Dr. Yes is a counterpoint to Dr No. The inner part of the chair has an opaque finish, almost resembling a soft fabric, while the surface of the back and the legs is glossy. The distinguishing features of the chair are its comfort, ease of cleaning and wide range of colours.
Dr. Yes, by Philippe Starck, Eugeni Quitllet, for Kartell
Clip was shown at the Salone Satellite in Milan this year, made entirely of blown glass, we think it will hold the room together.
Clip, (transliteration design collection) by Antigone Acconci & Riccardo Bastiani
at A/R Studio
Jaime Hayon’s Inspired lighting has been seen in La Terraza del Casino in Madrid, which he also designed.
Alongside the traditional sofa, enriched with copious cushions and a variety of arm options, there are large upholstered island surfaces, real atolls, than you can sink onto and take up any posture you like with the help of strategic support units of adjustable height and angle of inclination. All or this series seating surfaces are done in soft quilted leather or fabric.
Privé Collection, by Philippe Starck, for Cassina
A chair by the Finnish designer Timo Ripatti—in need of a manufacturer or, if its a one off, then a sold for a premium at auction.
Neliö, by Timo Ripatti
Metal pendant light made from printed circuit boards in white and silver, both sides equipped with LEDs
Cara, by Andreas Ostwald, for Anta
When you want to pump out a beam of bright light and make it even wider to illuminate bigger areas. The complete Faro range recreates and enlarges the dimensions of the spotlight.
Faro, by Hannes Wettstein, for Pallucco
The fusion of a sphere and a cube – the base concept for the formal development of the line – creates external swellings that reveal a tension trapped inside the mass. When they are being used the pieces seem to lower themselves to envelope us in a welcoming hug. The design evokes the power, balance, and serenity of a Sumo wrestler.
Sumo armchair, by Xavier Lust, for Baleri Italia