Starting from a simple geometrical shape, this truncated conical mirror allows different positions for different kind of functions. Thanks to this shape, this mirror concept integrates interiors in many ways: the object fits perfectly on the wall but can also be placed on its side or rest on its base. Depending on its position, it gives an unusual way of looking at mirrors and at its reflections; versatile perspectives as complementary visions of architecture. Fixing on wall, the mirror is a sort of megaphone that makes the wall scream for reflection. Hence the name Edvard, after the Norwegian artist Edvard Munch, the man behind the painting ‘The Scream’.
Edvard Mirror Collection, by Jean-Francois d’Or, for Reflect+
Designed by Renzo Piano, one of the most important architects of the 20th century, behind projects like the Centre Pompidou in Paris, San Nicaola Stadium in Bari and Kansai International Airport in Osaka. He is responsible for the main layout of the Potsdamer Platz and eight of its buildings in Berlin. Over the years, he has received a range of prestigious prizes and awards such as the Compasso d’Oro and the Pritzker Prize. He collaborated with Iittala to produce designs on a smaller scale. His stainless steel cutlery service is like an extension of the hand, fitting naturally into the diner’s grip. With extreme attention to detail, Piano has soft, rounded and balanced handles, appropriate proportions, and thoughtfully considered shapes. The Piano cutlery service is made of highly-polished 18/10 stainless steel, and the salad servers come dressed with wooden handles.
Piano Cutlery, by Piano Design
“Pétrifications is a project which has been on my mind for some years and which allows me to reconcile my interest in design with the one for literature I had the opportunity to develop while studying it at university. It was inspired by my own experience as a reader who, when interrupted in his reading, too often left his book opened at the page he was reading, on a table or on the floor. It is a collection of five triangular geometrical forms of several different dimensions, made of various kinds of stones, and destined to be used as bookmarks.”
- Krzysztof J. Lukasik
Pétrifications”, ECAL/Krzysztof J. Lukasik
“My Flat, Mega Farm, Power Plant and Highway are designs that came from my research into public space and architecture and the idealized version of both in toy modelling. On the basis of my research I selected a number of buildings that epitomize today’s zeitgeist. I transformed these architectural types into toy blocks. In doing so I have two objectives. The first is to shed a light on the excessive nature of contemporary large scale architecture — the mega factory — by using the poor and abstract form language of toy blocks. My second objective is to make full use of the contrast between the harshness of contemporary architecture and the illusory children’s world of friendliness and unlimited possibilities cultivated by adults.”
- Maykel Roovers
Critical Blocks by Maykel Roovers
Dodo is a small container for soy sauce or oil. The container is made in silicone so that you can squeeze out the liquid. The shape of the container gives it a clear direction of use and also exudes a strong personality.
Ori grinders and salt cellar. These grinders and cellar were results from experimenting with origami in our studio. The shapes of folds and crystals inspired the idea of milling salt and pepper. The conflict between the top and the bottom parts is a physical representation of the internal grinding process. The grinders and cellar are made from maple wood and Corian.
Basic wood tools for food preparation including spatula, ladle, skimmer and rice paddle (shamoji). They are shaped in a way that makes them a natural extension of the hand.
These objects spring out of simple and ordinary, yet essential and vital, actions that tie people together across cultural differences. The objects are designed for everyday situations in Norway — they are Norwegian. However, we have been inspired by Japanese culture — or rather, by our particular understanding of Japanese culture. In other words: we have attempted to make Norwegian objects that could also be relevant to Japanese living. Our goal is to draw inspiration and knowledge from how our work is experienced in Tokyo.
Strikingly simple in form, the Revolution Collection is handcrafted in the Czech Republic by master glassblowers, and formed from a pure extrusion of hand-blown borosilicate glass. This material provides a high degree of thermal resistance for a range of hot and cold applications, and is oven, microwave, freezer, and dishwasher safe.
When in use, the contents of these pieces appear to float, seeming to defy gravity and visually suspend their contents, be it water, wine, champagne, gelato, or soup. The Revolution Collection is distinctive in its thoughtful form, and innovative in its application of materials and skillful manufacturing. These attributes are fundamental to the design philosophy and approach of fferrone design, along with responsible sourcing of materials and production.
Revolution Collection, Glassware, by Felicia Ferrone
To celebrate its 40th birthday, BD Barcelona Design launches a limited-edition collection of 40 vases hand painted by Jaime Hayon.
In terms of design history of the past 40 years, BD Barcelona Design has been a pioneer in many ways. Well before ‘design-art’ was talked about, this Spanish company had already produced pieces by artists of the calibre of Juan Gris and Salvador Dalí. The very concept has been part of its DNA since day one, continues to be a key element of its identity, and logically forms part of the company’s 40th birthday celebrations. The occasion will be commemorated with an exclusive, numbered collection of 40 vases from the Showtime collection, hand-painted by Jaime Hayon, an internationally acclaimed creator who has triumphantly bridged the worlds of art and design.
Showtime Vase Limited Edition, (limited-edition collection of 40 vases), by Jaime Hayon, for BD Barcelona Design
Designed for Papafoxtrot London, Postlerferguson have selected the 5 most iconic unmanned spacecraft circling the earth and transformed them into Papafoxtrot’s iconic design language. The satellites are made out of maple as well as laser etched stainless steel parts with polished natural wood, matte white and glossy red finish.
Satellites, by Postlerferguson, for Papafoxtrot
This is Sarjaton. Meaning ‘no series’ in Finnish, it’s a range that redefines the freedom of flexibility. Comprising 26 essential parts that can be used whenever for whatever, Sarjaton gives you the natural tools to create as you like. Touch the embossed relief on the plates and mugs, relax with the soft and muted tones of the colour palette, and embrace the small details.
Alongside the patterns of ‘Letti’ and ‘Metsä’, Musuta also designed the fish for the bottom stamp on each piece from the range. Symbolic of the ancient Finnish saying ‘there’s no point in going fishing further than the sea’ it reinforces Sarjaton’s celebration of simple living and having all we need right here.
Sarjaton is born from the collaboration and concept development of six talented designers from fashion, product, graphic and digital design that share the same vision to interpret Finnish traditions in a modern way. Harri Koskinen designed the soft, round shape of the new ceramic dishes and Aleksi Kuokka gave the shape for the universal drinking glass. As well as the colour scheme, the patterns ‘Letti’ and ‘Metsä’ were hand-drawn by Musuta, whilst the ‘Tikki’ pattern was created by Samuji.
Sarjaton has been strongly influenced and shaped by Finnish traditions, with the concept and design for the range firmly rooted in folklore and artisan rituals.
Embossed patterns based on traditional basket braids, embroidery motifs and the forest that covers half of Finland, deliver a handcrafted feeling that invites you to touch. While modern life has made us crave for an authentic feeling, the Sarjaton collection takes us back to the way things were made before. The real way.
“We hope that Sarjaton lets people discover things they like and find beautiful. We don’t wish to offer ready-made solutions, but stimulate the imagination.”
Sarjaton Tableware, by Harri Koskinen, Aleksi Kuokka, Musuta, Samuji, for Iittala