The What Containers are a complete system to use freestanding or to hang on a wall. The slim structure, made from canaletto walnut or grey oak, combined with the front in smoked glass or soft, sophisticated shades of lacquer. The handles are large elements in wood.
What containers, by Rodolfo Dordoni, for Molteni & C
Ease of travel in the jet age encouraged a growing fusion of cultural influences after World War II. Although Sori Yanagi’s stool was designed and manufactured in Japan, it employs western forms (the stool) and the material (bent plywood). Its calligraphic elegance, however, suggests a distinctly Asian sensibility despite the rarity of such seating furniture in traditional Japanese culture. The stool is made from two curving and inverted L-shaped sections, each forming one leg and half of the seat. A metal rod midway between the legs serves as a stretcher and holds the stool together.
Butterfly Stool, 1956, by Sori Yanagi (Japanese, born 1915); Originally manufactured by Tendo Co. Ltd. Now sold by Vitra.
Typecube is a design tool used to facilitate the modular construction of letterforms. Typecube’s six faces each bear a unique formal component which provide the basis of two dimensional and three dimensional typographic systems, encouraging flexibility within uniform structure. By varying the number of type cubes, typographic solutions vary in complexity, and are capable of infinite rearrangement.
Typecube, by Chris Clarke
A crystal with 170 facets, which hangs in simple beauty like a pendulum, gives off spectacular light effects due to refraction. Offered with LED and a choice of daylight-white at 6700K and neutralwhite at 3400K.
Crystal Bloom, from Swarovski
It’s unusual for a high cafe chair to have any significant back support, this slender chair also sports an integrating a recessed footrest bar. Compliments include a table, and side chair.
Aline, by Andreas Störiko, for Wilkhahn
A seating collection launched by Moroso during the Milan Furniture Fair, which draws inspiration from a miniature painting from “The Garden of Life” by Naveen Patnaik. The book is beautifully illustrated and a practical guide for the use of plants in a range of applications – sacred, medicinal, culinary, cosmetic and aromatic. The found illustration provided style cues and ideas to the duo which eventually led to the new series of seating.