Stack is a playful product for the discerning design conscious. Formed of solid cylindrical building blocks in vibrant hues and muted neutral tones. Stack can be assembled and rearranged in a limitless array of combinations to complement any setting and satisfy any mood. Made in Britain from solid machined aluminum. Stack’s reassuring weight speaks a quality. Its smooth, frosted, anodised finish creates a lustrous matte sheen that is pleasingly cool to the touch.
“I wanted to create a luxurious product that allows discriminating consumers to play a part in the design. The accent here is on quality and precision, with pieces that look and feel great and fit together absolutely perfectly, however they are combined.”
– Miranda Watkins
Tower, Conical and Tier, in Tonal Grey and all Black, by Miranda Watkins Design
‘Landscape’ by Thibault Faverie
‘Elastique’ by Joschua Brunn
‘Covers’ by Sarha Duquesne
‘Swiss Soap’ by Max Neustadt
‘Intersection’ by Su Jung-Cheng
‘Zen Tools’ by Giulio Parini (left) and ‘Upgrade’ by Doganberk Demir (right)
‘Basin Basin’ by Charles Mathis
‘Squeeze’ by Rita Botelho (left) and ‘Screens’ by Diane Du Chaxel (right)
‘Kone’ mobile base for bathroom fittings by Felix Klingmüller
On the occasion of the Biennial Event, Designers’ Saturday in Langenthal, Switzerland, Axor – the designer brand from Hansgrohe – has shown the results of a collaborative project by the Bouroullec brothers and students of ECAL University of Art and Design, Lausanne, Switzerland. The young designers were asked to reinterpret and develop objects around the Axor Bourollec bathroom collection, which was serving as a starting point for each participant. The collective body of work aims to illustrate the individual needs of the bathroom space.
Combining the beauty of glass with the practicalities of a flexible design solution, dazzling crystal components fuse together in pre-defined patterns to form an elegant surround that links one space to the next, merging the boundaries between applied art and original art. Designed exclusively for Lasvit by Koncern (Jiří Přibyl and Martin Imrich), the unique concept is inspired by the traditional use of glass in Czech architecture of the 1960s and 1970s. Whilst some projects merely imitate what went before, others have the power to challenge it carving out their own revolutionary path. This is the case with Lasvit Crystal Wall.
Pritzker Prize winning architect Richard Meier is unveiling a limited edition menorah and exclusive series of mezuzahs for The Jewish Museum in New York. The featured Menorah is a reproduction of the “Meier Lamp” originally commissioned by the Israel Museum in 1985; an original is part of the Jewish Museum’s permanent collection. A limited edition of menorahs will be available for $1000 for purchase through The Jewish Museum Shops beginning November 2010. Meier’s Menorah is the first of Design Edition JM, the first curated collection of modern Judaica by contemporary artists and designers.
“In the design of the Hanukkah Menorah I was trying to express the collective memory of the Jewish people,” explains Meier. “Each candleholder is an abstracted representation of an architectural style from significant moments of persecution in the history of Jews. The first being the expulsion of the Jews from Egypt and the last symbolizing the towers of the concentration camps in Germany. These are not intended as literal representations of specific events but rather as reminders of the common past and struggles that Jewish people have suffered and their resilience and strength that is so wonderfully captured by the Hanukkah story.”
The design commemorates 4,000 years of Jewish history. Its pewter architectonic candleholders represent locations of Jewish expulsion, hardship and remarkable perseverance. From left to right, the first five candleholders represent the expulsions from Egypt (the obelisk); Roman Palestine (Hadrian’s victory column); France (1310); England (1290); and Spain (1492). The sixth candleholder represents the emancipation of Jews and expansion of the Jewish population in Vienna circa 1890. The seventh symbolizes the pogroms in Russia at the turn of the 20th century, and the eighth is a reminder of the concentration camps in Germany during WWII. A copy of the menorah resides in Mr. Meier’s home and is still used by the architect during the holidays.
Menorah, by Richard Meier, for The Jewish Museum
Furniture with the tall elegance of a fashion model: the Panton Coatstand. It’s a re-edition of the work of the celebrated danish architect and designer verner panton, dating from 1971. The furniture classics he created still fascinate us today. One of them is this coat stand with a frame of welded, powder-coated wire. It enables garments to be hung up in a variety of ways, and when it’s empty, the column with its waisted effect is like a modern sculpture in the entrance area. Available in powder-coated white, neon orange, yellow, light blue.
Panton Coatstand, by Verner Panton, for Schönbuch
Yii has been created by Taiwan Craft Research Institute and is led by Gijs Bakker, co-founder of Droog Design. The brand, with the ambitious aim to put the “Made in Asia” on the map of contemporary design, has a collection of objects have been created by designers and produced by craftmen of Taiwan.
“In recent years, I intend to incorporate the natural phenomenon and the law of nature into the idea of design and create works, which display my originality. In this collaboration with Mutina, I have pondered in designing ceramic tiles, which express the textures of the material derived from nature. My intention is not to manipulate the appearance of nature, but to create a design, which stirs one’s heart and imagination and remains deep inside one’s memory. “PHENOMENON”, a collection consists of “snow”, “honey-comb”, and “rain” series, integrates small substances and produces both depth and expanse.Various expressions, such as honeycomb, snow crystal, icicle, plant cells evoke one’s memory of the scenery in nature.”
– Tokujin Yoshioka
Czech product designer and goldsmith, Jan Jaroš has designed Ufo, a set of glasses and a carafe for two.
Ufo Beverage Set, by Jan Jaroš, Cohn Studio
At the core of the Minimalux design ethos are the opposite elements of simplicity and splendor, combining to form a unique and enticing identity. Production methods such as electroforming, casting and tube manipulation together with materials including glass, copper, solid silver and brightly coloured anodized aluminium are used to create candleholders, desk accessories, cutlery and vases–all complementary to the precision machined brass and precious metal pots and containers that are prevalent in the first Minimalux Collection. The new collection aims to provide products with wider appeal and accessibility; thus extending the general reach of the brand and nurturing the visibility of Minimalux products within the marketplace.
New Collection, by Mark Holmes, for Minimalux
Nika Zupanc has designed Unfaithful, a multi-purpose feather duster made from real ostrich feathers. This covetable tool comes in high gloss black or skin colour, and a choice of black leather or suede gift box.
“This shiny object noir is ready to offend you with the purity of its ambition. As blunt as a declaration of war and as piercing as beauty can be, it is an announcement of times to come. La Femme et la Maison collection is, first and foremost, turning the last sighs of the patriarchy into the cries of the she-almighty. Her shyness has now been replaced with the naked curves and shapes of lust and desire. Her passivity has been succeeded by the skilfully masked determination to rule your home.”
- La Femme et la Maison