Manshausen Island is situated in the Steigen Archipelago off the coast of Northern Norway. The Island´s position between dramatic mountains and the Barents Sea is in itself the inspiration for celebrated Polar Explorer Børge Ousland´s newest adventure; an adventure and exploration resort. The area is home to the world´s largest population of Sea Eagles and the fishing is spectacular. To the north the horizon is dominated by the mountain-range of Lofoten.
Manshausen Island was historically part of one of Northern-Norway´s largest trading posts for the fishing industry, today only visible in the massive stone quays on the Island. Additionally there is an existing 18th century small farmhouse on the Island.
The resort was planned and laid out in consideraton of the Island´s topography and the two main existing structures – the old farmhouse and the stone quays. The old farmhouse is situated on a small protected grassy plain on the Island and has been carefully restored, but also opened up towards the view of Lofoten in the North. The interior gives room to a professional kitchen and dining area on the ground floor and a relaxing library on the first floor. The cabins are all but one placed on the stonequays, partially cantilivered above the sea, one placed on a natural shelf on the rocky formations above. The positioning and orientation of all the cabins is based on the consideration of their individual panoramic views and privacy for the guests.
Manshausen Hotel, by Snorre Stinessen
“Okko hotel is, first and foremost, the story of my encounter with Olivier Devys, the project’s founder. Starting with a blank page, we combined our visions and our determination to take up the challenge of upending traditional practices in the hospitality industry to create a bold and innovative concept, an all-included package for the best location, best service and best price! Thus was born the idea of a contemporary and urban four-star hotel where the human, design, and innovation are at the heart of the project. I designed an adequate, simple, and timeless product around this “Okko spirit” to cater to customers’ new needs: a place unaffected by time or trends and where the notions of service and comfort are essential; to be able to work, dine, relax, be waited on or use anything freely, any time of the day; to feel like being home away from home. The high-end amenities and services in the modern and relaxing Okko room and in the vast and convivial Club room make the Okko hotel a unique place that combines aesthetics and comfort. I wanted to create a brand, not just a hotel!”
Originally built in the 1930’s, Das Stue’s diplomatic legacy is evident in the heritage building’s stately architecture and modernist façade, designed by German architect Johann Emil Schaudt (1871-1957) and inspired by Danish classicism. Located in Berlin’s diplomatic quarter, Das Stue was renovated to invoke a calming ambiance, with open spaces and contemporary minimalist design. The Potsdam-based firm Axthelm Architekten added a new wing on the building’s former back courtyard, which is clad in a floral patterned photo concrete surface acting as an elegant counterbalance to the rough dressed stone of the main building.
While Patricia Urquiola artistically directed and designed all public spaces and fluidly integrated shared spaces such as the lobby, cocktail bar and restaurants, LVG ARQUITECTURA finalized the interior room and suite design. Das Stue’s daylight spa, which opens its doors to the courtyard when the first rays of sunlight emerge, offers three treatment rooms, an indoor swimming pool, as well as a glass sauna and gym. In addition to the wellness center, two intimate library lounges offer guests a private and elegant retreat to relax.
Each of the 80 guestrooms is outfitted in subdued modern decor that emphasizes polished surfaces and rich fabrics. The rooms are designed to recall the open spaces of villa environments, complemented by high ceilings, hardwood floors and views of the adjacent Tiergarten; 11 rooms feature terraces and balconies.
Following a string of limited edition collaborations, Leica is back with a third in a line of special M-System cameras built with the help of renowned Parisian fashion house, Hermès. The partnership results in two special editions, with a total of 300 Edition Hermès digital rangefinders set to ship beginning in June for $25,000, while 100 “very special” Edition Hermès — Sèrire Limitèe Jean-Louis Dumas models will release in July for — $50,000. Both editions will be offered as complete kits, with the “cheaper” of the two built with soft calfskin leather with a silver chrome finish for its redesigned control points, complete with a Leica Summilux-M 50 mm f/1.4 ASPH. optic. The “other” arrives with three lenses, the Leica Summicron-M 28 mm f/2 ASPH., a Leica Noctilux-M 50 mm f/0.95 ASPH. and a Leica APO-Summicron-M 90 mm f/2 ASPH — all with an anodized silver finish.
Architect Peter Zumthor designed this memorial on an island in Norway to commemorate suspected witches who were burned at the stake there in the seventeenth century. The Steilneset Memorial in Vardø comprises two structures, one conceived entirely by Zumthor and a second housing an installation by the late Louise Bourgeois (1911-2010). The first structure comprises a pine scaffolding framework, inside which is a suspended fabric cocoon containing a long oak-floored corridor. Inside this corridor, light bulbs hang behind 91 windows to represent each of the men and women that were put to death during the witch trials. A plaque accompanies each lamp to record the individual stories of every victim. The installation by Bourgeois, entitled The Damned, The Possessed and The Beloved, occupies the smoked-glass-clad second structure. A circle of mirrors within surround and reflect a flaming steel chair inside a hollow concrete cone.
Steilneset Memorial, Vardø, Norway, by Peter Zumthor and Louise Bourgeois,
Photography by Andrew Meredith, via: dezeen
Every detail designed by Rosita Missoni to create an exhilarating sensory experience.
Hotel Missoni, Kuwait
The 9 Hours is the brand new capsule hotel unveiled by Tokyo-based Cubic Corp. Designed in a collaboration with designer Fumie Shibata of Design Studio S, it looks nothing like its predecessors and represents a revolution in the capsule concept.
A few years ago, the A House was the hub of Copenhagen’s creative elite. Now the building has been transformed into Stay, which offers a couple of hundred apartments that come with space, freedom and a view. Booking an apartment gives you access to the biggest rooftop terrace in Scandinavia as well as a meticulous design, which can be seen in everything from the front of the house to the hat stand. Accordingly, Copenhagen is no longer lagging behind when it comes to housing guests, who want more than a place to spend the night.
Stay, Copenhagen, Denmark
While the 1950s Catalan façade has been left untouched stylistically, architects Carlos Ferrater and Juan Trias de Bes have made some major changes to the former bank while retaining its symmetrical simplicity. The nine-storey building’s unassuming façade opens to a light-drenched atrium, around which the hotel rooms have been designed. Crossing the atrium via a floating catwalk, guests pass into a lobby before being drawn to a split-level mezzanine platform – flanked on one side by Moments restaurant and on the other by Banker’s Bar – from where they view the central Blanc lounge below. “Previously visitors walked down into the building, so we designed an elevated ramp for the gallery entrance to make it feel as though you are walking on air,” says de Bes. “By placing black reflective stone at floor level, there is a multiplying effect to the perceived height of the windows and atrium.”
The building’s character also provided much inspiration to Patricia Urquiola, who knew she must come up with a visual story specific to Barcelona while hinting at the Oriental roots of the Mandarin Oriental brand. “I noticed all this light flooding into the building, and wanted to harness it to mirror the light that shines in this Mediterranean city,” comments Urquiola. “Then I thought of how a white glove represents elegance and service. Closing my eyes, I knew there had to be a continuity of design flowing through the spaces; one point of view. But I also wanted there to be a sense of memory here.”
Located on the dry savannah landscape of the Bukit Peninsula on the dramatic southern cliffs of the Indonesian island of Bali, Alila Villas Uluwatu, is designed to investigate the potential of the fusion of vernacular architecture with modernist design. The design combines the delights of traditional Balinese pavilion architecture and rural landscapes with modern dynamic treatment of space and form. The design is based from first principles around the pleasures inhabiting the particular site, rather than assembling stereotypical images of Bali or generic resorts.