Between 1959 and 1975, Pierre Paulin created several iconic designs for Artifort, including the famous Ribbon chair, the Mushroom and the Tongue. These timeless designs, which were created in the Artifort workshops, are for the most part still in production today. They are distributed around the world and continue to be a source of fascination because they are so modern.
Centre Pompidou in Paris is paying tribute to Pierre Paulin’s work with a comprehensive retrospective devoted to the designer’s work. The museum has decided to add a Pierre Paulin lounge to the exhibition galleries giving visitors the opportunity to sit down in some of Artifort’s most comfortable sofas and chairs.
Pierre Paulin at Centre Pompidou
Ink is made of American walnut, it is trapezoidal in shape and you access it by opening a door which is tilted to become a work top. Inside the compartment, three drawers, LED lighting and another compartment fitted with sockets for connecting all kinds of electronic devices, even if the name Ink recalls traditional handwriting done with pen, ink and paper, but above all with ideas.
Ink Desk, by Jasper Morrison, for Molteni & C
The combination of Kristalia’s technology with Kensaku Oshiro’s creativity has led to Hole: a table featuring an original base and an oval hole, with a softly moulded shape in sheet metal, made using a process that involves many moulding and bending phases. This original and stable base, available in various finishes, supports a thin laminate or solid wood (thicker) top. Two options are available for this furnishing object with a truly unique personality.
Hole, by Kensaku Oshiro, for Kristalia
A design with its roots in the research of the archetypical two-part African chair of the Congo region, Niloo is a reinterpretation of this typology bringing it into today’s relevant context. The simple idea of two parts simply sliding together and interlocking to form a comfortable chair is just as relevant today as it has been for centuries past.
Interestingly enough, in the 1950s, Artifort blazed the trail of innovative design with the Congo and Pinguïn chair, designed by Theo Ruth, chairs that were also inspired by this typology. Niloo is following in its predecessor’s footsteps by applying the same technique that involves two elements seamlessly fitting together. Through this design, we pay tribute to Artifort’s history while setting our sights on the future.
The design describes two foam moulded upholstered parts, one being a composition of a curvaceous back emerging into the front feet and the other being a generous seat turning into the hind leg. The great development challenge was in creating an embracing and comfortable chair while making sure that the structure is strong and sturdy.
‘For me Niloo is all about the synergy of practicality and comfort. Imagine having to haul a fauteuil up three flights of stairs or the space-saving attributes during transport. And when slid together a simple chair emerges, almost iconic in image.’ Khodi Feiz.
The bookcases are a new interpretation of traditional revolving bookcases, these often featuring three or four levels with larger volumes being stored at the bottom. Folkform believe, that in this time of increased digitalisation of texts, the book as a physical object will become increasingly desirable and that the reader will prefer a smaller number of well chosen volumes housed in a beautiful piece of furniture to a large number of books in a wall-to- wall bookcase.
Revolving Bookcases, by FOLKFORM
A shelf with a digital angle. the surfaces of this object dissolve into strings which connect and transform into other new surfaces.
www, by viktormatic
The Bar Cart was designed to function as a serving cart and a permanent fixture in a home as a mobile side table. The three-legged solid ash structure and handle is maneuverable on its two hind wheels. The top tray can be removed from the cart’s structure and be used as a portable serving tray. The tray’s top leather surface makes for a soft, yet resilient surface to store serving ware.
The Bar Cart, by Thom Fougere Studio
Italian-Danish duo GamFratesi and Swedish trio Front have designed beautiful pieces of furniture for furniture brand Wiener GTV Design (part of Gebrüder Thonet Vienna historically renowned for its iconic No. 14 Thonet bistro chair).
The Molteni Museum was established in 2015, the year of the International Expo in Milan, to celebrate 80 years’ history, innovation, research and quality, and thus contribute to the spread of design culture.
Designed by Jasper Morrison, with the image coordinated by Studio Cerri & Associati, the museum houses a permanent collection of 48 iconic products and original prototypes of the Group’s companies: Molteni&C, Dada, Unifor and Citterio. But it also tells the story of an Italian compan, founded in 1934 by Angelo and Giuseppina Molteni, which developed from the Fifties with the cooperation of Italian and international architects and designers.
48 Iconic Products, Molteni Museum
Composed as a collage, Triangle table is a graphic object at the limit of abstracted volumes creating shimmering patterns as you turn around the table. Tainted glass & stainless steel, Navy blue, green, brick, white, brass. Dimensions: 350 x 350 x 500 mm
Triangle side table, by Arnaud Lapierre Design Studio