Made from a moulded textured plastic, the Torch Light comes in three versions: small cone, small rounded and the large cone. Sylvain Willenz’s work, is inspired by archetypal objects—in this case, the simple silhouette of a typical hand-held torch or car headlight.
Torch Light, by Sylvain Willenz, for Established & Sons
Within the frame of two recent architectural projects, the pendant range Kirchschlag was developed as a light that is both decorative and highly functional – a combination that is rare, with most lights falling into either one or the other cathegory. It was made in close relationship with highly skilled glass blowers and engravers as well as lighting professionals, to create a light that unites the beauty of expert workmanship and advances in new technology.
Kirchschlag by Atelier Areti
A crystal with 170 facets, which hangs in simple beauty like a pendulum, gives off spectacular light effects due to refraction. Offered with LED and a choice of daylight-white at 6700K and neutralwhite at 3400K.
Crystal Bloom, from Swarovski
Ikon (we like the name) is a range of architectural lighting luminaires characterized by a sober and well-balanced design suitable for every type of situation. The rotation of the lighting module and by the many solutions available – suspended, wall-mounted, floor and projector make it a very flexible lighting solution.
Ikon, by Targetti
Lantern has a sober but appealing shape. The compact, slightly bulbous lamp is somewhat reminiscent of a Chinese lantern. This association is underscored by its pleasantly warm, soft light.
Lantern, by Ronan Bouroullec, Erwan Bouroullec, for Belux
Inspired by the shape of a ring, the Bague table lamp, is made from a perforated metal net covered with a silicon resin and a satin screen diffuser, It is simple, yet sophisticated and is part of the permanent collection at MoMA, New York.
Bague, by Patricia Urquiola & Eliana Gerotto, for Foscarini
Aeros is designed as a circle, created as one, big, organically formed reflector with the light source placed at the top. The fixture is made from anodised aluminium, cast in two parts, with the joint serving to underpin the design. The reflector is designed with a perforated pattern at the rounded side while the upper and lower sides are unperforated. Light is emitted horizontally through the perforations and directly downward. Discreet light is also emitted upward. The dense, perforated pattern yields a three-dimensional effect giving the fixture an air of weightlessness.
Aeros, by Ross Lovegrove, for Louis Poulsen