VIP Centre Schiphol Airport, Amsterdam, Netherlands, by Concrete
An Important and Rare Prototype Prismatic Table for the Alcoa Forecast Program
The Aluminum Corporation of America (Alcoa) program emphasized the artistic and functional possibilities of aluminum. Select commissioned designs were featured in full-page advertisements shot by noted photographers in widely-read weekly magazines. It is for this program that Isamu Noguchi developed the iconic design of the Prismatic table.
Isamu Noguchi, who was the third artist featured in the Forecast program in early 1957, developed an abstract three-dimensional form. Noguchi’s Prismatic tables were conceived in multiple to form a “kaleidoscope” with variant colors with the intention of adaptability. The advertisement photographed by Irving Penn used the table as a casual, yet romantic platform for dinner at home.
Prototype Prismatic Table, Sold at Auction for $290,500, by Isamu Noguchi, at Sotheby’s
“Industrial Facility is the London-based design office of Sam Hecht, Kim Colin and Ippei Matsumoto. A studio primarily designing mass produced goods, Industrial Facility take pleasure in the anonymity of everyday items, applying intellectual rigour, high design values and vision to products such as coffee makers, stationary and kitchen utensils.”
As a caterer for upmarket parties, Maison Van Den Boer, is one of the best known in Holland. The Amaison shop is conceived like grandma’s kitchen, sample the flavours as you watch food being prepared. We like the way in which a single geometric element is repeated throughout the Shop.
Amaison, Amsterdam, Netherlands, by Concrete
French artist Eric Stephany lives and works in Paris where is currently an artist in residence at the point ephémère artist center. his works focuses on sculpture and installation that explores symbolism through materials. he will be exhibiting this month at glassbox Sans les Murs in Paris.
Madrid’s latest art museum, the CaixaForum, has opened in the heart of the city’s cultural district near the Prado, the Reina Sofia and the Thyssen-Bornemisza museums. Designed by Swiss architects Herzog & de Meuron, the museum is housed in a converted 1899 power station. The building — one of the city’s few remaining examples of historically significant industrial architecture — was acquired by the foundation in 2001.
CaixaForum, by Herzog & de Meuron
An interesting blend of the traditional and current objects like Tom Dixon lamps and Bisazza mosaics.
Pearls & Caviar, Abu Dhabi, UAE, by Concrete
Barnaby Barford (b.1977) graduated from the Royal College of Art and has worked with prestigious companies including Nymphenburg as well as creating his one-off pieces. (shown here)
Stick that on YouTube!, (Price on request), by Barnaby Barford, at David Gill Galleries
‘Erwin Hauer is one of the most creative and important artists working in the three-dimensional idiom during the second half of the twentieth century. He is a sculptor’s sculptor, a creator of flawless form that dazzles those who toil in this world. But that alone is not his achievement. He is an artist of wide breadth, who has been a perpetual student, investigating those new realms where his work carried him, always adding to what he has already developed…..his geometric and architectural sculptures cannot be overestimated for their effect upon architechs and countless Yale students who carried his thinking and forms into the world, affecting even larger groups.’
Elliot Offner, Smith College
Hauer worked with Florence Knoll on the Look Magazine office (1960), designing perforated and light-diffusing architectural surfaces. Originally developed in 1950, Continua screens were made of masonry materials painstakingly cast in complex molds.
Erwin Hauer continues his work as a sculptor and is Professor emeritus at the Yale University School of Art. Much of his work has been forgotten or lost.
Partitions and Screens, by Erwin Hauer, for Erwin Hauer
Buy the Book: Erwin Hauer: Continua-Architectural Screen and Walls
More a Marvel of Engineering, Torre de Collserola functions as a highly adaptable communications tower and an innovation for an entirely new structural concept: a hybrid concrete and steel-braced tube. This required a base diameter of only 4.5 metres, dramatically minimizing its impact on the mountainside.
Torre de Collserola, Barcelona, Spain by Foster and Partners