For its seventh furniture series, MANIERA invited the American designer Jonathan Muecke to a residency in Belgium. The one-week stay was to take place in specific architectural surroundings with the aiming of being an inspiring source for the designer, as Henry Van de Velde’s Wolfers House was for Richard Venlet’s MANIERA 03. From a number of possibilities that MANIERA offered Muecke, the designer almost immediately chose the Van Wassenhove House by the Belgian architect Juliaan Lampens.
Jonathan Muecke & Juliaan Lampens, Maniera Gallery
In his ‘Spring’ exhibition at Carpenters Workshop Gallery in London, Mathieu Lehanneur takes us into a world of flux. As if the cycle of the seasons and nature’s forces have specially looked at the fate of objects… Here, the artist-designer with a passion for science, grapples with ancestral materials in order to suffuse them with plasticity, fluidity and tone.
The works in the ‘Spring’ exhibition seem to hesitate between solid, liquid and gaseous. They appear to be suspended mid-transformation in a poetic state of metamorphosis. Marble and aluminium become liquid, onyx becomes air and glass softens as in a return to its original state.
Mathieu Lehanneur: ‘Spring’ exhibition, (17 – 25 September 2016), at Carpenters Workshop Gallery, London
Japan is getting its first museum dedicated to miniature architecture models. On June 18, 2016, Archi-Depot will open on Tennozu Isle in Tokyo’s Shinagawa district. Boasting a 450 sq m (4840 sq ft) space with 5.2 m (17 ft) ceilings, Archi-Depot will be lined with over 100 shelves all dedicated to the permanent display of architecture models. According to Fashionsnap, the organization has already secured models made by architectural luminaries like Kengo Kuma, Jun Aoki and Shigeru Ban, as well as a younger generation of architects like Wonderwall and Torafu. And they’ll continue to add to their collection.
Each model will be accompanied by a QR code that you can scan with your smartphone to bring up more information like photos of the completed work. The space itself is operated by Terada Warehouse, a company that specializes in the storage of valuables like art and wine. Tennozu Isle, where Archi-Depot is located, was previously an industrial hub for airlines and freight companies because of its proximity to the water and Haneda Airport. But the area has undergone significant redevelopment in recent years in an attempt to rebrand itself as an isle with “art & heart.”
Between 1959 and 1975, Pierre Paulin created several iconic designs for Artifort, including the famous Ribbon chair, the Mushroom and the Tongue. These timeless designs, which were created in the Artifort workshops, are for the most part still in production today. They are distributed around the world and continue to be a source of fascination because they are so modern.
Centre Pompidou in Paris is paying tribute to Pierre Paulin’s work with a comprehensive retrospective devoted to the designer’s work. The museum has decided to add a Pierre Paulin lounge to the exhibition galleries giving visitors the opportunity to sit down in some of Artifort’s most comfortable sofas and chairs.
Pierre Paulin at Centre Pompidou
The most extensive overview thus far of the work and thought of designer Eero Aarnio has open at Design Museum. Aged 83, Professor and interior architect Eero Aarnio has had an exceptionally long career and is one of the internationally most widely known names in the history of modern design in Finland.
The Eero Aarnio retrospective will be a comprehensive exhibition of the designer’s work in furniture, lamps, small objects and unique one-off pieces from the 1950s to the present. Along with objects it will also feature more rarely seen original drawings and sketches demonstrating the designer’s work. Visitors to the exhibition will be shown the less-known aspects of Aarnio’s design process with materials collected from the designer’s own work table and the production lines of the factories. The exhibition is curated by Suvi Saloniemi, Chief Curator at Design Museum, and the exhibition architecture is by Ville Kokkonen and Florencia Colombo.
Eero Aarnio Retrospective, at Design Museum Helsinki
As humanity finds itself more and more exploded and human beings are less and less (or increasingly) aware of themselves in the “coming community” of unidentified unity- seeking entities deciphered by Giorgio Agamben, Konstantin Grcic’s series from Da Messina’s Saint Jerome represents a significant contribution to the displacement of the issue of the individual. In these five pieces of furniture, the way the sitter positions himself is always an open question: there is, in each of the pieces, a choice to be made between the several places to sit; there is in every case a need to accept, with the angles of the seats and the curve of the legs, a certain tension.
There is no discomfort, but challenge in comfort, exactly as we should not let ourselves limit ourselves in ourselves, but in fact should expand, exercise our abilities in order to expand our world. The five items are all a small pedestal – a stage, seemingly separating us from the world; and there is a certain amount of theatricality in each of them, by mean of the materials used; fibre-cement, aluminium, marble, 3D print, all make for quite an effect. But at the same time there is no weight that would locate them beyond the logics of life: they all remain in the human community, and do not seem to escape into another world.
Exhibition: Hieronymus, at Galerie kreo, Paris, March 23 – July 14, 2016
Exhibition: distance(s), Lisboa, Portugal, by Pedro Léger Pereira
The centenaries of the births of Tapio Wirkkala and Rut Bryk, two influential figures in Finnish design, will be celebrated between their respective hundredth birthdays, from 2 June 2015 to 16 October 2016. The designer, sculptor and academician Tapio Wirkkala (1915–1985) and his wife, the graphic designer and ceramic artist Rut Bryk (1916–1999), were influential in launching the concept of modern Finnish, and Scandinavian, design, which still continues to enjoy international acclaim even today.
With the diverse events and exhibitions, and the products and books to be launched, the centenary year aims to increase the visibility of the important work done by Wirkkala and Bryk. The content of the centenary year programme in Finland and abroad is a natural continuation to the efforts to improve the national and international recognition of Finnish design.
Centenary, by Tapio Wirkkala Rut Bryk Foundation
With the major exhibition »The Bauhaus #itsalldesign« (26.09.2015 – 28.02.2016), the Vitra Design Museum presents, a comprehensive overview of design at the Bauhaus for the first time. The exhibition encompasses a multiplicity of rare, in some cases never-before-seen exhibits from the fields of design, architecture, art, film and photography. At the same time, it confronts the design of the Bauhaus with current debates and tendencies in design and with the works of contemporary designers, artists and architects. In this way, “The Bauhaus #itsalldesign” reveals the surprising present-day relevance of a legendary cultural institution.
The Bauhaus #itsalldesign, by Vitra Design Museum
The M.A.D.Gallery is hosting “Optical Variations”, an exhibit by French artist Damien Bénéteau, featuring four of his illuminated, hypnotizing monochromatic mobiles. A photographer by training, Bénéteau creates art dedicated to light, capturing it in a playful and energetic way that renders it nearly tangible. Bénéteau’s kinetic sculptures reflect his fascination with how an object’s volume is perceived in various lighting situations and his interest in mechanics and machines. “My greatest influences come from minimalist sculpture, seen in the mixture of geometric aesthetics, austerity and simplicity found in my work” says the artist.
In three of his installations for the M.A.D.Gallery – “Length Variations”, “Circular Variations” and “Spatial Variations” – the French artist plays with pendulums, pairing their oscillating movement with light to create a trio of mesmerizing phenomena. “Sphérolithe”, in contrast, sees the former photographer moving away from the continuous movement of the pendulum, rather letting light emanating from a stationary point speak for itself. The light pulsates like the throbbing of a heartbeat: consistent, calm, calculated.
Operating from his own atelier in the suburb of Paris, Bénéteau, a connoisseur of machinery, uses milling, polishing and metal turning machines to create his structures, each one requiring between three and six months of work.
Optical Variations, by Damien Bénéteau