depotArt is a showcase for computer generated art. Most pieces in a series are similar yet different. Limited edition of 10.
Kugeln, from depotArt
Designed for the Hôtel de Marc at Rheims, Once Upon a Dream has been designed to help people rapidly recuperate and adapt to their new surroundings. Based on psychological studies used in sleep treatment clinics to help cure chronic insomnia, the capsule installation will allow guests to recover as quickly as possible from jetlag. The extraordinary space is a sleep unit that is a hybrid between fairy-tale and home cinema. This is also nod to the history of the Veuve Clicquot House as Barbe-Nicole Clicquot Ponsardin was a notorious insomniac.
Once Upon a Dream, by Mathieu Lehanneur, for Veuve Clicquot
To eliminate the estrangement from our origin, respecting nature will be necessary. Designing a special place will give nature its space, even in urban society.
- Frederik Roijé
Exhibition: Breed and Retreat, Hen House, by Frederik Roijé, Ventura Lambrate Gallery, Milan Design Week 2010
Using bathymetric information of the lakes from the National Oceanic and Atmospheric Administration (NOAA), Joy Charbonneau & Ed Zec generated three-dimensional models of the water basins to represent the five lakes volumetrically.
Tokujin Yoshioka will exhibit Stellar, a new chandelier made from crystal at the Swarovski Crystal Palace during the upcoming Salone del Mobile in Milan.
“In 2005, I designed a futuristic chandelier entitled “Stardust“, which expressed a scene where moving images being projected onto the dark night sky by an infinite particle of lights. Three years later, in 2008, I designed a stool “Eternal“. For this work, I had an image of bringing down the star cluster and its brilliant beauty from the sky and sealing them eternally in the transparent lump. This year, I intend to create a star, descended from the sky emitting many rays of light in the space; thus I would like to name this work “Stellar”.
- Tokujin Yoshioka
Stellar, Swarovski Crystal Palace, Salone del Mobile 2010, Milan, Italy, by Tokujin Yoshioka
Tokyo Born artist Hiroyuki Hamada lives and works in East Hampton, New York with his wife, two children and two dogs.
# Series, by Hiroyuki Hamada
Ionna Vautrin presents a a series of lighting called Moaïs. Each model consists of ten sheets of polycarbonate and ten “combs” in painted or anodized aluminum, and a black aluminum base shaped like a truncated cone. Easy to assemble, some are left white, while others are screen printed.
Moaïs, by Ionna Vautrin, January 26 – March 20, at ToolsGalerie, Paris, France
Katharina Fritsch first showed her work in the United States in 1994, at the Dia Center for the Arts. There she debuted Rattenkönig (Rat king), her now famous work in which 12-feet-tall black rodents face outward in a circle, towering over the viewer, their tails bound together in a giant knot. Like all Fritsch’s work, Rattenkönig is simultaneously seductive and unnerving. She often transforms quotidian objects or ordinary looking figures into something new and strange, through repetition and manipulation of scale and color. Her sculptures are the result of a time-consuming process: a piece is usually molded by hand, then cast in plaster, reworked, and then cast again in polyester.
Katharina Fritsch, at Matthew Marks Gallery