Marc Newson has designed a rocking horse for children; Rocky is a modern take on a traditional object, a pop version taking its character loosely from medieval jousting horses. The parallelogram motion mimics the movement of a traditional rocking horse. It is made from rotationally moulded polyethylene chosen for both its durability and recyclability. Rein in natural hemp rope.
Rocky, by, Marc Newson, for Magis
Made from anodized aluminium, the Orion Mirror is a cross between a peg and a round mirror, Orion combines two objects through a fluid and continuous language.
Orion Mirror, Dimensions: L 21 x H 26 x D 6 cm, by Sofia designers
Photography © Matthieu Spohn
This porcelain vases collection is a research on aesthetic of industrial archeology. These vases draw attention to the cultural dimension of industrial architecture, highlighting the need for preservation of these buildings. The collection has an evident inspiration, and is a tribute to the work of two internationally renowned artists: Bernd and Hilla Becher.
Industry Porcelain, by Gentle Giants
Zero is void of any detailing, decoration or embellishement; just a simple collection of solid metal bands forming a single, subtle style for both men and women. Rings are offered in Sterling Silver, 18ct Gold, White Gold & Platinum. Zero is produced in Hatton Garden, London: one of the finest and most renowned jewellery locations in the world. All the items are mirror polished by hand, hallmarked and machine engraved with the Minimalux mark.
Zero, by Minimalux
New York-based textile design company Maharam has teamed up with Fritz Hansen and Kvadrat to launch Point by Paul Smith. The upholstery textile is a mix of Smith’s signature ‘classics with a twist’ pattern.
“The idea behind this fabric came from traditional Scottish Fair Isle knitting; I love the vibrant mix of colours and patterns that Fair Isle techniques create and have used many variations of it over the years,” said Smith.
Point combines natural tones and accent colours that are available in seven geometric patterns, ranging from traditional to modern. To celebrate the launch of Point by Paul Smith, the textile will be upholstered on a selection of Fritz Hansen’s classic design icons including the Egg, Swan and Grand Prix by Arne Jacobsen and the PK22 chair by Poul Kjærholm, as well as the Alphabet Sofa by Piero Lissoni.
The Swedish designer Jonas Wagell has created this new interpretation of the classical chamber candlestick. Flag’s design was inspired by the little signal flags on floating buoys used to send signals to sailors. Designed to hold a single candle, the candlestick has a classic expression that would suit any interior style. In the old days, the chamber candlestick was used to provide light at night. Today, candlelight is used to create a warm and cosy atmosphere. With clear references to the chamber candlestick, Flag has a recognisable function and modern expression and is easily moved by picking up the little flag.
Flag Candlestick, by Jonas Wagel, for Normann Copenhagen
The Variations collection, hovering between sophisticated objet and sculpture, to be interpreted together or individually, comprises a series of highly colourful pieces where glass-cutting principles and Baccarat savoir faire have been reinvented.
Variations rings the changes on an art de vivre as imagined by Patricia Urquiola. The collection transforms everyday ritual into the art of living, where objects from past and present coexist and combine for mutual magnification. Accented by acid colour hues, the glasses exude a relaxed, neo-pop vibe.
Variations Collection, by Patricia Urquiola, for Baccarat
The Bloated collection is made out of sheets of leather, filled with expanded foam. No complicated moulds, and no seams are used in the production, the leather inflate in a natural way, making each piece unique.
bloated_objects, Desk, Shelf, Coat Hanger, by Damien Gernay, Photography by Bruno Timmermans
Each of the five concepts presented at Superstudio in Milan explores a different, distinctive approach to glass achieved by the accomplished artisans in the Lasvit workshop in Nový Bor. For Lasvit’s Inhale Lamp, glass blowers form big air bubbles then inhale to produce an unusual shape with negative air pressure. X-Ray vases capitalize on transparency and reflection, two key characteristics of glass, to transform a series of domes within a larger mirrored dome, into a subtle, ever-changing optical effect. Press lamps in pendant and floor styles rely on light sources tucked into compressed glass tubes to produce soft, organic forms. Innerblow and Overflow tables deploy two techniques using metal forms and the flowing quality of molten glass to create smooth and water-like surfaces. Growing Vases are whimsical objects in which glass pipes give the illusion of vases blooming out of flowers.
Innerflow, Overflow, Inhale, Press (Smoke), X-Ray Vase, by Nendo, for Lasvit
Both pieces of furniture and display windows, these lights act as small curiosity cabinets highlighting the beauty and strangeness of their subjects. When turned off, the bulb and socket disappear beneath an opaque black tinted glass. When lit, the bulb gradually reveals itself behind a soft veil, never dazzling. The base is made of blackened oak and the bell of blown glass.
This series sets different scenes of an exhibition, inciting one to observe and reflect. These lights question what is to be looked at: the object or its content? Where are we supposed to be focusing our attention in this day and age? The designers have chosen to present construction debris. Under these luminous bells, they become specimens of a strange preciousness. From the displayed object, the glance shifts to the exhibiting object.
Curiosity Object, by Gaëlle Gabillet & Stéphane Villard, Studio GGSV
Photography © Félipe Ribon