Les Poupées, meaning dolls in french, is a first collaboration between Italian designer Luca Nichetto and French gallerist Pascale Cottard Olsson in Stockholm. The series consists of a candle holder in ceramic and a vase in glass, elegantly combined in one object. However, it is not the multifunction that is the heart of this project, but rather the melting pot of different cultures. When asked to do a product for the french-swedish gallery, Nichettos main aim was to capture the different cultures coming together in this collaboration. Drawing inspiration from Finnish, Italian and Japanese design tradition, Nichetto cites the simplicity and purity of the Finnish artist and designer Timo Sarpaneva, as well as the combination of colors and materials used in Italian architect Ettore Sottsas well known totem vessels, as two influencing sources. The japanese wooden dolls, also called Kokeshi, has also served as an influence for les Poupées.
Les Poupées by Luca Nichetto
Scoop is a family of contract market furniture designed for the overlap between private spaces and public areas. The name relates to the loader inspired scoop construction. The innovative gyroscope like suspension system conveys a feeling of being carried – a free suspended feel. The Y-shaped beam creates a visual and functional overlap between seat and base. Scoop merges craft and technology: The innovative technical edge increases comfort, yet maintains a clear and simple Scandinavian appearance. The chair has a tailor upholstered cast foam seat and an injection molded aluminum frame. The scoop family comprises of a conference chair, a lounge chair, a table and a bar stool in the making. Scoop is variable with frames in polished aluminum and a black and white powder coat. The chairs are available in a range of different fabrics and upholstery qualities and in a special ice cream scoop color scheme selected for the launch collection.
Scoop Chairs, by KiBiSi, for Globe Zero 4
A work of designer Stephen Burks, the highly contemporary shape of LIGHTSKY sends light beaming through brightly infused crystal, echoing a poetry of light reflections into the spatial center.
LightSky Pendant light, by Stephen Burks, for Swarovski
Underneath a layer of smoke glass, treasures like jewelry and perfumes are revealed in walnut drawers. Above this subtle ground a walnut ‘bridge’ holds porcelain containers and creates a stage for a warm colored mirror. This flirtatious combination of materials provides the perfect place to spend ones intimate moments of the day.
Materials: Walnut wood, coated steel, colored mirror, magnifying mirror, copper, porcelain and glass.
Virtu: Ornatu, Limited edition of 3 + 1 prototype + 1 A.P. by De Intuïtiefabriek
Each of the eight different cushioned forms are made from a high-density foam, varying in shape and height, creating an ever changing seating landscape of pure lines supported by natural oak hardwood feet. Accompanying auxiliary tables can be used in combination with the greater collection.
Common Modular Sofa System, by Naoto Fukasawa, for Viccarbe
Japanese design studio Nendo has recently presented the new Nendo w132 lamp for Swedish manufacturer Wästberg.
A lighting fixture made by assembling its parts: the shade, post and stand. The height and form of the light can be easily changed by adding and rearranging the components. By attaching the wire unit to the shade, it becomes a pendant lamp. Adding a longer pole to the desk lamp makes it a floor stand. The shade is also available in three different shapes: a cone, sphere and a cylinder.
For the 50th anniversary of Hans J. Wegner’s Shell Chair, manufacturer Carl Hansen & Son has teamed up with textile brand Maharam to release 20 special versions of Wegner’s iconic design.
The Shell Chair has long been viewed as one of Hans J. Wegner’s strongest designs. It first saw the light of day in 1963, but it took 35 years before it enjoyed its popular breakthrough and received numerous design awards. Through its unique silhouette and superior comfort, Wegner demonstrated that he had truly achieved what he had set out to do: create the ideal shell chair.
Carl Hansen & Son: The Maharam Shell Chair Project
There is an apartment in Le Corbusier’s famous Cité Radieuse (radiant city) in Marseille, which is almost completely preserved in its original 1952 condition. Appt. No 50 is privately owned and it is thanks to the generosity and passion of its owner/occupant that the place is made accessible to a wider public during the summer months of each year. As proof that Le Corbusier’s visionary Unité d’Habitation has the same vibrancy today as when it was originally conceived the apartment is turned into a temporary stage for the ideas and works of contemporary designers.
A short series of scenographic installations has been realized over the years; Konstantin Grcic’s project is the third in line following Jasper Morrison (2008) and Ronan & Erwan Bouroullec (2010). Apart from placing a selection of his favorite furniture and objects Grcic decided to tag the walls of the apartment with four blown up scans from an original punk fanzine.
“The punk motifs are tempting a slightly devious link between two completely unrelated worlds: Le Corbusier’s architecture and punk rock. Without forcing the idea of common grounds, I find that both have a rawness and uncompromising spirit which I have always found compellingly beautiful. Bringing both cultures together in this project felt most inspiring and, in the end, surprisingly fitting”, explains the designer.
15 July -15 August 2013, Cité Radieuse, Unité d’habitation, Le Corbusier Appartement 50, rue 280 boulevard Michelet, Marseille, Photography by Philippe Savoir & Fondation Le Corbusier / ADAGP, via: Domus
Candy Collection reinvents the steel reinforcement bars normally used for concrete structures. Thanks to an industrial coating process, the common and usually unattractive rusty steel bars are given a new and seducing identity. The Candy shelves explores beauty and simplicity of ready-available construction materials to make furniture. A commonly known bar, by means of a simple design and an industrial intervention, becomes a beautiful and classic piece of furniture. Surprisingly, the purely functional texture of the bar becomes a decorative element once painted.
The Candy shelves clearly refer to 1960’s furniture, through the use of a structure holding boards of varying and contrasted colours and finishes as well as perforated metal tray elements and accessories.
Candy Collection, by Sylvain Willenz, for Cappellini