverleaf. The semi-circular floors rotate around the central atrium forming horizontal plateaus which alternate in different heights. The Porsche Museum is designed to convey a sense of arrival and approachability, and to guide the visitors smoothly from the basement level into the superstructure.