Nendo has produced a series of lamps that use the traditional technique and modified it to create seamless three-dimensional washi forms.
The design light has adjustable arms and an orientable head for a flexible use. The LED light is operated by means of a built-in sensor dimmer located in its head.
A universal floor lamp with a “trick” in an extruded and textile covered plastic profile, which carries the LED head: moving the head along the profile changes its orientation continuously. Rope Trick floor lamp serves as a reading light next to a bed, a chair or a table. After sliding the head in its up-most position, the light is cast upwards onto the wall or ceiling which creates an indirect atmospheric illumination.
Rope Trick Lamp, by Stefan Diez Office, for Wrong for Hay
Capsula pendant light is composed of two oval capsules of glass when external absorbs the internal and by permeating each other they complete compact form. The concept is visualized by two convex capsules one overlapping the another and so merged into one single form which reminds an inspiration of nature, shapes of cells or plant seeds.The combination of outer shell of crystal clear glass and internal capsule of colored glass creates exciting tension of forms and optical 3D effect. Capsula light sculpture is gently fixed together by a tubular light source connected with small wooden side bases and the effect is emphasized by blending the colored core into a crystal clear outer bubble.
Capsula Pendant Light, by Lucie Koldova, for Brokis, Photography © Lucie Koldova / Brokis
Meltdown is an interpretation and attempt to make something beautiful from the disastrous nuclear accident in Fukushima. Would an actual meltdown occur and what would the impact be? The disaster is reflected in the lamps where the process already begun and the bulb are about to melt through the last defense of the glass.
Wall Shadows, by Charles Kalpakian, for Omikron Design
Friedman Benda will present Paul Cocksedge: CAPTURE the British designer’s inaugural solo exhibition, the works include Capture, a 5 ¼ ft (1.6 meter) hand-spun aluminum dome that appears to “hold” the peaceful glow of a warm white light. The piece is informed by a process of reduction–a recurring theme in Cocksedge’s work–as it subtracts the typical infrastructure around light, instead creating a hemisphere that seems to stop light from escaping. For White Light, Cocksedge will create a room within the gallery in which everything and nothing changes. For this work, the designer will create an illuminated mosaic of precisely calibrated and positioned colored panels on the ceiling of the gallery. The ceiling will slowly fade from a spectrum of colors to a warm white light, while the room itself will remain unchanged, demonstrating the ways in which we do and do not perceive the interplay of color and light.
The inspiration for Poised comes from the elegance and amenability of paper. Half a ton in weight, the steel table appears improbable upon investigation. Created following an intensive series of calculations regarding gravity, mass, and equilibrium, the table looks as though it is about to fall, but is perfectly weighted and stable.
In addition to these new works, Cocksedge will present three architectural models that take conceptual threads from Capture and White Light and reapply them to architectural settings outside of the gallery space. Central to Cocksedge’s work is an appreciation for the ways in which people respond to and interact with his designs. As a result, potential real world applications of these new works will be explored in a series of architectural models.
A work of designer Stephen Burks, the highly contemporary shape of LIGHTSKY sends light beaming through brightly infused crystal, echoing a poetry of light reflections into the spatial center.
LightSky Pendant light, by Stephen Burks, for Swarovski
Japanese design studio Nendo has recently presented the new Nendo w132 lamp for Swedish manufacturer Wästberg.
A lighting fixture made by assembling its parts: the shade, post and stand. The height and form of the light can be easily changed by adding and rearranging the components. By attaching the wire unit to the shade, it becomes a pendant lamp. Adding a longer pole to the desk lamp makes it a floor stand. The shade is also available in three different shapes: a cone, sphere and a cylinder.
Iittala is proud to debut Leimu, a new lighting piece by young Norwegian-born designer, Magnus Pettersen. As its flame-evoking name suggests, the copper-brown Leimu creates a relaxed atmosphere for enjoyable moments in good company. With its strong concrete base, the impressive glass lamp portion, inspired by traditional lampshades, makes Leimu a brand-new lighting fixture where sensitivity encounters strength.
Concrete is a captivating material for Pettersen: “It has a raw and cold feel to it. The union of glass and concrete is well known in architecture, but it isn’t necessarily always beautiful. I wanted to smoothly combine opposites in a lamp and show that fierce and sensitive, cold and warm can work well together.” Contrast fascinates Pettersen, whose studio is based in London. His style is referred to as “industrial luxury” because opposites are a recurring feature in his work. He looks at how well different materials or colours merge in an interesting and functional way without prejudice.
From a technical standpoint, harmonising the stem and glass portion was not easy. “Glass is a great material, but it is also very challenging because it is alive and it makes accurate dimensioning very difficult. However, through the know-how of and good communication with Iittala’s glass factory, we were able to combine concrete and glass into an elegant whole.”