Constantin Brancusi owes its outstanding reputation mainly his sculptures in stone and bronze, cut or molded, smooth and polished to perfection. The public knows little wooden works, much less numerous and, at first, were not well received, as to be rejected by private collectors.
Madame LR is a wonderful example of the first wooden sculptures by Brancusi: By choosing the material and the technique of direct cutting through the iconography and the intent underlying its creation, this work is Indeed, far from the normal production of the sculptor. While the Bird in Space, amounts to heaven in a spiritual movement and almost intangible—wooden sculptures are massive, rooted in soil and mysteriously enigmatic.
It is difficult to assess accurately the number of wood sculptures by Brancusi realized, as some have been dismantled, reconstructed or destroyed, but it is estimated that there were still some thirty sculptures or fragments of sculpture. Most of them were executed between 1913 and 1925, during which Brancusi also produces oak stands to put his works in marble or bronze. Although he produced some great wooden sculptures after 1920 and continued to pedestals, the works of the early years remain the most surprising.
Portrait of Madame L.R., by Constantin Brancusi, Estimate €15,000,000 – €20,000,000, Collection Yves Saint Laurent & Pierre Berge, Auction at Christie’s, 23 – 25 February
The data sculpture Fundament shows the allocation of the world’s gross domestic product in comparison to the worldwide derivatives volume. The statistical data was aquired from the CIA World Factbook and the International Monetary Fund.
Reflection is a sound data sculpture, which was inspired by and derived from the musical piece by Frans de Waard of the same title.
Fundament, Reflection, by Andreas Nicolas Fischer
A major new site-specific work entitled Memory is currently on show in Berlin. The raw, brown, Cor-Ten steel structure, just 8mm thick, is like a landed alien pod or a relic from an old war, unwieldy, tightly fit into the otherwise bare white space.
The claustrophobic physicality deliberately impedes viewing the entire object at once. Instead the spectator is forced to creep around and piece together fragmented perspectives, the individualized creation of what Anish Kapoor calls ‘mental sculpture’, all the while wondering how on earth the thing stays upright.
This Spanish enfant terrible, Jaime Hayon is considered as a trail-blazing talent in the world of design. For the 21st edition of the International biennial Interieur in Kortrijk, the Foundation Interieur managed to snare the Spanish designer Jaime Hayon. The youngest and the first Spanish guest of honour ever, is known for his frivolous design and unbridled imagination. Since the first edition in 1968, an international guest has been chosen carefully for his ability to surprise, to reflect and preferably outpace the spirit of the times. Famous designers such as Raymond Loewy, Verner Panton, Andrea Branzi and Jean Nouvel have filled this role.
One of the main events at this year’s Art Basel Fair in Miami was the grand opening of the Mondrian South Beach Hotel. The hotel’s interior is designed by Marcel Wanders, and creates a sense of space with large supporting spindle-like columns and ornately patterned staircases. The intention was to give the new Mondrian’s interior a romantic, fairy tale feeling. Part of the interior design includes delft blue tiles with images depicting girls and sharks, chandelier showers and a small coach house entrance which features six large bell chandeliers. The hotel’s sunset lounge provides views over Miami’s downtown skyline while golden candelabras and onyx jewel-cut stools are combined with ottomans and antiques creating contrasting visual elements between the imagined and the forgotten.
The American Architectural Foundation has donated the model of the World Trade Center to the National September 11 Memorial and Museum at the World Trade Center, to be opened in 2012.
“Architectural models are inherently fragile and challenging to maintain,” the museum’s chief curator, Jan S. Ramirez, said in a statement. “It is a double stroke of exceptional luck and far-sighted stewardship that this outstanding model has outlived the building complex it was created to forecast.”
“This model has the unparalleled capacity to help tell the first chapter of the World Trade Center story,” said Joseph C. Daniels, the president of the memorial and museum.
Concrete has taken the name Überfluss (which translates in to ‘abundance’) literally and made it one of the key elements in the design. Classic ornamented elements with a modern twist, either in shape, material or manufacturing process provide the way to express this wealth and luxury.
Countless massive structures will flood the Diesel Denim Gallery in Tokyo. Simple, playful shapes resembling cookie-cutters; an extraordinary experience that tickles your mind with nostalgia of secret hide-aways from our childhood.
Pylon, 1971, Detroit Civic Center Plaza, Detroit, USA, by Isamu Noguchi
Objectified is a feature-length independent documentary about industrial design. It’s a look at the creativity at work behind everything from toothbrushes to tech gadgets. It’s about the people who re-examine, re-evaluate and re-invent our manufactured environment on a daily basis. It’s about personal expression, identity, consumerism, and sustainability. It’s about our relationship to mass-produced objects and, by extension, the people who design them. Personalities include Paola Antonelli (Museum of Modern Art, New York), Ronan & Erwan Bouroullec, Naoto Fukasawa, IDEO, Jonathan Ive, Hella Jongerius, Marc Newson, Dieter Rams and more.
Objectified, Documentary, Produced and Directed by Gary Hustwit.