Homes no longer follow the lounge + dining room + kitchen formula. The various living uses flow into each other more and more, which puts different demands on the furniture. Tables in particular have to be multi-talented; they not only have to be a traditional kitchen table but a desk, work bench, meeting place and dining table as well… and sometimes all at the same time. The Drawer table is one of those all-rounders. It looks like a simple, modern table, but it hides an impressive secret: virtually invisible drawers that are small enough to not have to compromise on leg room and big enough to be able to put away or get out laptops, placemats, cutlery, and all those things that are always lying around, like keys, pens, paperwork or phone chargers.
Drawer Table, by Ineke Hans, for Arco
The highlight of the family of robust, but delicate pieces is a symbolic bowl, which references the structural achievements made in the construction of the grand amphitheatre, the Colosseum, in the Italian capital.
Colosseum Bowl, by Jaime Hayon, for Paola C
Flue is simple and minimalistic containers, it has three different size and each piece is made of different material. Giving each container a unique character. Use Flue individually as a vase, a container or combining all together to make a sculptural object.
Flue, by Kenyon Yeh
His houses flooded with light, Neutra shaped the scene of Californian Modernism. From there he rose to be an architectural icon embodying the “International Style”. Today, Richard J. Neutra, who died in 1970, has long been seen as one of the great names in the history of modern architecture. This pioneer of Modernism can now be rediscovered as a furniture designer: The individual items or small series production developed by Neutra for clients commissioning his house designs are now manufactured and sold exclusively by VS. The Neutra Furniture Collection by VS came into being through collaboration with Dion Neutra, the son and architectural partner of Richard Neutra.
Neutra Furniture Collection, by VS
Geometry Stool is composed of a half split log of Japanese cypress and a copper round rod. The copper round rod acts as a joint for connecting each half split log, therefore the tangent point of two different materials where logically meet in section has generated geometrical configuration.
Geometry Stool, by Koichi Futatsumata
Photography by Hiroshi Mizusaki
The collection is available in a range of powder-coated colour finishes and consists of a set of three enormous cone-shapes – well over a metre in width or height. Based on the most basic of geometrical shapes – the cone – all three are super-sized, pushing the limits of manufactured, spun aluminium, yet fitting through a normal doorframe.
w151 Lamp Collection, by Claesson Koivisto Rune, for Wästberg
Created in the 1950′s by danish designers Nanna and Jørgen Ditzel, the woven chair, made from oak, is offered in its ‘original’ version and in an outdoor adaptation. The traditional Ditzel chair has hand-braided wicker, while the outdoor version is made from artificial fiber and teak to protect against the elements. The ‘basket chair’ is accompanied with custom cushion fabrics that are also designed by Nanna Ditzel, who has been coined the ‘queen of Danish design’.
Basket Chair, by Nanna and Jørgen Ditzel, Edited by Kettal
The Booleanos cabinet designed by Joel Escalona, is a intriguing piece with an architectural curiosity formed from interacting squares. Echoes of constructivism are reflected in the offset angles of its beguiling shape and emphasized by tinted gradations across each element of its façade. The sideboard stands 150cm tall and is made with one drawer and three doors to access separate interior storage spaces fitted with glass shelves.
Booleanos, by Joel Escalona, for Roche Bobois
Photography by Revista Casa Viva
1,2,3 Mirror was part of designers diploma thesis The Past Is Never Dead at the University of Applied Sciences in Darmstadt, Germany. Most recently, however, it was exhibited at Tent London during the London Design Festival. The three-part mirror is designed to not only be a reflection of the onlooker, but also an imprint of the time, place and context, demonstrating how context and our self-image are inextricably linked. The three layers are simply leaned against the wall, no nails or mounting required. The first two layers, a light pink layer on top of dark grey glass, provide the reflective surface. The third layer, made from untreated brass, changes with time and touch. It eventually modifies and distorts the reflection, much like our past memories and experiences can distort our present self-image. A simple mirror thus slowly becomes a physical manifestation of the self throughout time.
1,2,3 Mirror, by Matthias Klas and Philipp Schenk-Mischke, Klas Schenk Mischke
Photography by Jan Motyka
A magical light source with a graceful afterglow which lingers for up to eight hours once all the other lights have been turned off and the sun shines upon another hemisphere. The pattern on the cream FSC papershade is screen-printed with a special ink that charges itself throughout the day, and from the light of the lamp. Loena Lantern is a dream catcher for bedroom or nursery, and a shining beacon in the darkness – this celestial body is suitable for any ceiling.
Loena Lantern, by Ontwerpduo