Hans J. Wegner (1914 – 2007).
Born in 1914: Tønder, Denmark where he completed his early education and was trained as a cabinet maker. In 1936, at the age of 22 he attended the School of Arts and Crafts in Copenhagen, returning later as a tutor.
He worked as an assistant to Erik Møller and Arne Jacobsen until 1943, helping on their design for the Århus Town Hall, and adding some of his own furniture. In 1943 he opened his own office and came out with the Chinese chair which, along with his 1949 “Round” chair would provide the basis for many of his later chairs.
Interiors magazine, in America, put the Round chair on the cover in 1950 and called it ‘the world’s most beautiful chair,’ catapulting Wegner into international fame and sparking a profitable export market. It became known simply as,The Chair and began making high profile appearances like the televised 1961 presidential debates between Nixon and Kennedy. Of the design Wegner said, “many foreigners have asked me how we made the Danish style. And I’ve answered that it…was rather a continuous process of purification, and for me of simplification, to cut down to the simplest possible elements of four legs, a seat and combined top rail and arm rest.”
Inspired by classical portraits of Danish merchants sitting in Ming chairs, Wegner created series of chairs that helped establish Denmark as an international leader of modern design. Of this seies the Wishbone Chair is widely considered to be his most successful design.
In the early 1960s he came out with several variations on the Bull chair which came with or without horns, and was a fine example of the line Wegner could masterfully walk between elegance and playfulness. “We must take care,” he once said, “that everything doesn’t get so dreadfully serious. We must play – but we must play seriously.”
- Danish Design
Teddy Bear Chair, Circle Chair, CH 07, Wishbone Chair, Bull Chair.
Biography: Hans Wegner
Recommended reading: Danish Chairs
To celebrate the centenary, Pallucco modified Fortuny to enhance its very clean and pure lines. A discretely elegant but utterly modern use of white, it underlines its inherent design. Versions include fabric with a silver print.
Fortuny Ornaments, by Mariano Fortuny y Madrazo, for Pallucco
The modular Low Table Program 010 consists of one high and one lower table which can be telescoped. The high version of the modular table can also be pushed over a bench. The bench is supplemented by upholstery.
Low Table Program 010, by Thomas Merkel, Dieter Rams, for sdr+
The Strukt table is composed of two lacquered aluminum sheets with injected epoxy foam in between the sheets. It’s available in the following colours: black, white, red, yellow, blue and aluminum.
Product Name, by Dust Deluxe
Light in Design, the B3 system by bulthaup is the measure of all kitchens; by focusing on ergonomics, task management and keeping it utilitarian, the visual aesthetics are not compromised here. The entire kitchen “floats” by using a supporting frame inside the wall that can bear up to one ton in weight per meter. This is ideal for architects and designers, providing them with an unprecedented level of freedom in design and the efficient use of space. The range of accessories and the way in which spices, tools and even cleaning supplies are tucked away compliment the design. You may never dine out again!
Bulthaup B3 Kitchen, by Herbert H. Schultes, for Bulthaup