From mobile phones and restaurants, to a private jet and Ford concept car, Marc Newson has executed a range of projects in the past twenty years that most designers barely dream of. Born in Sydney in 1963, Newson spent his childhood in Europe and Asia before studying jewellery and sculpture at Sydney College of the Arts. After graduating in 1984, he lived on government grants while designing sculptural furniture and making it himself. His breakthrough came in 1986 when Newson exhibited the Lockheed Lounge, an elegant aluminium version of an 18th century chaise longue. The Lockheed Lounge became a media sensation and now commands hundreds of thousands of dollars at auction.
In honor of George Nelson’s 100th birthday, Vitra has released a special re-edition (limited to 1,000) of Nelson’s Pretzel Chair he designed in 1952.
Pretzel Chair, by George Nelson, manufatured by Vitra, via: Design Related
The site where the Gherkin stands was originally occupied by the Baltic Exchange, a masterpiece of Edwardian commercial architecture that housed an expansive trading floor behind its elegant stone facade, the building was destroyed by an IRA truck bomb. A landmark on London’s skyline and architectural history; the sleek and shiny exterior of the offices at 30 St Mary Axe hide its credentials as the UK’s first environmentally progressive, commercial high-rise building. It changed the London skyline forever.
1961 Playboy photo featuring left to right – George Nelson, Edward Wormley, Eero Saarinen, Harry Bertoia, Charles Eames and Jens Risom.
Portrait, from Playboy
Born in Finland in 1910, Eero Saarinen was the son of Eliel Saarinen, a noted and respected architect. His mother, Loja Saarinen, was a gifted sculptor, weaver, photographer, and architectural model maker. Eero was taught that each object should be designed in its “next largest context – a chair in a room, a room in a house, a house in an environment, environment in a city plan.”
Eero Saarinen produced a series of masterpieces of breathtaking individuality, including the 630-foot-tall, stainless steel St. Louis Gateway Arch and the TWA Terminal at New York’s John F. Kennedy Airport.
The underside of typical chairs and tables makes a confusing, unrestful world,” said Saarinen. “I wanted to clear up the slum of legs.” Thus in 1957 Saarinen unveiled his groundbreaking collection of pedestal coffee, dining and side tables for Knoll, whose simple elegance has endured for over 50 years.
Echoing the Martian invaders in the War of the Worlds (Paramount Pictures, 1954), for which his brother, Hal Pereira, was Art Director, William Pereira’s “Theme Building” for the new Los Angeles International Airport was intended to resemble a landing spaceship. Calling this “the first terminal area specifically designed for the jet age,” The initiall building design was done by James Langenheim, of the Pereira-Luckman firm.
Theme Building, LAX, Los Angeles Airport, USA, by (1962, Pereira, Luckman, Becket, Williams)
Often overlooked and a common sight in every sushi bar and maybe even lurking in the back of your refrigerator, this package design is now included in the permanent collection of the Museum of Modern Art in New York (MoMA). The dispenser is equipped with the essential functions as a soy sauce dispenser such as easy to pour (on two sides!) and a non-drip spout. The company has shipped to date over 250-million units.
Designed in 1961 by Kenji Ekuan. (Japanese, born 1929) and GK Design Group. Kikkoman Soy Sauce Dispenser. Glass and polystyrene plastic, Manufactured by Kikkoman Corporation, Japan.
Kikkoman Soy Sauce Dispenser, by Kenji Ekuan, for GK Design Group
A corner-bound sample book of Girard designed wallpapers.
Chairs for Herman Miller special for Braniff Airlines
Vitra Wooden Dolls
Classic Pillow – Maharam Cushion Quatrefoil
Alexander and Susan Girard at the Herman Miller show
One of the biggest names in mid-century textile design is Herman Miller’s Alexander Girard (1907-1993), trained at the Royal Institute of British Architects in London and at the Royal School of Architecture in Rome.
Girard managed to inject an uninhibited use of color and a clever playfulness into the industry. He turned to countries like Mexico and India where a handicraft, or folk art, tradition still thrived, he developed a new method of coloring and patterning that proved to be a vibrant counterpoint to American modernist furniture.
The Farnsworth House, designed by Ludwig Mies van der Rohe in 1946 for his client, Dr Edith Farnsworth, is seminal. It asserted America as the pre-eminent home of modernism after the war. It also reduced (for the first time) the idea of a dwelling to its skeletal minimal.
Farnsworth House, Plano, Illinois USA by Ludwig Mies van der Rohe
+ Farnsworth House National Historic Site
Buy the Book: Mies van der Rohe: A Critical Biography