This is Sarjaton. Meaning ‘no series’ in Finnish, it’s a range that redefines the freedom of flexibility. Comprising 26 essential parts that can be used whenever for whatever, Sarjaton gives you the natural tools to create as you like. Touch the embossed relief on the plates and mugs, relax with the soft and muted tones of the colour palette, and embrace the small details.
Alongside the patterns of ‘Letti’ and ‘Metsä’, Musuta also designed the fish for the bottom stamp on each piece from the range. Symbolic of the ancient Finnish saying ‘there’s no point in going fishing further than the sea’ it reinforces Sarjaton’s celebration of simple living and having all we need right here.
Sarjaton is born from the collaboration and concept development of six talented designers from fashion, product, graphic and digital design that share the same vision to interpret Finnish traditions in a modern way. Harri Koskinen designed the soft, round shape of the new ceramic dishes and Aleksi Kuokka gave the shape for the universal drinking glass. As well as the colour scheme, the patterns ‘Letti’ and ‘Metsä’ were hand-drawn by Musuta, whilst the ‘Tikki’ pattern was created by Samuji.
Sarjaton has been strongly influenced and shaped by Finnish traditions, with the concept and design for the range firmly rooted in folklore and artisan rituals.
Embossed patterns based on traditional basket braids, embroidery motifs and the forest that covers half of Finland, deliver a handcrafted feeling that invites you to touch. While modern life has made us crave for an authentic feeling, the Sarjaton collection takes us back to the way things were made before. The real way.
“We hope that Sarjaton lets people discover things they like and find beautiful. We don’t wish to offer ready-made solutions, but stimulate the imagination.”
Sarjaton Tableware, by Harri Koskinen, Aleksi Kuokka, Musuta, Samuji, for Iittala
The chair, composed of a minimalistic rigid polyurethane shell, distinguished by its unmistakable high back. The wood base version transmits warmth and harmony. The version with the ring, encircling the apparently more rigorous metal base, gives the chair its playful character and craftsmanship. The generous proportions of the Luc lounge chair give freedom of motion, but in the same time defines a personal space, intimate that invites you to relax.
Luc Chair, by Lorenz*Kaz, for Rossin
An original Tellurion is a mechanical representation of the Earth-Moon-Sun system that reproduces the relative movement of the three bodies. The model visualizes the causes of night and day, solar and lunar eclipses and the phases of the Moon.
The thing that intrigued us with the mechanical contraption and what we wanted to put emphasis on in our candelabra was the beautiful way the light was reflected between the spherical bodies. The five arms of the Telluria candelabra can be rotated into different positions and the twelve orbs will amplify the flames and the surrounding space.
A large 12˝ wide singular dodecahedron, a twelve-sided geometric shape, composed of different colors on each of its surfaces. Due to its sophistication and playfulness, Mono can appeal to both an adult and young audience. The colors ranging from pastels to right ﬂuorescents, from warm to cool hues and to fully realize the marriage of these beautiful, vivid colors, the Mono is spot-printed on wood-free paper with high-quality inks.
Themis Mono Mobile, by Clara von Zweigbergk, for Artecnica
Spanish designer Victor Carrasco has created the Maarten chair as a tribute to the late Belgian furniture designer Maarten van Severen. The frame of the piece is forged from oak plywood and decorated by loose horizontally-stitched upholstery is applied to the curved body of the seat. lacquered steel tubes hold it up the sleek furniture piece. sprawling from a center point, the pyramidal structure is able to swivel, giving the user a more flexible and comfortable experience.
Maarten Chair, by Victor Carrasco, for Viccarbe
A tea service set, Silent Machine, is composed by functional products reflecting aesthetic interpretations on function-focused forms. Every single object can be identified when it is utilized as a part of the whole. Mathematically formulated silhouettes and details contribute to creating an image of mechanical regularity rather than being emphasized on their ornamentation.
The passing of time remains machines as industrial artifacts. No longer alive, no longer remarkable but the machine-age machines have stories which make them more beautiful than they were.
Machines are growing into more dynamic and intelligent tools around us, and being supplemented and improved by more recent technological advances, although it seems undeniable that their glorious time has vanished and remains a part of history. The aim of this study was to draw out recast values induced from the passing of time and transitions, and to refigure them under the present sentiment. Non-aesthetic things are re-illuminated and become emotionally connected with us It can be understand as a retrospective and commemorative intention by relocating our perspectives in the middle of the machine age.
Aura is a harmonius and cozy 2-seater sofa, it surrounds you and is perfect for creating peaceful interiors. Due to its high back the tempting and sympathetic Aura also works as a room divider.
Spun Aluminium, 5-axis Laser cut, Anodised. Modular system of light shades to be arranged in various configurations on a standard screw cup lamp holder. Solid forms offer complete and variably directed shade. Perforated forms –- in layered combination – enable the light to be gradually filtered, allowing for customisation of the overall aesthetic and manipulation of the emitted light.
[D]3 Contest – Interior Innovation Award Winner – IMM Cologne
Apollo, by International
A long arm stretches upwards, parallel to the wall, then bends at a right angle and runs along the ceiling, culminating in a large luminous bulb. Potence Pivotante proves that such simple materials as tubular metal and frosted white glass can define a lamp that is as essential as it is charming and timeless, thanks to the ingenuity of an exceptional talent: Charlotte Perriand.
Being hinged at the base, the lamp may be positioned at will anywhere along the circular path that its arm can complete on the ceiling. This solution was adopted by the architect to optimize the efficiency of the lamp, expressly designed in the Forties for flexibly illuminating her small Parisian apartment.
Potence Pivotante, by Charlotte Perriand, for Nemo
An outdoor lamp with a minimalist design and an adjustable projector. Available in two colours: white lacquer or matt oxide.
Boxes, by Josep Lluís Xuclà, for Vibia