A collection that was created for the solo exhibition held at the “EYE OF GYRE” a gallery in Omotesando during Tokyo Designers Week 2015.
Since it is difficult to grasp beforehand the status of furniture being used when designing furniture for mass production, the designs inevitably tend to become one of an “average specification” that can respond to various scenarios. What’s more, the space will become evened out by such furniture filling the space. Thereupon, we expected a new relationship to develop between space and furniture by conceiving the design of the furniture from a specific space. By walking around the gallery we went through a special design process of being inspired by elements that are normally “troublesome”, such as the corner of the room or protruding columns. In the process, we took turns in verifying how the furniture was balanced as it was placed within the space, as well as the proportion of the furniture itself. This resulted in the creation of mysterious tables that consisted of a 5mm square metal rod with a small tabletop measuring a radius of 100mm attached to it.
The design utilizes the element of space as a part of its structure by “parasitizing” on to the corners or edges of the walls, the edge of the floor and exhibition stands.
Border Table, by Nendo, for EYE OF GYRE
Photography by Hiroshi Iwasaki, Masaya Yoshimura
Carbon Chair is a consistently constructive and yet formal and experimental design by Thomas Feichtner. It is a sheet of carbon fibre, which contacts the floor at three points and depicts a line from above and below, positively and negatively. The result is a formal interplay of inner and outer surfaces – a recurring theme that runs through many of Feichtner’s works. (Limited Edition of eight pieces).
The Carbon Chair is part of the exhibition ‘Austrian Design Pioneers’ during the Milano Design Week 2015.
Carbon Chair, by Designer, for Thomas Feichtner
A concrete cartoon monkey holding a tray forms this table by Spanish designer Jaime Hayón for manufacturer BD Barcelona Design as a new piece added to the Gardenias Collection. Hayón’s table is shaped like a monkey from the waist up, and holds a flat tray above its head like a waiter. It is made from solid architectural concrete resin, making it suitable for indoor and outdoor use. The form of the cartoon monkey – with one hand supporting the platter and the other scratching its head – is created using a mould based on Hayón’s drawings.
Monkey-shaped table, by Jaime Hayón, for BD Barcelona
Group of low laminated and glued glass round tables, consoles and shelves characterized by a special iridescent multicolored finish; the nuance varies according to the incidence angle of the light and to the vantage point. Objects with magical and ethereal appearance emerge. Presented at the Salone del Mobile 2015, available in transparent glass or acid-etched glass.
Shimmer, by Patricia Urquiola, for Glas Italia
Development of the furniture for the Rossini Bar in Merano Italy.
Rossini Furniture Dev., by Zanzotti
Photography by Leopold Jonas
A coffee table that acknowledges the need for storage, and individuality in a simple and practical solution. Thanks to its pivoting system, 4 individual areas are created that can be either concealed or shown at will.
Times 4 Coffee Table, by Gonçalo Campos, for Polit
Demisch Danant is pleased to present Pierre Paulin: L’Homme Moderne a celebration of the prolific career of one of the most admired European designers of the 20th century. The exhibition surveys Paulin’s breakthroughs of the 1960s through early 1980s, and showcases designs commissioned by the Mobilier National of France in a living environment inspired by Paulin’s unique architecture. Featuring more than twenty exceptional works, including many never before exhibited publicly, L’Homme Moderne will provide a fresh look at Paulin’s full vision and contributions to modern design beyond the confines of Pop-inflected pieces for which he has until now been best known.
Pierre Paulin: L’Homme Moderne, May 12 – June 27, 2015, Demisch Danant
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“Why are arms on armchairs straight? This was the question posed as the inspiration for Bras (arm). This project was born from the gesture of an arm on an armchair, angled away and then towards you to follow the natural contour your arms make when sitting. At the same time this inspiration creates a distinguished visual statement which is inviting and in turn comfortable. The faceted corners in the sofa embrace you and allow you to sit in a flexible and more casual manner. For Bras we have developed a unique construction system which works independently between the seat, backrest and armrests, providing a level of flexibility, which in turn provides a great degree of comfort not found in sofas in this genre. There are a multitude of finishings for the fabrics as well as a choice for wooden or powder-coated steel legs.”
- Khodi Feiz.
Through joy and elegance, the bathroom can be elevated to the same level of importance as the living room. Hayon brings his characterful design and the idea of elegance to the bathroom, with the same attention to craft and emotion as he applies to lounge chairs and sofas. Hayon brings 10 years of further development to bear in a new bathroom collection, through noble materials such as marble, wood, and of course stainless steel. Materico brings glamour – together with function – back to bathrooms.
Materico, by Jaime Hayon, for Toyo Kitchen Style
The new product family designed by David Chipperfield, consisting of a solid wood table, bench and stool, distinctly features the pure use of material and a clear design language, which are shared aesthetics of e15 and David Chipperfield. Originally conceived for an architectural project in the English countryside, the table FAYLAND elegantly highlights linear forms and a clear structural concept. Oriented to the design of table FAYLAND, David Chipperfield completes the solid wood family for e15 with bench FAWLEY and stool LANGLEY.