As living spaces and kitchen islands merge together in most contemporary homes nowadays, i29 designed a kitchen that acts more as a piece of furniture instead of as a kitchen. Our aim was to develop a kitchen system that seems to disappear in space. The design is reduced to it’s absolute minimum, having a top surface of only a couple of centimeters thickness with all water, cooking and electrical connections included. Large sliding wall panels conceal all kitchen appliances and storage space. In the case of this apartment in Paris, where the kitchen concept is installed, an existing profiled wall is exactly copied on the front panels in order to integrate the solid volume with the monumental space. The freestanding kitchen island is placed in front of the panelled sliding doors.
Invisible Kitchen, by i29 Interior Architects
The light, which is crucial, is the centerpiece of this reflection. Crashing into a normally inanimate object, full and dark. Here, in the light of memories, born in a completely different from the original, Sbarbino, a lamp shaped design and a shaving brush. Anchored between historical memories of barber uncle and moved by the news that Milan would have closed the Old Barbershop shelf, shop in the historic heart of the city, Vito Nesta, redesigns in an accurate version outsized, with its sinuous glass and ceramics wave finely coated with silver, a small object totem for craftsmen in the industry, in a role completely different light.
Sbarbino, by Vito Nesta
“These vases follow my personal research on glass. Two of the most famous traditions in glass working are in Finland and in Italy, so this family of vases wants to be a homage to the work of nordic masters like Tapio W., together with the work of italian glass blowers. In the sixties and seventies wonderful pieces came out from the collaboration between designers and glass manufacturers: this was my inspiration so I tried to do a collection of vases with simple, archetypal shapes, but giving a modern taste “exagerating” the heads and emphasizing with colors like metals.” – Giorgio Bonaguro.
Tapio Vases, by Giorgio Bonaguro
Photography by Andrea Basile Studio
A limited edition of Love Me More bedding and the Forever Bed by Nika Zupanc is part of an exhibition at Museo Bagatti Valsecchi. They were developed in cooperation with Dormeo and commissioned by Rossana Orlandi. Nika Zupanc said about the joint project: “On a symbolic level, I tend to work with things that form our secrets and our cravings. Thinking about sleeping and dreaming, I was inspired by the beauty and pain of loving – as it is today and as it has been throughout history. I was moved by the strength of the chemistry between two people and by the madness of their passion. These themes are the foundations of the Love Me More project and are reflected in the design of the bed that can be closed up and hidden away. The restrained, even monastic look of simple, iconic blankets and linen was taken to an unexpected level through the combination of the innovative Octaspring technology and super elegant, long-lasting materials”.
The limited edition of bed linen was designed exclusively for Dormeo and is based on Octaspring, a game-changing technology that inspiringly replaces both metal springs and memory foam as a favourite choice for products made for sitting and sleeping.
Love Me More Bedding, Forever Bed, by Nika Zupanc, for Dormeo, Commissioned by Rossana Orlandi
Diatom, a stackable aluminium chair, takes its shape from the frustum of a diatom, this primordial single-cell organism with silica skeleton found in bodies of water the world over. Refined ornamental geometry in three-dimensions, a marvel of structure devised from exploring the rules of mathematics that dictate the vegetative development of living organisms.
Production adopts a technology developed in the automotive sector to reduce both the weight and the production cost of the seats; die-cast aluminium sheeting ensures the lightest weight and eliminates the need for steel while ensuring equivalent levels of performance.
Diatom, Stackable Aluminum Chair, by Ross Lovegrove, for Moroso
Not from the Stone Age but closer to Kryptonite, Crystal Rock appears in the cave of the future as an ambassador of the fusion between nature and man, light and reflection, transparency and mass.
All these characteristics are gathered within a perfectly cut, yet roughly sculpted contemporary silex that interacts between light and darkness, suspended in the air like a frozen shooting star. It‘s as if the world stood still at the very moment you gaze upon it, the multiple reflections and deflections fascinating during the day and even more dynamic at night, when lighted. Crystal Rock‘s LED source highlights the artistic glassmaking process and advanced gluing techniques, gleaming on its inner curved surfaces and defining form on cut facets.
Crystal Rock, by Arik Levy, for Lasvit
A massive stone frees from gravity in the air as if it were floating in the universe. To the future, Tokujin Yoshioka envisions his dream to the universe.
Agravic Floating Stone Table, by Tokujin Yoshioka
Over 50,000 years old wood table is a great result of cooperation between Zieta & Holzano. Ancient Kauri is the oldest wood in the world while FiDU is the most innovative technology of flexible steel forming. Here the history meets the future. Holzano takes great pride in delivering world class solid wood furnitures from Ancient Kauri wood – the oldest wood in the world. Focused on quality craftsmanship and unique design we believe that the elegance presented in our furnitures is timeless.
Kauri Table, by Holzano
Top to bottom: endless sky, commanding trees, house and wild vines. The home humbly nestles into this order… The entire length of the house opens up to the expanse of vineyard before your eyes. Yet a lintel overhanging the plate glass window marks the border between homely serenity and the melee of vines… Breakwater: at the foot of the dining room, large rocks turn back the momentous tide of nature… Space is not distance, it’s infinity… The desks in the children’s rooms overlook the vineyard, their heritage.
Rian House in France, by Atelier d’Architecture Bruno Erpicum & Partners
Photography by Jean-Luc LALOUX
This one-bedroom house is located on an agricultural property in Sonoma owned by two scientists. We were asked for a structure that would take advantage of hillside views and integrate more sustainable utilities over the 25-acre site. Energy is now supplied by a new solar array, sized to power the entire property and all buildings and equipment.
At a mere 850-square foot, the house is situated at the top of an olive orchard where breezes and shade are maximized. We also made sure to exploit the open area so that no hardwood trees were removed. The goal was to emphasize outdoor living areas that would be intimate for two people but accommodate larger groups for entertaining.
Anchored into the steep hillside with a series of concrete retaining walls and cascading exterior decks, the structure has a much grander presence than one would assume from its size. A site strategy of cascading spaces embracing the slope and relating the inside and outside at every level is an ambitious concept, yet one least intrusive to the natural topography. The circulation always directs one to the open views, while the fenestration protects from the hot southern sun in favor of soft northern light. The fun of living there is in the plentitude of special openings, details, and secret nooks that allow many options for places to be at different times of day.
House in an Olive Grove, Sonoma, California, by Cooper Joseph Studio
Photography by Elliott Kaufman Photography & Cooper Joseph Studio