“Tell me what music you listen to, and I’ll tell you who you are” was among the principles that served as a blueprint, starting-point and road-map for the look and feel of the campaign and for the subsequent implementation of Das Neue Kubitscheck (The New Kubitscheck).
Cafe owner, Armin Stegbauer’s aim is to free cakes and gateaux from their years of imprisonment behind the bars of crocheted doilies, cologne and dusty Sunday tradition. Stegbauer, saviour of Cafe Kubitscheck in Waldfriedhofstrasse, a traditional Munich confectioner’s from the 1950s, has made it his goal to revamp the confectioner’s tradition for the modern age. But not without taking on board some endearing aspects of Germany’s confectionery culture that are worthy of preservation.
Das Neue Kubitscheck, Munich, Germany, by designliga
In the attic of an emblematic building of classical early 20th century Madrid, this new concept of living space is placed: UNLIMITED SPACE (Ceramic House) is presented by architect Héctor Ruiz-Velázquez and built out of total freedom of layers. As if the design would be a three-dimensional object, every one of the rooms or points of the home can be located by specifying the axis of coordinates. The result is the power to move around in few square meters at different heights, going up and down, offering a new experience of roominess in the context of a home: to explore the space. The transition between the rooms is continuous and lets the movement flow freely across the numerous levels. The spatial flexibility that transforms this home is an innovative housing concept which adapts itself to the actual necessities and to the new usages. Where roominess, brightness and time flow in a multifunctional space without corners or precedence. It is also about expanding the parameters of interior design as well as the conventional trends of arrangement.
Reconstructing project of a traditional eel store established over 100 years ago in Yanagawa-city. This form is led by many restriction such as floor level gap by iterating reconstruction. Heavily burnt and carbonized cedar board on outside and inside wall, this is because of charcoals the artisans have used to grill eels for a long long time.
Unagi, Office & Store, Yanagawa, Fukuoka, Japan, by Shimokawa Toru, Stad
Photography by Kozi Hayakawa
Who wouldn’t want a bathroom designed entirely according to one’s own personal preferences? With Axor Bouroullec, Axor offers the freedom to create individual designs – allowing this space to be tailored to suit the personal needs and wishes of the user perfectly. Axor Bouroullec is a collection that is not constrained by a rigid pattern. In fact, more than 70 bathroom products – from mixers, accessories and wash basins to the bath tub – give you the freedom to compose the ensemble that best suits your individual needs. The position of the mixer is not predetermined: you can decide where to locate the spout and handles above, on top of and around the wash basin. Shelves integrated into the wash basin permit flexible positioning of the mixer or provide space to store your personal items.
While the 1950s Catalan façade has been left untouched stylistically, architects Carlos Ferrater and Juan Trias de Bes have made some major changes to the former bank while retaining its symmetrical simplicity. The nine-storey building’s unassuming façade opens to a light-drenched atrium, around which the hotel rooms have been designed. Crossing the atrium via a floating catwalk, guests pass into a lobby before being drawn to a split-level mezzanine platform – flanked on one side by Moments restaurant and on the other by Banker’s Bar – from where they view the central Blanc lounge below. “Previously visitors walked down into the building, so we designed an elevated ramp for the gallery entrance to make it feel as though you are walking on air,” says de Bes. “By placing black reflective stone at floor level, there is a multiplying effect to the perceived height of the windows and atrium.”
The building’s character also provided much inspiration to Patricia Urquiola, who knew she must come up with a visual story specific to Barcelona while hinting at the Oriental roots of the Mandarin Oriental brand. “I noticed all this light flooding into the building, and wanted to harness it to mirror the light that shines in this Mediterranean city,” comments Urquiola. “Then I thought of how a white glove represents elegance and service. Closing my eyes, I knew there had to be a continuity of design flowing through the spaces; one point of view. But I also wanted there to be a sense of memory here.”
The original structure, with rooms for staff, a double hall and long hallways with lots of doors has been transformed into a spacious, transparent single-family apartment for four people, full of light and air.
A kitchen in combination with cabinets from floor to ceiling has laser-cut front panels, all spray painted white. This pattern results in a dynamic mixture of open and closed cabinets, the holes also function as integrated handgrips. The transparency of the object’s skin gives depth to the volume which is complimented by furniture like the Grcic chair one. An atrium with open staircases brings natural light from a large roof light into the living area. Along the open staircase a wall of two stories high is covered with clear pine wood, and connects the two levels. Upstairs the master bedroom is situated next to a large bathroom with a finish of structured tiles from Patricia Urquiola, glass, and wooden cabinets.
Home 07, Amsterdam, Netherlands, by i29 | interior architects
The radical functionality of jet fighters and the elegance of supersonic aircrafts like the Concorde have inspired the style of the Berlin based architecture and design office KINZO. For a young family in Hamburg, KINZO has created a kitchen, reflecting the streamlined aesthetics, but also the spatial economics of aircrafts: The upper cabinets are reminiscent of the overhead compartments of aircrafts – and they swing open just the same way. The kitchen elements seem to float in space, cleverly arranged lights enhance the bright, airy and slightly “clinical” impression – but first of all, they create an illusion of space in a room of barely 20 square meters. What’s more, this bespoke kitchen didn’t cost a fortune.
Jet-Kitchen, Hamburg, Germany, by KINZO
It all started early this year when Jasper Morrison introduced us to the owners of one of the apartments in the housing block unit of the Marseille-based Radiant City by Le Corbusier. The Apartment 50 is not a museum; it is a lived-in space that we remodelled – just for the time of the summer season. We decided to feature a selection of objects from our collection of designs which seemed to rightly fit in this apartment and match the way the owners are living in it. As an echo to Charlotte Perriand and Jean Prouvé’s original furniture of the space, it seemed natural to us to articulate the remodelling around the SteelWood collection, Magis – including a table, some chairs and a shelving system. Additionally, while remembering that Le Corbusier had a special interest in tapestries, we felt comfortable with the idea of installing a group of Clouds, Kvadrat up on the wall. Finally, a Zip carpet, Vitra and two of our latest lighting designs, including Lampalumina, Bitossi and LightHouse, Established & Sons and Venini, complete this ephemeral remodelling project.
Despite its compact layout and clearly defined living zones, the model apartment appears extremely spacious, an effect that was achieved through a strong emphasis on transparency and openness in the design of the individual elements. A glamorous, curved staircase forms the central core of the apartment and opens up the two floors to create an open airspace, around which all the other rooms are grouped. Stepping onto the staircase thus becomes the ideal way of experiencing the apartment in its entirety.
Quant 1, Stuttgart, Germany, by Ippolito Fleitz Group