Situated in Heringsdorf, a spa on the island of Usedom, Villa Oppenheim is one of the finest examples of the historic spa architecture of the German Baltic. We have renovated the villa at the front of the main promenade of the popular resort on the basis of its original design, restoring it to its original use as an exclusive, private holiday residence. To create a house as a unified whole, Pott Architects also took on the custom-made interior design of the villa. This included the design of kitchens and baths, even an in-house wellness area, down to the furniture and every last detail. We have succeeded in maintaining the character of the house while adding new elements to create a modern appearance. The result is a shining example of a 21st century spa in the lovely setting of the Usedom holiday resort.
Villa Oppenheim, Usedom, Germany, by Pott Architects
Photography © Sebastian Treytnar, KLAFS
The conversion of a former manufacturing workshop in a Parisian alley to a family apartment. Multifunctional wooden cabinetry lines the perimeter of the space to open up the central living area.
Kabinett, Paris, by Septembre, Photography by Maris Mezulis
The North Delegates’ Lounge inside the United Nations was designed as a place for informal meetings. The casual setting was furnished by leading designers of the time including Hans Wegner, Peter Hvidt, Jacob Kjaer, and Nanna Ditzel. The interior was the pinnacle of postwar / modern design splendor reflective of the era. It was refined, clean and handsome. But decades of wear and tear not to mention various additions tarnished its luster. Enter Rem Koolhaus and Hella Jongerius. The Dutch masters were selected to redesign the lounge as part of UN’s nearly $2 billion plan to renovate the entire building. Artworks and some of the lighting and furnishings were preserved but for the most part, Jongerius transformed the lounge into a colorful, casual, and dare we say fun environment. The renovation and redesign was a gift from the Netherlands to the UN.
Redesign of the North Delegates’ Lounge, United Nations, New York, by Hella Jongerius and Rem Koolhaas, Photography © Frank Oudeman
Winners of the 2013 Restaurant & Bar Design Awards have been announced. Norman Foster’s Atrium Champagne Bar in London won for Best Bar.
Atrium Champagne Bar, London, by Foster + Partners, Overall Winner 2013 Restaurant & Bar Design Awards
Connoisseurs architecture of the middle of the twentieth century, Michael and Gabrielle Boyd discovered a forgotten masterpiece of Oscar Niemeyer and brought him back to life.
Strick House, Santa Monica, California, USA, by Oscar Niemeyer
via: Architectural Digest
Read More: Strick House by Oscar Niemeyer I
With a sure hand bfs architects have helped an atrium house in Berlin’s famous Hansaviertel back to its former glamour. The modernist building was part of the 1957 building exhibition in Berlin’s Tiergarten park. It was designed by Eduard Ludwig, who among other things also designed the airlift monument at Tempelhof airport.
Atrium House, by Eduard Ludwig, via: Bergdorf
Hotel Zenden is located within three monumental town houses near the river Maas in Maastricht, the Netherlands. The hotel’s history begins in the late 1960s, and originally contained only a pool for swimming lessons. Over the years other functions such as hotel rooms and a Judo school were implemented into the program. During the renovation, the scattered program was recrystallized into an iconographical and integrated whole. Newly created openings in the hotel’s walls allow for views between all areas of the new program, as well to as the exterior. The renovation led to an abstraction of the structure in both plan and section, not least because all ceilings heights were kept to a maximum. The resulting interior sculpture is completely clad in white, with the exterior inversions painted anthracite. New program elements were placed if and where necessary.
Hotel Zenden, Maastricht, Netherlands, by Wiel Arets Architects
There is an apartment in Le Corbusier’s famous Cité Radieuse (radiant city) in Marseille, which is almost completely preserved in its original 1952 condition. Appt. No 50 is privately owned and it is thanks to the generosity and passion of its owner/occupant that the place is made accessible to a wider public during the summer months of each year. As proof that Le Corbusier’s visionary Unité d’Habitation has the same vibrancy today as when it was originally conceived the apartment is turned into a temporary stage for the ideas and works of contemporary designers.
A short series of scenographic installations has been realized over the years; Konstantin Grcic’s project is the third in line following Jasper Morrison (2008) and Ronan & Erwan Bouroullec (2010). Apart from placing a selection of his favorite furniture and objects Grcic decided to tag the walls of the apartment with four blown up scans from an original punk fanzine.
“The punk motifs are tempting a slightly devious link between two completely unrelated worlds: Le Corbusier’s architecture and punk rock. Without forcing the idea of common grounds, I find that both have a rawness and uncompromising spirit which I have always found compellingly beautiful. Bringing both cultures together in this project felt most inspiring and, in the end, surprisingly fitting”, explains the designer.
15 July -15 August 2013, Cité Radieuse, Unité d’habitation, Le Corbusier Appartement 50, rue 280 boulevard Michelet, Marseille, Photography by Philippe Savoir & Fondation Le Corbusier / ADAGP, via: Domus
The aim of the display system for the Manufacture of Sèvres is to enhance their four centuries of creation through a selection of 100 pieces. Reminiscent of the sunrise in Asia, the vaporised yellow gradation opens a vertical evasion of the space. The void created between the thin-edge plywood shelves and the light wire-cube structure, expresses the lightness and the impression of floating shelves.
Galerie de Sèvres – Cité de la Céramique, Paris, France, by A+A Cooren
Photography © Lorenz Cugini