The wardrobe as a suspension. A heavy and minimalist monolith that seems to float, like it is in levitation. An exoskeleton that surrounds it and contrasts with it, empty and complex at the same time. The wardrobe, block of pure wood is set like a jewel. Like Fabrice Le Nezet’s works, it defies gravity.
Wardrobe “Exo”, by Grégoire de Lafforest, for Galerie Gosserez
Caché is a lamp series of three pendants and a floor lamp. A sleek and contemporary design manufactured in a ultra-high quality craftsmanship with a lovely brass detail where all the parts are produced in Denmark. The pleated lampshade gives the lamp a special character and adds le Klint’s classical DNA which lies in the unique craft of pleating. Caché which in French means hidden is just the symbolism of the almost hidden hand folded lampshade, which is beautifully integrated in the lamp, and provides the unique character associated with a classical le Klint lamp.
Caché Lamp Series, by Aurélien Barbry Studio, for le Klint
Caslon is a high class sofa and one-seater with international potential and generosity. Caslon is architectural in the outer shapes and carries elegant sewing details that enhances the feeling of exclusivity. At a distance Caslon blends into the interior without screaming for attention, but once you get close you start noticing the care for details.
“There is a pure simplicity to the front, which draws the perfect balance of hard and soft, of pure geometry in its form and unexpected beauty in its details.” says Brad Ascalon. “The sofa is at first glance, simple, easily understandable, unadorned. But as one examines it in greater depth and with greater closeness, one begins to see the details – the stitching, the treatment of its upholstery, the attention given from every angle.”
Caslon Collection, by Brad Ascalon, for Mitab
Ruutu, which means diamond or square in Finnish, is a collection of 10 vases available in five sizes and seven colours. When collected and combined, they make small seamless installations where both the strength and the delicate nature of the glass come alive. Like Ittala’s iconic Alvar Aalto collection, Ruutu is also created in Iittala’s Finland factory. However, where the Aalto vase embodies an organic form, Ruutu follows strict form and makes a perfect collectible.
Designers Ronan and Erwan Bouroullec explain, “Iittala knows very well how to manipulate colours. In Ruutu, we were able to create a delicate, watercolour-like palettes that intermingle with each other when combining sizes and colours. Ruutu allows a game of composition. We wanted to show the sophisticated range of Iittala colours while at the same time handing the job over to the user who will feel tempted to have several modules to create his or her own individual assemblage.”
Ruutu was an inspiring challenge in the Iittala glass factory given the many hours required to create symmetry, yet keep the feel of a handcrafted, unique product. “We were seeking to express the purity of glass blowing in this simple diamond shape,” explain the Bouroullec brothers. “Glass is a material that likes round shapes. When hot it flows like honey and does not like to be pulled into a very precise geometric shape. By developing the strict shape we are reaching the limits of the material, and using the highest level of the Iittala glass-blowing expertise.”
Hypetex, the high performance brand best known for having introduced the world to colored carbon fiber, has collaborated with furniture designer Michael Sodeau to create a limited edition lounge chair. Entitled ‘Halo’, the lightweight object is produced entirely from Hypetex, a material developed by engineers from Formula One, and has been designed to utilize the unique properties of the new composite. The Halo lounge chair features a thin wing-shaped seat on three legs and a large disc-shaped back that completely eclipses the seat when viewed from behind.
Halo Chair, by Michael Sodeau
A trompe l’oeil wooden upholstery seat. Available in maple or walnut.
Trompe L’oeil Bench, by Rüskasa
Bolle is a suspension lamp in transparent glass, where the illuminating brass bulb is suspending between the spheres, giving light to not only the space but also the curved surfaces, multiplying reflections to amplify the magical effect. The Architect and Designer, following the wonderful experience of designing and producing “i Flauti” lamps, with the master glassmakers of Murano, they wanted to continue their research with glass. For the Bolle project that have used a different technique known a “a lume” in Italian, another expertise within the Veneto region. This method, even if hand-blown, has a higher level of precision allowing the possibility to assemble the spheres. And so the magic becomes reality.
The Bolle lamp is available in two sizes, one with 4 and one with 6 spheres. The two can be combined to form endless compositions. In contrast to the intangible and magical appearance of the glass, the central brass body maintains a sense of function rigor. The meticulous design development has simplified the body into a simple cylinder, whose internal components are stacked and self-locking, without the need for screws. The double-sided Led bulb, designed and produced for this lamp, allows for downward and upward lighting.
Bolle Lamp, by Giopato & Coombes
A compact double posting desk, Le Suisse does use the central column to stiffen the structure with its mass, in addition to providing ample space for the stocking of “desk tools” and an electric system that allows for the connection of up to seven plugs. “The composition of the stocking system is composed by five drawers of different measure on the frontal part; a ‘case tool’ thought for pencils, pens, rubber, ruler… removable with underlying space; and an open greater space in the back part of the central column.” says designer Giulio Parini. “Four electric plugs are placed under the working surface, allowing the connection of fixes electric devices, while the other three plugs are positioned on the top part of the working surface for temporary electric devices.”
Le Suisse Desk, by Giulio Parini
Photography by Julia de Cooker
Pletz lamps blend modernist geometry with a traditional sense of material and craft. Each lamp combines a lathe-turned, hardwood base, hand-rubbed finish, and dyed components. Quality brass hardware, a dimming fixture, a 10-foot cloth-covered cord, and a premium linen shade complete each lamp to produce an heirloom-quality piece. Pletz is the husband and wife team of Aaron & Heather Shoon, and operate from a studio in the Brooklyn Navy Yard.
Pletz Lamps, by Aaron & Heather Shoon
Photography by Elliot Black