The tube wood finds its origin in how the tube project started off. The initial idea was to create a clock that you could build and modify yourself. But we found the existing clock so beautiful that we developed it further, rather than making it a DIY clock. It just goes to show how an idea can snowball and turn into something quite different from what was originally intended. This clock would never have existed without the original DIY idea. What is so great about the end result is that the circular shape is exactly the same size as a standard drill size, so the clock can be integrated anywhere and the DIY element is still maintained to some extent. To show what’s possible with the tube clocks we have made the tube wood, these are beams of black ash, natural hevea and brown oak that make great table clocks when combined with the tube clock. If you put the tube audio on top of it, it becomes an even more beautiful and functional setting.
In order to express the openness which is the most distinctive feature of Firefox OS, Tokujin captured the beauty of mechanicals inside and incorporated to the design. Apart from arranging its external, this is transparent and futuristic design expressing from its inside.
Transparent Smartphone Fx0 by Tokujin Yoshioka for the Japanese mobile phone brand au by KDDI
With its spaceship-like design, rock and sci-fi melodies and innovative resonance soundboard, MusicMachine 2 (MM2) boldly goes where no music box has gone before. Underneath its futuristic guise, MM2 features all the traditional elements of a beautifully-crafted, high-end music box made by Reuge, the music box manufacturer with nearly 150 years of expertise and experience.
MusicMachine 2 is powered by two independent movements mounted on the starship’s tail section. Each cylinder plays three melodies: themes from Star Wars, The Empire Strikes Back and Star Trek, on one ‘channel’; Led Zeppelin’s Stairway to Heaven, The Rolling Stones’ Angie and The Clash’s Should I Stay or Should I Go? on the other. Small wonder: MM2 was conceived and designed by MB&F and its songs have been selected by their rock ‘n’ roll founder and sci-fi fan, Maximilian Büsser.
One of the biggest challenges of MusicMachine 2 was in amplifying the sound. An ingenious solution was raised and developed by Jeanmichel Capt of JMC Lutherie, who created a bespoke soundboard featuring NomexTM – a type of honeycomb-structured Kevlar – sandwiched between two resonant 350-year-old spruce membranes. Only one in 10,000 spruce trees has the exceptional acoustic properties required.
MusicMachine 2, limited edition of 33 pieces in white and 66 pieces in black, by MB&F
In a distinct artistic approach that highlights geometry, architecture and engineering, Benedict Redgrove has captured some of the company’s most radical concept cars from the 1960s and 70s – some never seen before – including designs for Alfa Romeo, Lamborghini and Lancia. The series of images which was originally commissioned by Wallpaper Magazine, exudes a specialty in styling, coach building and manufacturing, with Bertone’s vision categorized by abstract angular frameworks, a use of unique materials for standard auto parts and super-sleek interiors built for luxury and functionality.
Photography by Benedict Redgrove, for Bertone Concept Car Design Studio
“Simplicity, quality, function and innovation have been the central tenets during the design process throughout this project. The mechanism we designed for this pen is completely unique, yet intuitive and reliable. We wanted to transcend the classical twisting or clicking mechanisms by developing this precise and user friendly piece of engineering.”
Align Pen, by Beyond Object
systems is an exhibition of commissioned poster designs and ‘60s Braun products.
Recent years have seen a revival of interest in modernist graphic design, but little agreement about what, in practical terms, this might mean or what is ultimately at stake in it. Thirty-four leading graphic designers and studios were invited to produce a poster design on the theme of Braun systems design. From repetition and development to nostalgia and critique, the diversity of response to the systems brief offers a snapshot of the international graphic design scene in this moment of uncertain possibility. At the same time, systems samples some of the best and most challenging work currently being produced.The works are available for purchase as a limited edition of A1 prints, individually or as a cased set.
Valcucine presents the New Logica System as part of a world tour, Kitchen, Soul, Design L’Italia che Vive, a twelve-month journey throughout all of 2013. Five stops: Milan, London, New York, Moscow, and Shanghai. It’s an international tour that will show the industry’s leading international professionals the ingenuity, creativity, and overall excellence of Italian kitchen manufacturers.
After having revolutionised ergonomics by presenting the Logica System in 1996 with its 80cm depth and equipped back section, removable jumbo drawers and wall units with Ala and Aerius lift-up doors, Valcucine is now presenting the new equipped back section. The back section is capable of containing and concealing, when necessary, all the kitchen equipment: the dish-drainer, weighing scales, small appliances, removable cooking receptacles, bottle-racks, power sockets, a monitor, a kitchen roll holder, the tap, hooks for utensils and even a cooker hood. Everything on hand, everything tidy in an instant.
Apple’s lead designer, Jonathan Ive, has worked with designer Marc Newson to design a limited edition Leica camera, the Leica M. Speaking to Wired.co.uk, Leica confirmed the “truly one-off model” will “never be reproduced”. Its creation is a customised version of the original Leica M, launched in 2012, according to Leica but this updated design from Ive and Newson was created to benefit a Sotheby’s charity auction to raise money for The Global Fund to Fight AIDS, Tuberculosis and Malaria.
Leica M, Limited Edition, by Jonathan Ive & Marc Newson, for Leica
Romolo Ferri folds down into his Lambretta Record, and takes a deep breath. It is August 8, 1951, and the brave pilot intends to break the speed record for the scooter category, on a stretch of motorway between Munich and Ingolstadt, Germany. His toughest competition is Piaggio’s Vespa Torpedo. But the real challenge is winning against himself, as he already reached 195.8 kilometers per hour a few months earlier, on French soil. This time, his goal is to exceed 200. The red bullet – made of rubber, metal and plexiglass – slices through the air and reaches 201 kilometers per hour. It is a source of pride to the Lambretta Record’s manufacturer, Innocenti; to its inventor, engineer Pierluigi Torre; and of course to Ferri, who will continue to set records with his full-throttle, red Lambretta.
Lambretta Record Racer, via: Italian Ways
Our wood airplane models includes Supermarine S.6B, originally built with Rolls Royce engine designed by Reginald Joseph Mitchell. The machine was the fastest airplane at the Schneider cup with speed of 547 km/h. The another model presents unique Savoia-Marchetti S.65 with two propellers. It was developed in 1929, but never entered the race due to technical problems.
Called Schneider cup, the race is the most famous airplanes race in the history. Specifically created for seaplanes only, Schneider cup was founded by financier, pilot of the baloon and airplane enthusiast Jacques Schneider (1879-1928) in 1911 as a platform for technical development of the seaplanes, which were predicted as airplanes of the future. Eleven races were held during 1913 – 1931 in the USA, Italy, United Kingdom and France. There were pilots from these four seaplanes superpowers only, who competed for the main prize, the sculpture of a girl with wings on the sea level. In 1927, 1929 and 1931, the race was won by English pilots on Supermarine S.6B airplane, so the prize remained in the UK for all the time. Today, you can see it at the London Science Museum.
Schneider Cup Airplane Models, by OKOLO