Francesco Faccin designed this project to provide an answer to the provocative message sent to him from the Tempo Italiano platform. It invited its participants to reflect on design past and present, on the meaning of production today, on a return to the origins of the basic needs and actions within a system of sustainable values.
Re-Fire is a kit for manually lighting a fire; it was inspired by the systems used by primitive Man. Two pieces of different types of wood – a piece of hardwood and a piece of softwood) are rubbed together; in just a few seconds, the friction produces smouldering ash and this can be used to light a fuse in a highly inflammable dry material. Each component is essential for the creation of fire, and the specific wood types selected correspond to a precise technical characteristic.
For Francesco Faccin, Re-Fire is an attempt to re-synchronize with Man’s most instinctive needs using a contemporary means. Producing an article that will produce fire obliged the designer to repeat the gestures of our ancestors, in this case using sophisticated tools that are readily available to all, such as laser cutting machines, CNC routers etc.
Re-Fire, by Francesco Faccin, Photography by Delfino Sisto Legnani + Studio Faccin
The initials TEO stand for Timeless Everyday Objects, formulating the design guideline, principles and values of this interior brand. The first TEO collection presents mainly a range of lighting design products. Playing beautifully with the contrast of colorfully painted metal and mouth blown glass, this collection emphasizes TEOs identity to offer its customers high quality products with traditional materials and a timeless yet unique design suitable for everyday life.
Collar Lamp is a lamp, which unites simple Scandinavian design with Spanish elegance. The organic shape of the lampshade reflects a pleasant, diffuse light into the room. The lamp consists of three parts; a base, a LED-bulb and a lampshade. The shade, made from powder painted steel, is mounted on an oak wood base. The shade rotates 180 degrees so the light can be directed in any desired angle. The contrast between the cold steel and the warmth of the wood gives the lamp a beautiful, aesthetic expression. Collar Lamp is produced as an up-light and as a wall lamp.
Collar Lamp by Jordi López Aguiló for Nordic Tales
Christophe Pillet and OFFECCT have teamed up to create the furniture collection EZY. EZY consists of a sofa, easy chair, barstool and a table series and were originally designed and developed for the new interior of Pullman Tour Eiffel Hotel in Paris.
EZY Collection, by Christophe Pillet, for OFFECCT
Exhibiton: Man Machine by Konstantin Grcic, February 13 – May 17, 2014, Galerie kreo, Paris, France
Copenhagen weaves years of refined craftsmanship with contemporary lifestyle. With its light Nordic design, the loudspeaker plays elegantly together with the surroundings.
Henrik Mathiassen, Design & Creative Director at design-people, gives… a brief insight into the design process behind Copenhagen.
The distinct characteristic of Copenhagen is its Nordic expression. How do your interpret Nordic design?
Nordic design addresses complex issues and turns them into simple and appealing solutions. Keynotes are respect for materials, details, and for the user experience.
Your design approach is based on years of research into user preferences. Why this approach?
Desirable design is achieved through connecting to people’s values and creating everyday benefits. Our team of researchers, psychologists, and designers, together with the skilled Vifa team, have taken Copenhagen all the way through the music listener’s journey; from dreams and desires to realization.
How does this approach manifest itself in Copenhagen?
It has helped us designing a great, well-crafted loudspeaker that integrates itself gently in people’s lives and homes. All details are toned down to the essentials with high finish and ease of use. The exquisite basics for anyone who values exclusive design just as much as authentic sound.
The design of IOOI turns the world of hookahs upside down. Sophisticated materials are presented in a minimalistic an extraordinary design. Modern materials, like anodised aluminium, polished brass, crystal clear glass and 3D printed parts are composed to this outstanding sculpture.
IOOI Hookah, by Christian Zanzotti
Numéro 111 are the creators of the second VIA Furnishing programme, entitled Insulaire. Numéro 111 see the living room as an island, a ‘space inside space’ where furniture plays a structuring role and creates varied experiences of comfort and use. The more traditional approach focuses on the sofa; the more laid-back take is linked to floor-level living, where the central element – a rug – is accompanied by easy-grip cushions that can be positioned as needed to form headrest, back-rest or seat. Other pieces interact with both space-levels: tables with an upper plateau that moves to serve at low or divan level, a lamp that reconfigures to serve as reading light, up-washer or standing lamp. There is also a screen that defines territory and doubles as a storage unit, the open-work parts of which serve to hang a mirror or digital devices.
Insulaire, by Numéro 111
To celebrate the 10th anniversary of its iconic Bourgie table lamp, Italian plastic furniture specialist Kartell invited ten designers associated with the company to create tribute pieces for a special exhibition. For their contribution, Japanese design studio Nendo decided to work with two of the lamp’s most distinctive characteristics – its use of silhouettes and its transparency – rather than touching the original design itself.
Nendo created a new table lamp by inverting and rotating the Bourgie lamp’s silhouette, so that when two of the new lamps are lined up together, the space between them forms the upside-down silhouette of the Bourgie lamp. “Because our homage inverts both the lamp’s figure-ground relationship and our regular sense of up and down, we named the lamp Eigruob” the designers told us.
Stripping away the frills poses the risk of coming up against bare essentials, sometimes in a highly visible way. A fine example are Alessandro Zambelli’s new lights, designed for .exnovo. He calls the collection “Afillia,” a name borrowed from botany. In plant terms, it means leafless, though not lifeless: surely an apt image for a collection of luminous essentials and airy voids.
The Afillia range of six lighting accessories consists of three table lamps and three pendant lights. The base or socket ring is in Swiss pine, a premium wood from the Alto Adige mountains, hand-crafted according to the region’s ancient traditions. The wood fitting locks on to a light diffuser in polyamide (also known as nylon fibre), sintered by professional 3D printing.
The results are furnishing extras, either one-offs or limited editions. The avant-garde technology really does print them, but the machined product is in perfect harmony with the intuitive skill of the master-craftsmen who shape the material from the amorphous polymer block. They finish off the process by hand, lending the personal touch to every creation. The centrepiece of each accessory is a diffuser which embraces and embellishes space. Delicate, lace-like patterns with their geometrical pinholes give rise to two-dimensional origami in thin, curvaceous spirals. Free to waver at will, the light casts fleeting shadows, then beams into unexpected focus, forming compact halos, round and bright. This is energy in fluid form, in the no-man’s land between stuff and shape, air and light.
Afillia by Alessandro Zambelli for .exnovo