The lamp stems from the studio’s ‘Materials driven, process led, industrial design approach’ researching the typologies and language associated with ceramic products. Container looks at utilising the ceramic to both contain the electronic lighting
components and producing a soft reflected illumination output from the interior glazed surface to light the table or desk beneath. The forms are driven by a sympathetic design language and construction in tune with earthenware production. The lamp comprises two large ceramic components held together under the tension of an injection moulded Silicon band eradicating the need for any glue or screws.
Archetypal lighting forms, materials and textures assembled in an emotional luminaire.
Silk Road, by Jonah Takagi, Atelier Takagi, for Roll and Hill
The result of a combination of the creative sensitivity of Ionna Vautrin and Foscarini’s design experience, Doll is a friendly little table lamp. Accessible and versatile, available in four colours, Doll is a warm presence with an essential, evocative charm, inspired by traditional wooden Japanese Kokeshi Dolls.
Doll Table Lamp, by Ionna Vautrin, for Foscarini
Historic industrial design icons such as the Starship Enterprise or the Citroën’s steering wheel were inspirational when designing the w126 uplighter. Admittedly two quite technical examples, but this is a lamp that demanded both highly advanced engineering and a bit of iconicity. Two powerful and separate LED light sources, one up and one down, with separate dimming allows you to set the light to any desired ambience. No need for a manual. Two simple touch buttons makes operating instinctive. However, this lamp does not fly through outer space, nor does it roam the highway, but stands in an architectural context. Significant in expression, yes. But reduced in form and shape to feel at home in your room.
w126 Lamp, by Claesson Koivisto Rune, for Wästberg
“Vederlicht is a fascination that I had when I was a small child, the fascination of model glider plane. Back then these planes cost too much for me to buy and I only could look at them in the shop. The small kid in me is still there so I took the technique and material for making a glider and used it to design lighting. The material used in this design is Balsawood and Oracover which is used to cover the wings of a glider and gives the lamp altogether it’s ultra lightweight.”
- Daniel Hulsbergen
Vederlicht (Featherlight), by Daniel Hulsbergen
It has been said that lamps were the most important invention for miners in the 19th century. Today, we’re each miners in our own way — searching, innovating and changing the world around us.
The M Lamp — the world’s most advanced wireless task lamp. Powered by a superior integrated lithium iron phosphate battery, these simple yet beautiful tools for life and work are wireless and can be transported anywhere within the home, office and in between.
The M Lamp, by David Irwin
Tenda is a series of textile lamps launching at the London Design Festival as a result of Benjamin Hubert’s materials driven research
Tenda Italian for tent is comprised of materials from a diverse mix of industries: Fibre glass rods from the kite manufacturing industry, Lycra from the sports industry, 4 way stretch mesh from the underwear industry, A construction technique from the tent industry.
The primary component of the lamp series is a multi layered construction of textile. The exterior is covered by a quad-directional high stretch micro mesh. This give the lamp its volume and an ethereal lightness with a sense of varying opacity depending on your viewing position. The internal layers are constructed from Lycra which diffuses the light source. The interplay between external stretched convex curves and internal concave forms creates a dynamic typology of components and progressive design language. These layers of textile are supported by flexible fibre glass rods held in tension by textile and brass connectors. The technical textile system has been developed in house over a period of 12 months after several iterations of prototyping and testing.
Tenda, by Benjamin Hubert Research
The Nymphea project is a chandelier that reverses the usual workings of ceiling lights. Whilst suspended from the ceiling, one looks at the chandelier from above. This switching between up and down creates an original lighting atmosphere, both intimate and close to the floor. The possibility to change the orientation of the lights also contributes to the design of the lamp. Like water lilies, the disks that make the lamp seem to float above an invisible surface. The observer can think that one has his feet in the water and looks to the bottom of an imaginary pond.
Spun Aluminium, 5-axis Laser cut, Anodised. Modular system of light shades to be arranged in various configurations on a standard screw cup lamp holder. Solid forms offer complete and variably directed shade. Perforated forms –- in layered combination – enable the light to be gradually filtered, allowing for customisation of the overall aesthetic and manipulation of the emitted light.
[D]3 Contest – Interior Innovation Award Winner – IMM Cologne
Apollo, by International
A long arm stretches upwards, parallel to the wall, then bends at a right angle and runs along the ceiling, culminating in a large luminous bulb. Potence Pivotante proves that such simple materials as tubular metal and frosted white glass can define a lamp that is as essential as it is charming and timeless, thanks to the ingenuity of an exceptional talent: Charlotte Perriand.
Being hinged at the base, the lamp may be positioned at will anywhere along the circular path that its arm can complete on the ceiling. This solution was adopted by the architect to optimize the efficiency of the lamp, expressly designed in the Forties for flexibly illuminating her small Parisian apartment.
Potence Pivotante, by Charlotte Perriand, for Nemo