Madrid’s latest art museum, the CaixaForum, has opened in the heart of the city’s cultural district near the Prado, the Reina Sofia and the Thyssen-Bornemisza museums. Designed by Swiss architects Herzog & de Meuron, the museum is housed in a converted 1899 power station. The building — one of the city’s few remaining examples of historically significant industrial architecture — was acquired by the foundation in 2001.
CaixaForum, by Herzog & de Meuron
Barnaby Barford (b.1977) graduated from the Royal College of Art and has worked with prestigious companies including Nymphenburg as well as creating his one-off pieces. (shown here)
Stick that on YouTube!, (Price on request), by Barnaby Barford, at David Gill Galleries
‘Erwin Hauer is one of the most creative and important artists working in the three-dimensional idiom during the second half of the twentieth century. He is a sculptor’s sculptor, a creator of flawless form that dazzles those who toil in this world. But that alone is not his achievement. He is an artist of wide breadth, who has been a perpetual student, investigating those new realms where his work carried him, always adding to what he has already developed…..his geometric and architectural sculptures cannot be overestimated for their effect upon architechs and countless Yale students who carried his thinking and forms into the world, affecting even larger groups.’
Elliot Offner, Smith College
Hauer worked with Florence Knoll on the Look Magazine office (1960), designing perforated and light-diffusing architectural surfaces. Originally developed in 1950, Continua screens were made of masonry materials painstakingly cast in complex molds.
Erwin Hauer continues his work as a sculptor and is Professor emeritus at the Yale University School of Art. Much of his work has been forgotten or lost.
Partitions and Screens, by Erwin Hauer, for Erwin Hauer
Buy the Book: Erwin Hauer: Continua-Architectural Screen and Walls
“Taizo Kuroda’s ‘pure white’ reflects the colour of his spirit in the unceasing pursuit of truth”.
Tadao Ando. Architect.
“According to Japanese Kegon Buddhism, the oneness of the universe is the result of all the phenomena making it up fusing together. All existence depends upon the unification of opposites. Thus form exists only in relation to formlessness, the tangible only to the intangible; “something” can only be because there is also “nothing.” The moment the opposites are united, they become real. A shape derives from the moment formlessness encounters form.”
hmm – something to think about when gazing at these ceramics.
$1,500 to $8,000 by Taizo Kuroda
Equilibrio di una Relazione Vitale, (sold for $28,000), by Angelo Mangiarotti, at Wright
Tatjana Quax is involved with moooi as head styling. Every quarter in 2007 the moooi paper appeared together with the magazine ELLE wonen. The paper has grown into a glossy (half million copies worldwide) and was currently presented at the Salon del Mobile Milan 2008.
The moooi Paper, ELLE wonen, by Studio Aandacht
“The Holiday Home is an experiential installation exploring areas in which the holiday home departs from modern design conventions. Visitor movement through the installation activates unexpected view corridors and the multidirectional shadows create unpredictable perspectives.”
Holiday Home, Philadelphia, USA, by UNStudio
1. Alexander Calder’s statue of “Man”, originally located near the Scandinavian Pavilion on Île Sainte-Hélène, Montreal for Expo 67
2. “Flamingo” in Federal Center Plaza, Chicago and 3. found.
more: Calder Foundation