The Fall is a photographic survey of our historic unconscious. Richard Mosse travelled to intensely remote locations, from the Patagonian Andes to the Yukon Territories, and worked as an embed with the US military to produce work for this exhibition. The Fall is a rescue mission to try to locate our blasted sense of landscape and archeology, and reclaim the primeval waste for our imagination. Produced to an epic scale, each of the photographs in The Fall is a history painting for our times.
Richard Mosse, The Fall, November 19 – December 23, at Jack Shainman Gallery
This significant exhibition is the first in America to explore the work produced by German designer Konstantin Grcic, one of the most important industrial designers working today. Grcic is known for his logical designs, driven by an honesty of materials and an appropriateness of production methods, yet injected with an inventiveness and originality that set his work apart.
Konstantin Grcic: Decisive Design, November 20 – January 24,
at Gallery 184, The Art Institute, Chicago, USA
The Highlight of the upcoming African & Oceanic Art auction at Sotheby’s in Paris, is this Bamana sculpture with its profound understanding of form. Early 20th century painters and sculptors were influenced by the “Negro” art which was to profoundly change creativity in the modern world. It was also magnificently apparent in the exhibit entitled Primitivism displayed along with works by Max Ernst.
The Kònò mask can not simply be reduced to the powerful wild animals which its forms evoke in this case probably the hyena (long ears embodying the predator’s sentiency) and the elephant (wisdom, intelligence) the combination of which is remindful of the polymorphism of the powerful divinities whom the priests must influence favourably.
…brilliantly translated by the sculptor through the paradox of its absolute formal purity, and in this respect it resembles no other Kònò mask. Above and beyond the obviously perfectly accomplished work and the significant fact that the roots of its forcefulness delve into the subconscious, the emotions aroused in us by the arresting beauty of this masterpiece of Bamana art are the ultimate confirmation of its importance.
Lot 58: A Bamana Masterpiece: Kònò Society Mask, Mali, Estimate €300,000 – €400,000, African & Oceanic Art Auction, Thursday, Dec 3, at Sotheby’s, Paris
Update: Hammer Price €1,408,750
László Moholy-Nagy became known in Germany through his formative work as a teacher at the Bauhaus in Dessau from 1923 to 1928. In 1937 he went to Chicago, where he became the founding director of the New Bauhaus (later named the Institute of Design at the Illinois Institute of Technology). The New Bauhaus, was the immediate successor to the Bauhaus dissolved in 1933 under National Socialist pressure. Bauhaus ideology had a strong impact throughout America, but it was only at the New Bauhaus that the complete curriculum as developed under Walter Gropius in Weimar and Dessau was adopted and further developed.
A retrospective at Schirn Kunsthalle in Frankfurt will examine the complex picture of Moholy-Nagy’s oeuvre in order to present the range of his creative output to the public for the first time since the last major exhibition of his work in Kassel in 1991.
Exhibition: László Moholy-Nagy Retrospective, October 8 – February 7, at Schirn Kunsthalle, Frankfurt, Germany.
The new store concept for Georg Jensen has just been opened at The Pearl, Qatar. Designed by Mark Pinney Associates around the concept of the ‘Danish Luxury Lifestyle Home’, the store’s interior accommodates the diverse range of homeware, silverware and jewellery through the creation of an environment that incorporates the elements of the home – dining, living, kitchen and gallery space.
The notion of openness of a Scandinavian interior is reinforced by the store’s layout, from the stone tiled verandah with illuminated glass slat ceiling, to the fireplace located at the heart of the ‘home’.
The concept references elements of Danish architecture and design, particularly the work of Alvar Aalto, Arne Jacobsen, Vilhelm Wohlert and Poul Kjærholm. Materials used are wherever possible Danish in origin and include classic furniture pieces by Poul Kjærholm and Hans J Wegner.
Vessel Gallery introduces a collection of hand-blown vases by London designers Edward Barber and Jay Osgerby, Called Lantern Marine the vases took inspiration when the pair were travelling through the lagoon in Venice, they observed how metal frames or cages were used in different types of nautical objects: not just for protecting the hanging lamps on boats, but also in the construction of the buoys, and around the timber posts bricole that mark the traffic lanes through the lagoon. In parallel with this observation, they were experimenting with combinations of glass forms, designing pieces which could interlock and stack together, creating new colours through layering.
Lantern Marine by Edward Barber & Jay Osgerby for Venini, Launches November 5th at Vessel Gallery, London, UK
Photos taken inside the Normann Copenhagen flagship store, using a Tilt Shift filter.
Normann Copenhagen Flagship Store, Copenhagen, Denmark
via: Spotted by Normann Copenhagen
Made from cardboard tubes, the Paper Tower by Shigeru Ban is expected to sell for between £50,000 and £70,000 at auction next week. The tower is made of articulated metal joints, similar in design to the system used by Ban in his construction of a bridge, boathouse and various pavilions around the world. This 22m tall structure was commissioned as part of Size + Matter, a London Design Festival.
Paper Tower by Shigeru Ban, Photography Southbank Centre London Flickr set
Narrated by Dustin Hoffman, Visual Acoustics celebrates the life and career of Julius Shulman, the world’s greatest architectural photographer, whose images brought modern architecture to the American mainstream.
Visual Acoustics: The Modernism of Julius Shulman, Directed by Eric Bricker
British designer Jasper Morrison has launched a collection of watches for Swiss brand Rado. A chronograph reduced to the essential. Three hands, two counters, date at 3 o’clock, all lying under the flat sapphire crystal and activated through the gently curved rectangular ceramic pushers. The steel colored indexes and hands with white luminous sparkle together with the sunbrushed finish of the dial, a continuous entrancing and alluring play of light. The basic models feature only the minimum, the fundamental.