“By covering surface of an object with transparent glass beads, the existence of the object itself is replaced by “a husk of light”, and the new vision “the cell of an image” (PixCell) is shown. Most of the motifs, like stuffed animals are found through the internet. I search some auction sites and choose from the images which appear on a monitor as pixel. However, the stuffed animals which actually have been purchased and sent have real flesh feel and smell, and have a discrepancy with images on the monitor. I then transpose them to PixCell in turn.” – Kohei Nawa
AD pointed us to the new video by Berlin based experimental musician Efdemin. The video includes fleeting images of Ludwig Mies van der Rohe’s, 860-880 Lake Shore Drive in Chicago
Ann Van Hoey was an industrial engineer before she discovered ceramics. “Étude Géométrique” (“Geometric Study”) is the name for a series of five bowls which impressively embody the quintessence of her artistry in a contemporary manner. The basis for these pieces, i.e. thinly rolled pieces of clay cut into semicircles, are first joined and shaped into perfectly hemispherical bowls on the potter’s wheel. When the clay has dried so as to be leather-hard, Van Hoey uses a pair of scissors to cut triangular segments from it and joins the ends so as to overlap, thus opening up the path towards new three-dimensional shapes whose logic and clarity do not only fascinate minimalists alone. Without any décor, the clay’s colour and material characteristics are displayed to perfection. The combination of lines and surfaces makes for charming sculptural effects. Inspired by origami, the Japanese art of paper folding, Van Hoey’s crafting technique results in unusual creations that trigger new chains of associations.
Architect and designer, Noé Duchaufour-Lawrance designed the gallery space for BSL. He also designed the displays for jewelry which include four models in white resin which are at the confluence of paleontology and design.
Opening Exhibition, May 7 – July 24, by Noé Duchaufour-Lawrance, for Galerie BSL, Paris
“I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky, and shatter everything. It was so exciting, loud and overwhelming; it would literally take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone.
At the time harrier jump jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words.”
– Fiona Banner
Tate Britain Duveens Commission 2010, by Fiona Banner,
at Tate Britain, 28 June 2010 – 3 January 2011
The recent Oceanic and African Art Auction at Sotheby’s in Paris included this Kulango Pounder Spoon from Côte d’Ivoire.
Kulango Pounder Spoon, Hammer Price: € 78,750, Oceanic and African Art Auction,
Sale PF1017, Sotheby’s, Paris
The upcoming Design auction at Phillips de Pury in New York includes some important early works by Marc Newson as well as some more recent prototypes.
Top to Bottom:
Pod of Drawers, 1987, by Marc Newson
Fiberglass-reinforced polyester resin core, blind-riveted sheet aluminum, paint. Produced by Basecraft for Pod, Australia. From the edition of ten plus two artist’s proofs and one prototype. Estimate $300,000-500,000
Prototype Micarta desk, 2006, by Marc Newson
Linen phenolic composite. Prototype for the edition of ten plus two artist’s proofs.
Prototype Voronoi Shelf, 2006, by Marc Newson
Bardiglio marble. Prototype for the edition of eight plus two artist’s proofs.
Event Horizon Table, 1992, by Marc Newson
Enameled aluminum, polished aluminum. Produced by Pod Edition, UK. Artist’s proof for the edition of ten. only example produced with a yellow body. Estimate $250,000-350,000
Marc Newson Works, Design Auction at Phillips de Pury & Company,
June 9, 2010, New York
“Frequent manipulations of insignificant objects in a naked corner of my studio for digital documentation and publication on the internet as temporary installations in the context of art.”
Unstable Variables, by Kjell Varvin, Installart
Horizons, a series of architectural photographs by Brazilian photographer Bruno Cals, will be on view at 1500 Gallery. The six photographs in the exhibition are part of a personal artistic project that Cals, a well-known fashion/advertising photographer based in São Paulo, Brazil, has been working on since 2008.
The photographs in the Horizons series are suggestive of something beyond the record presented. The images of the buildings in São Paulo, Tokyo and Buenos Aires explore the limits of two-dimensionality, and articulate a radically different perspective on a commonplace visual scenario. In expressing this fresh point of view, Bruno Cals has invoked contrasting themes of possibility versus impossibility, presence versus emptiness, and search versus satisfaction.
Horizons, by Bruno Cals, May 6-July 31, 1500 Gallery, New York
Austro-American architect Richard Neutra (born 1892 in Vienna, died 1970 in Wuppertal), one of the most important representatives of “classic Modernism”, was best known for his houses in Southern California. His designs combined light metal structures with stucco elements to create light, pervious ensembles, which he embedded with great sensitivity in carefully arranged gardens and landscapes.
For the first time ever architectural projects will be shown that he realized in Europe in his 10 final creative years (1960 – 1970). He created eight villas, four in Switzerland, three in Germany and one in France.
Richard Neutra in Europe: Buildings and projects 1960 – 1970, 8 May – 1 August 2010, at MARTa Herford Museum, Herford, Germany
Photography (top to bottom): Iwan Baan, Karl-Hugo Schmölz, Unknown, Charles E. Young Research Library UCLA, Martin Hesse, and Martin Hesse.