This porcelain vases collection is a research on aesthetic of industrial archeology. These vases draw attention to the cultural dimension of industrial architecture, highlighting the need for preservation of these buildings. The collection has an evident inspiration, and is a tribute to the work of two internationally renowned artists: Bernd and Hilla Becher.
Industry Porcelain, by Gentle Giants
The name giver of Marionet shows how to do it: only the connections between the (body) parts, joints and threads hold together the marionette; if one of the components is missing it collapses. This principle is equally applicable to the side table, which Simon Busse designed for the Mox Company: Only if all its components interact the table stands firmly. Three flat wooden legs other form the basis and are brought into position by a connective element. A hook on the top side of the connective element holds a coloured elastic band – the marionette’s string. The band runs through the wooden legs towards a tabletop and turns into a carrying handle on the upper side. In order to lock this fragile structure, the tabletop is bevelled downwards, the legs are kept in position and the entire table stands firmly.
Marionet, by Simon Busse, for Mox, Interior Innovation Award, 2012, (German Design Council)
Zero is void of any detailing, decoration or embellishement; just a simple collection of solid metal bands forming a single, subtle style for both men and women. Rings are offered in Sterling Silver, 18ct Gold, White Gold & Platinum. Zero is produced in Hatton Garden, London: one of the finest and most renowned jewellery locations in the world. All the items are mirror polished by hand, hallmarked and machine engraved with the Minimalux mark.
Zero, by Minimalux
Storage units, made of steel sheet, that can be either open, with drawers or sliding doors. Adhoc stems from the desire to create a home furnishing system with a historically industrial material. The sheet metal has allowed working with 1.5-mm thick plates. Thanks to a special compass opening solution patented by Bruno Fattorini & Partners (patent pending No. MI2011A000131), the door folds away inside the container with no lateral encumbrance, which further minimizes the layout of the containers, already simple and linear, and lends a perception of extreme lightness.
Adhoc, by Bruno Fattorini and Partners, for Zanotta
New York-based textile design company Maharam has teamed up with Fritz Hansen and Kvadrat to launch Point by Paul Smith. The upholstery textile is a mix of Smith’s signature ‘classics with a twist’ pattern.
“The idea behind this fabric came from traditional Scottish Fair Isle knitting; I love the vibrant mix of colours and patterns that Fair Isle techniques create and have used many variations of it over the years,” said Smith.
Point combines natural tones and accent colours that are available in seven geometric patterns, ranging from traditional to modern. To celebrate the launch of Point by Paul Smith, the textile will be upholstered on a selection of Fritz Hansen’s classic design icons including the Egg, Swan and Grand Prix by Arne Jacobsen and the PK22 chair by Poul Kjærholm, as well as the Alphabet Sofa by Piero Lissoni.
The Swedish designer Jonas Wagell has created this new interpretation of the classical chamber candlestick. Flag’s design was inspired by the little signal flags on floating buoys used to send signals to sailors. Designed to hold a single candle, the candlestick has a classic expression that would suit any interior style. In the old days, the chamber candlestick was used to provide light at night. Today, candlelight is used to create a warm and cosy atmosphere. With clear references to the chamber candlestick, Flag has a recognisable function and modern expression and is easily moved by picking up the little flag.
Flag Candlestick, by Jonas Wagel, for Normann Copenhagen
Piero Lissoni has designed Greene, a system of sliding doors and freestanding frames made of brushed aluminum and glass. The system allows for separation between moving parts or spaces up to a maximum height of 3 meters.
FK04 CALVERT is from a series of coffee tables, designed in 1951 by renowned modernist German architect and designer Ferdinand Kramer during his time in America. Part of his successful “Knock-Down” furniture series, the square FK04 CALVERT is an enduring and modern piece. The easily invertible and collapsible coffee table consists of a tabletop and two crossing invertible sheets serving as a base for the table. Similar to a clothing pattern, the components of the table are cut out of a single plywood sheet. The intrinsically simple cut out base of FK04 CALVERT reveals a sculptural quality to the table. E15 offers the re-edition or in oak or walnut veneer, clear lacquered and a variety of coloured lacquer.
The Traverso Table is a tribute to the Frate table made by Enzo Mari.
“I exaggerated the idea of the beam as a key element. I tried to turn the beam in the central “spine” of the project. Without the beam the table doesn’t exist. On the front of the table you can clearly read the section that is both decorative but absolutely structural. I like to think about objects in which the structural and mechanical element, that is for this necessary, is also the focal point, the “decorative” point.”
- Francesco Faccin
The upper part of table is divided into two parts (made in wood or glass) to occupy very little space when it is dismantled. The structure is made of ash wood.
The Variations collection, hovering between sophisticated objet and sculpture, to be interpreted together or individually, comprises a series of highly colourful pieces where glass-cutting principles and Baccarat savoir faire have been reinvented.
Variations rings the changes on an art de vivre as imagined by Patricia Urquiola. The collection transforms everyday ritual into the art of living, where objects from past and present coexist and combine for mutual magnification. Accented by acid colour hues, the glasses exude a relaxed, neo-pop vibe.
Variations Collection, by Patricia Urquiola, for Baccarat