A concrete cartoon monkey holding a tray forms this table by Spanish designer Jaime Hayón for manufacturer BD Barcelona Design as a new piece added to the Gardenias Collection. Hayón’s table is shaped like a monkey from the waist up, and holds a flat tray above its head like a waiter. It is made from solid architectural concrete resin, making it suitable for indoor and outdoor use. The form of the cartoon monkey – with one hand supporting the platter and the other scratching its head – is created using a mould based on Hayón’s drawings.
Monkey-shaped table, by Jaime Hayón, for BD Barcelona
Group of low laminated and glued glass round tables, consoles and shelves characterized by a special iridescent multicolored finish; the nuance varies according to the incidence angle of the light and to the vantage point. Objects with magical and ethereal appearance emerge. Presented at the Salone del Mobile 2015, available in transparent glass or acid-etched glass.
Shimmer, by Patricia Urquiola, for Glas Italia
Development of the furniture for the Rossini Bar in Merano Italy.
Rossini Furniture Dev., by Zanzotti
Photography by Leopold Jonas
A coffee table that acknowledges the need for storage, and individuality in a simple and practical solution. Thanks to its pivoting system, 4 individual areas are created that can be either concealed or shown at will.
Times 4 Coffee Table, by Gonçalo Campos, for Polit
Demisch Danant is pleased to present Pierre Paulin: L’Homme Moderne a celebration of the prolific career of one of the most admired European designers of the 20th century. The exhibition surveys Paulin’s breakthroughs of the 1960s through early 1980s, and showcases designs commissioned by the Mobilier National of France in a living environment inspired by Paulin’s unique architecture. Featuring more than twenty exceptional works, including many never before exhibited publicly, L’Homme Moderne will provide a fresh look at Paulin’s full vision and contributions to modern design beyond the confines of Pop-inflected pieces for which he has until now been best known.
Pierre Paulin: L’Homme Moderne, May 12 – June 27, 2015, Demisch Danant
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“Why are arms on armchairs straight? This was the question posed as the inspiration for Bras (arm). This project was born from the gesture of an arm on an armchair, angled away and then towards you to follow the natural contour your arms make when sitting. At the same time this inspiration creates a distinguished visual statement which is inviting and in turn comfortable. The faceted corners in the sofa embrace you and allow you to sit in a flexible and more casual manner. For Bras we have developed a unique construction system which works independently between the seat, backrest and armrests, providing a level of flexibility, which in turn provides a great degree of comfort not found in sofas in this genre. There are a multitude of finishings for the fabrics as well as a choice for wooden or powder-coated steel legs.”
- Khodi Feiz.
Through joy and elegance, the bathroom can be elevated to the same level of importance as the living room. Hayon brings his characterful design and the idea of elegance to the bathroom, with the same attention to craft and emotion as he applies to lounge chairs and sofas. Hayon brings 10 years of further development to bear in a new bathroom collection, through noble materials such as marble, wood, and of course stainless steel. Materico brings glamour – together with function – back to bathrooms.
Materico, by Jaime Hayon, for Toyo Kitchen Style
The new product family designed by David Chipperfield, consisting of a solid wood table, bench and stool, distinctly features the pure use of material and a clear design language, which are shared aesthetics of e15 and David Chipperfield. Originally conceived for an architectural project in the English countryside, the table FAYLAND elegantly highlights linear forms and a clear structural concept. Oriented to the design of table FAYLAND, David Chipperfield completes the solid wood family for e15 with bench FAWLEY and stool LANGLEY.
The versatility of furniture for the changing work and domestic space has lead to the development of the ‘tool’ adjustable side table. The aim was to create a surface in which people could be freed from their office desks, offering them the possibility to easily connect their work area to any type of furniture or person. Integrating a lever with a smooth vertical operation offers ease in modifying the height of the surface.
Adjustable Side Table, by Studio Irvine, for OFFECCT
The Kuskoa collection is inspired by the first plastic chairs designed by Robin Day. But in this case, all the chair is crafted out of wood, providing a warm appearance, comfort and resistance. The shell, front upholstered or fully in wood, perches delicately on a frame of solid wood.
Kuskoa, by Jean Louis Iratzoki, for Alki