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To be presented at the upcoming Salone Internazionale del Mobile in Milan, the Saya Chair is an iconic wooden chair, with a highly distinctive profile, available in three different wood colours and lacquered in various natural shades. It can be used in both public and private spaces, and will be available with wooden legs or chromed steel legs.
Saya Chair, by Lievore Altherr Molina, for Arper
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In a square there is a grid of 110 letters. When the stainless steel button is pressed, words light up in unexpected places which describe the time. Whenever you look at your QLOCKTWO W, it´s a new experience. Case in natural brushed stainless steel or black, black leather or natural rubber strap, calendar day and second display, LED technology.
QLOCKTWO W, Biegert & Funk
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The pieces in this series look like they weren’t made by hands, but have grown to their present form organically. They might be the result of a mutation in cells, or the result of a chemical or nuclear reaction. Perhaps it’s a virus or bacteria that has grown dramatically out of scale. The Mutation pieces make you look at furniture in a different way. Maybe one day we would be able to grow a piece of furniture like we breed or clone an animal, and manipulate it’s shape like a bonsai tree.
On the other hand, the project can be seen as an experimental review of classic furniture upholstery. It reminds us of the famous and iconic deep buttoned (Chesterfield) sofa’s, interpreted in a highly contemporary and sculptural way. Instead of upholstering springs and foam with leather or textile, these pieces are created by carefully composing patterns with cut-offs of foam spheres of various sizes, and applying them onto a structure. In the end the entire piece gets coated, with a durable rubber or tactile velvet-like finish. It is hardly impossible to ever recreate such a specific pattern, so every piece is completely unique.
Mutation Series, by Maarten De Ceulaer
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Neuland has designed a versatile Indoor/outdoor stacking chair. Available painted in Black, White or Deep Orange.
B-line Park Chair, by Neuland Industriedesign (Paster & Geldmacher)
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Constance Guisset’s particular approach of the creation process has won her international favours: Her work, as a designer and a scenographer, can be admired from Stockholm to Ankara. Her trademark lies between function (though verging on the unexpected), and a mesmerizing storytelling.The French designer cuts a one-of-a-kind figure on the international design market. A Political Science graduate, who studied for a MBA in India, she also fluently speaks Japanese (she assisted an ex-Foreign affairs Minister at the Tokyo Parliament). Imagined for an exhibition at galerie Cat-Berro (“Lumières réfléchies” or “Reflected lights” – “réfléchir” being a verb that both means “to reflect” and “to think”) in Paris, Constance Guisset’s “Coulisse” (“backstage”) mirror is adorned with little spheres that can either hang loose or be “stuck” to the mirror thanks to an invisible magnet. As soon as the user approaches each small spheric object (the designer refers to them as “bubbles”) from the mirror, it lights up to reveal an eery purple hue.
“Light reveals a translucid purple glass.” To the designer, “The bubbles reflect on an immaterial ground and create an imaginary landscape between danse mirror and constellation. When a bubble is brought close to the mirror, it is attracted by the magnet and switches on. When black, the glass bubbles are like jewels that flow from the shimmering surface. Surprise comes with the switch on by magnets and the sudden colored transparency of the material.”
Elodie Palasse-Leroux
Coulisse mirror, by Constance Guisset, for Galerie Cat-Berro
(Elodie Palasse-Leroux is a Paris-based writer and journalist, the founder and editor of Sleek design)
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A private cocoon one can take refuge in- or rather behind, when working: Belgian designer Alain Gilles’ BuzziCockpit is “a tool for personal privacy and well-being”. Small enough to fit any table or desk (a 60 cm-depth for the side resting on the flat surface), its ergonomically-designed acoustical skills enable the user to create a instantly quieter and private area within the working space (offices, libraries…).
Alain Gilles designed lateral handles to the BuzziCockpit so that it can be pulled closer or pushed back whenever needed, in a single gesture. Upholstered in a recycled fabric (also developped by Buzzispace), available in a large array of colors, the BuzziCockpit is available with a closed back-panel or a partly opened one, depending on the level of intimacy one is hoping for.
Elodie Palasse-Leroux
Buzzicockpit by Alain Gilles for Buzzispace
(Elodie Palasse-Leroux is a Paris-based writer and journalist, the founder and editor of Sleek design)
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Miranda Watkins Design has launched an elegant new range of versatile bowls and platters in beautiful sustainable Ash and Walnut. These designs are the latest additions to the Studioʼs popular Turn Wood Collection. Showcasing the beauty of natural hardwood, strong, clean silhouettes are machine turned and hand finished to create this range of minimalist tabletop products. The full collection comprises bowls, platters and boxes, all produced in Britain in sustainable hardwoods — Oak, Walnut, and Ash.
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David weeks has designed a extension of his toy line which he began with Hanno the Gorilla. Made of sustainably harvested beech wood, Ursa the Bear has elastic band muscles that pop and lock into a myriad of poses. The powerful hardwood frame can hold many poses, and her elastic-band muscles and durable wood limbs make her almost impervious to breakage. Ursa, comes in two sizes: the large and ferocious Ursa The Bear, and Ursa Minor his diminutive cousin, both are enduring classics that will withstand generations of play.
Ursa the Bear, Ursa Minor, by David Weeks
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To present this new colour range, DuPont™ Corian® called upon 4 designers or galleries, known for their quality and relevant editorial policy and for the innovative character of their collections. Moustache is proud and honoured to have been chosen by DuPont™ on the French market to create this collection. The Favoris Collection was enthusiastically and rigorously pieced together over the past year through context elaboration and exchange of ideas. Managed by Moustache, produced in association alongside and with the complicity of Corian® and Créa Diffusion, the Favoris Collection was designed by Ionna Vautrin, Inga Sempé, François Azambourg, Sébastien Cordoléani and Benjamin Graindorge
Favoris is the one entitled to special treatment due to merit and beauty and also the one who boasts a privileged place near the “all-powerful”. But Favoris is also, and this is less known, the French name commonly used to describe the long piece of hair on each side of the face and its eventual growth into a beard. Having changed from hair into a beard, the Favoris changed from the beard into a Moustache… The Favoris Collection evolved from its side-stepping into temporary openings of a constraint free area without the usual duty of “sticking” to the market-trends. It proposes observation and contemplation of a series of objects designed with the intention of showing, revealing or exaggerating the sensitive nature of a material: the Corian®. Emancipated and liberated from routine questions and functions which sometimes become purposely secondary, the Favoris Collection by Moustache with Corian® also invites you to observe how – putting the Corian® panel presentation-logic aside – this material can become round or in relief and boasts being from an assumed search for beauty.
Favoris Collection, for Moustache, at Corian® Colour Evolution, 2012 Milan Design Week, Spazio Fiorentine, via Savona 35, Milan, April 16–22