Pletz lamps blend modernist geometry with a traditional sense of material and craft. Each lamp combines a lathe-turned, hardwood base, hand-rubbed finish, and dyed components. Quality brass hardware, a dimming fixture, a 10-foot cloth-covered cord, and a premium linen shade complete each lamp to produce an heirloom-quality piece. Pletz is the husband and wife team of Aaron & Heather Shoon, and operate from a studio in the Brooklyn Navy Yard.
Pletz Lamps, by Aaron & Heather Shoon
Photography by Elliot Black
Its name, its structure and its ability to adapt to the surroundings owes its conception to the bamboo plant. Their idea was to take advantage of led technology to “cultivate a crop” of very slender shaped lamps in a variety of heights which allow the users to create a personalized combination of lighting to suit their needs and which is ideal for outdoor spaces. The slim lines of the Bamboo collection, designed by Antoni Arola & Enric Rodríguez, integrates natu- rally with exterior surroundings. During the day it melts discreetly into the landscape. At night, Bam – Boo illuminates and highlights paths, transit areas and also large open spaces. The result is a light installation that emits concentrated light beams through the darkness, illuminating without contaminating.
Iceberg, as the name states was inspired by the form and beauty of these large glacial structures. Capturing their breathtaking splendor this collection clusters to illuminate with a subtle white and blue light. These are not ordinary pendants lights, but an incredible array of glass sculptures gracefully floating in space.
It’s nature inspiring the shapes of Pandora, that live in the echoes of their minimal texture. Ethereal entities that make of the light an added value, building up an outfit out of time, playing to conceal the material composing them. The project makes of the versatility its overriding characteristic: Pandora can be used as floor lamps both in external and internal spaces, such as hanging lamps or floor lamps.
Has a wobbly head like the wobble-head figurines. The lampshade is fixed by a vacuum cup. In the base there is a magnet that connects with a separate magnet that you mount under the tabletop for stability.
Wobbelhead Lamp, by Morten & Jonas
Photography by Montag
The light, which is crucial, is the centerpiece of this reflection. Crashing into a normally inanimate object, full and dark. Here, in the light of memories, born in a completely different from the original, Sbarbino, a lamp shaped design and a shaving brush. Anchored between historical memories of barber uncle and moved by the news that Milan would have closed the Old Barbershop shelf, shop in the historic heart of the city, Vito Nesta, redesigns in an accurate version outsized, with its sinuous glass and ceramics wave finely coated with silver, a small object totem for craftsmen in the industry, in a role completely different light.
Sbarbino, by Vito Nesta
Not from the Stone Age but closer to Kryptonite, Crystal Rock appears in the cave of the future as an ambassador of the fusion between nature and man, light and reflection, transparency and mass.
All these characteristics are gathered within a perfectly cut, yet roughly sculpted contemporary silex that interacts between light and darkness, suspended in the air like a frozen shooting star. It‘s as if the world stood still at the very moment you gaze upon it, the multiple reflections and deflections fascinating during the day and even more dynamic at night, when lighted. Crystal Rock‘s LED source highlights the artistic glassmaking process and advanced gluing techniques, gleaming on its inner curved surfaces and defining form on cut facets.
Crystal Rock, by Arik Levy, for Lasvit
On the boundary of abstraction, this lamp, thought as a picture consists of a succession of plans, staging materials and their plastic quality. The light appears in a slit like in an open door, putting together the poetry of the forms and the preciosity of the materials. This sculptural lamp is the formal vision of a dreamed freedom.
Nightfall on Livingstone, by Numéro 111
An exercise in contrasts, the Copenhagen Pendant fuses the classic and the modern, the maritime and the industrial. Its matte-lacquered metal lampshade disperses the light in a subtle but spectacular way, resembling the classic gaslight feel of the bleak Copenhagen piers.
“The biggest challenge in designing the Copenhagen Pendant was to meet our own expectations in making an equally sculptural and functional light,” says Signe Bindslev Henriksen, co-founder of Space Copenhagen.
Originally Space Copenhagen designed one version of the pendant, but the project subsequently expanded into a series of three sizes and five matte shades. “The starting point was to create a design which would allow us to mix various metal finishes,” says Peter Bundgaard Rützou, the studio’s other founding partner. The result is a flexible light that works in many different spaces, on its own, or in a cluster.
The initials TEO stand for Timeless Everyday Objects, formulating the design guideline, principles and values of this interior brand. The first TEO collection presents mainly a range of lighting design products. Playing beautifully with the contrast of colorfully painted metal and mouth blown glass, this collection emphasizes TEOs identity to offer its customers high quality products with traditional materials and a timeless yet unique design suitable for everyday life.