Modeled largely on the groundbreaking 1946 Kaufmann House in Palm Springs, California, this private one acre estate is a little more than 30 minutes to the Sydney Harbour Bridge.
Tate Modern is about to get an addition designed by Herzog & de Meuron, the new building will add a 65% increase in display space, to their already expansive facility transformed from a disused power station in 2000
Zaha Hadid’s proposed extension to the Middle East Centre at St Antony’s College in Oxford has been branded ‘awkward’ and ‘in constant competition with its neighbours’ by CABE, the commission’s design review panel.
We are not always fans of Hadid’s work but this solution seems entirely suitable, if a bit radical for this setting — better awkward than mediocre.
Oxford College Extension, Oxford, United Kingdom by Zaha Hadid, full story at Architects Journal
We’ve written before about Olafur Eliasson, the New York Times writes about a new project called “The New York City Waterfalls” a public art project of four man-made waterfalls rising from New York Harbor, some as high as the Statue of Liberty. Organized by the nonprofit Public Art Fund and the City of New York.
The New York City Waterfalls, by Olafur Eliasson
An Important and Rare Prototype Prismatic Table for the Alcoa Forecast Program
The Aluminum Corporation of America (Alcoa) program emphasized the artistic and functional possibilities of aluminum. Select commissioned designs were featured in full-page advertisements shot by noted photographers in widely-read weekly magazines. It is for this program that Isamu Noguchi developed the iconic design of the Prismatic table.
Isamu Noguchi, who was the third artist featured in the Forecast program in early 1957, developed an abstract three-dimensional form. Noguchi’s Prismatic tables were conceived in multiple to form a “kaleidoscope” with variant colors with the intention of adaptability. The advertisement photographed by Irving Penn used the table as a casual, yet romantic platform for dinner at home.
Prototype Prismatic Table, Sold at Auction for $290,500, by Isamu Noguchi, at Sotheby’s
“Industrial Facility is the London-based design office of Sam Hecht, Kim Colin and Ippei Matsumoto. A studio primarily designing mass produced goods, Industrial Facility take pleasure in the anonymity of everyday items, applying intellectual rigour, high design values and vision to products such as coffee makers, stationary and kitchen utensils.”
French artist Eric Stephany lives and works in Paris where is currently an artist in residence at the point ephémère artist center. his works focuses on sculpture and installation that explores symbolism through materials. he will be exhibiting this month at glassbox Sans les Murs in Paris.
“Art, architecture and environmental awareness have been forged together in Marmol-Radziner’s custom prototype for their industrially fabricated residential architecture. Recycled steel framing, highly energy-efficient glass, and solar-assisted power add an all-important, eco-friendly element to this milestone achievement. From the two-parcel, nearly 7.5 acre site on which the main house, guest house, studio and nearly 2,400 square feet of outdoor decks reside, broad panoramic vistas across the pool capture the all encompassing desert floor sweeping out to towering Mount San Jacinto and San Gorgonio.”
The Desert House (2005) Desert Hot Springs, CA, USA, $1,350,000, by Marmol-Radziner & Associates, at Architecture for Sale
At last year’s Salone Internazionale del Mobile, in Milan, Artek debuted a Shigeru Ban–designed pavilion constructed of UPM Pro-Fi, a wood-plastic composite made, in part, from recycled sticky labels. Sotheby’s announced that the pavilion, which has since been exhibited in Helsinki and Miami, will be auctioned off in June at an expected selling price of $800,000 to $1.2 million.