A winner of an iF Gold Award, Mark Sanders design for the IF Mode Folding Bicycle is aimed at commuters of the mobile generation who, until now, may have not considered cycling or folding bikes to be an option. IF Mode avoids oily chains, complex tubes with hidden dirt traps, and the clutter of traditional bike features. It takes seconds to unfold into a full sized street bike and weighing in at only 14.7kg (32lbs). The bike has a special handle so you can wheel it around much like airport luggage. With its green credentials and compact shape, Sanders says, the features and “uncluttered aesthetic offer a radical new image of what a bicycle can be.”
Inspired by the magpie, Matti Klenell has created a new addition to the Iittala Birds collection. The magpie is well-known for stealing jewellery and other shiny objects and hiding them in their nests. Klenell wanted to incorporate the same idea of hiding something into his new pieces. In the process, he has given his glass birds a practical use alongside their aesthetic one – drawing on the varied skills of the glassblowers and craftsmen at Iittala’s Nuutajärvi glassworks.
Klenell has designed two bird families for Iittala: the Harakka (Magpie) family and the Korpi (Deep Forest) family, both with two generations of members. Klenell’s birds comprise two or three parts, which adds to their sculptural qualities. They also include a functional feature that is unique in the Iittala Birds collection, as the hollow bottom sections of his birds can be used as handy little containers to keep treasures, such as jewellery, notes, and memories, just like the magpie.
“There’s a long tradition of using glass objects as hiding places, and there are many examples in mythology and history of urns and vases being used for this purpose. The stolen diamonds in detective stories are often thrown into a Ming vase, and people playing computer games often need to look inside an urn to find further clues for the game.”
– Matti Klenell
A+A cooren has designed a glass vase representing the shape of a water vortex or a tornado.
Whirlwind by A+A cooren, Gallery S. Bensimon, June 9 to 14, 111 rue de Turenne, Paris, France, Photography by Joao Viera Torres
Silversmith and recent graduate of the Royal College of Art, Victoria Delany has designed a set of silver and lacquered wood candlesticks. The central wooden parts are interchangeable making an endless number of interesting and colourful combinations. The top and base of the candlestick unscrews allowing you to stack the lacquered wooden components up in any combination and height.
Candlesticks by Victoria Delany, Photography by Matthew Booth
Made entirely of paper, Air Vase is a vessel that can be stretched and pulled into multiple variations in shape.
Air Vase, by Torafu Architects
Season is a ceramic vase with a poetic meaning. A wide base, exaggeratedly decentered, receives the petals that the cutted flower lost over time. Season is a metaphor of elapsed time. The rigour and simplicity of the shape: a cylinder on a white ceramic plate, contrasts with the forms and the colors of the vegetal. It follows in a sensitive and poetic staging where the flower is the center of attention.
Season Ceramic Vase, by sofia_designers
Swarm is a space divider that offers great flexibility in density and scale, enabling the creation of light-filled, intimate spaces within open environments. The term Swarm describes an aggregation of animals (insects, fish, birds and microorganisms) of similar size and body orientation, generally cruising in the same direction. The Swarm space divider displays a similar behavior, softening spaces, fading in and out, creating texture and motion. The self-standing units blend together when arranged in groups.
What looks like the cross section of a very old and very large oak tree with many rings is actually a soft, wool area rug.
Akita Cedar Wood Pitchers, cups by Yasutaka Shimizu.
In Karelia there was an ancient belief in the Sielulintu or Soul bird. The Sielulintu was thought to deliver the soul to newborn babies and also to transport the soul to the afterlife at the moment of death. It was believed the Sielulintu protected a persons soul at it’s most vulnerable; when dreaming, and it was tradition to keep a carved wooden bird by the bedside to keep the soul safe during sleep.
Wooden Birds, by Sanna Annukka