The celebrated designer Karl Lagerfeld recently teamed up with the Swedish brand Orrefors to create a collection of crystal glasses which include champagne flutes and coupes, coasters, bowls, vases, as well as water and liqueur glasses. Transparent, black or milky white, and sometimes engraved with the KL monogram, the series is sophisticated and elegant.
Glassware, by Karl Lagerfeld, for Orrefors
Lines and Waves are the revolutionary protagonists of the installation conceived by the French designer for Lea Ceramiche. A micro-architecture, comprised of 3 communicating modules, stands out at the centre of the space and with a play on perspectives is surprising in the flexibility of the material covering it: super slim laminated porcelain Slimtech slabs only 3 mm thick. They however allow a large 300x100cm format, produced with advanced Lea Full HD technology which allows all types of decorative designs to be printed on glazed porcelain.
The Lines pattern, a composition of lines and vertical strokes which overlay and follow one another, first of all drawn by hand, then converted graphically by computer into countless punctiform elements, confers vibration, as well as depth, to the surface and intensifies the sensuality of the material through colour variation. Inviting visitors to enter the narrow and quiet passages and become totally immersed amongst the materials. A sensory conversation between design and technology.
Dotted Conversation, 16th – 20th June, Deco Design / Lea Ceramicheby, Paris Patrick Norguet, for Lea Ceramiche
Thirty-seven-year old Jean-François d’Or (a name that befits the sunny, luminous quality about him) is considered one of the most talented, prolific and appreciated designers in Belgium.
In 2010, he was chosen to represent his hometown, Brussels, during the national design week (Design September), and a retrospective selection of his works was displayed in one of the shiny spheres of the iconic Atomium. On this occasion, critics praised his “simple, unpretentious, logical objects that appeal as much for their evident, clearly perceptible design as well as their discrete poetry”. “Humble” is quite the epithet for Jean-François d’Or — and he proudly claims the label, turning these words from Belgian poet George Linze into his motto: “A strange phosphorescence covers the humblest objects as if poetry were only what is extraordinary about the ordinary”.
Droog design, Domani, Interni Edition, Konstantin Slawinski, Jongform, Ligne Roset (his terracotta Maternity pot was recently released during the Milan Salone, another landmark in the collaboration he started a few years ago with the Roset group) or The Conran Shop are among the brands his name has been associated with. Lately, he has designed a bed for Magnitude (which was introduced during the Kortrijk fair) and a series of door handles for Vervloet (on display at Maison&Objet in Paris). A large panel which somehow illustrates his versatility, as well as his ability to absorb himself into raw material, whether clay, glass, metal or wood is involved.
Graduated from the renowned La Cambre School of design in Brussels (1998), he started his own studio, Loudor design, five years later. In between, he had managed to achieve a project in New York with textile designer Caroline Ray, then to work in his homeland with star designers such as Maarten Van Severen and Hans De Pelsmacker. Already granted a Henry van de Velde award (Belgium’s most coveted prize in the design field), this deeply grounded young man’s creations are now everywhere, through his brainchild: Loudor design has set up ongoing collaborations with the most prestigious design labels in Europe. A gifted, modern day alchemist, well-named Jean-François d’Or seems to turn everything he touches into gold.
– Elodie Palasse-Leroux
(French journalist Elodie Palasse-Leroux is the founder and editor of Sleek design, launched in 2009)
Bonbonne hanging lamp, Bonbonne floor lamp, Arlequin, Bonbonne, Drop, Mezzoluna, by Jean-François d’Or, Loudor design
Hong Kong based homewares brand Puzhen has acquired several ancient pottery factories in China, including one which specializes in Zisha pottery production. Zisha pottery is made from special clay gathered on site; it is distinguished by its exceptional hardness and ability to be formed very precisely. The Sha diffuser uses this precision to marry the traditional pottery to modern electronic components used to diffuse essential oil vapor, housing it in a perforated metal mesh lid.
Simple yet clever, the bread bin’s circular shape was inspired by existing bent wood remnants and the three holes in the top are reminiscent of those found in bowling balls and function as ‘handles’ with which to lift the lid. Made of natural beech wood.
Loaf Bread Bin, from Established & Sons
“While most Iittala dinnerware embraces form over ornamentation, Taika breaks the mold. True, the forms are clean and simple, but the surfaces are wildly decorated with imaginative owls, foxes, and trees in a rich Nordic tradition. Taika means magic in Finnish, and the enchanted forest theme is apt. The designer of these fanciful scenes is Finnish illustrator and artist Klaus Haapaniemi, a rising star in the international design world. Each porcelain mug, bowl, or plate comes in either a white or midnight-blue background, which allows for individualized expression in mixing together or with Iittala’s all-white Aika dinnerware.”
Iittala Taika Dinnerware by Klaus Haapaniemi
Image via: Skona Hem
“There I was, glass in hand, hunting after stray ideas when simple solutions with subtle inventive details based on the theme of the bar came into my head.”
- Alfredo Häberli
Includes 2 trays plus an optional 3rd one in Inox stainless steel. Chromed steel structure. Trays in thermally-formed plastic. Available in white or black.
Metropolis is a collection with a huge evocative power, consisting of a series of functional objects such as vases, lamps, mirrors and boxes in the shape of buildings. As a whole, the structures make together a very original city, not realistic but suggestive of an imaginary or futuristic setting. In Metropolis, the refined forms of these avant-garde buildings are well combined with the meticulousness and detail with which their textures are recreated, painstakingly ornamented like miniature embroidery, a hallmark of handcrafted work at Lladró.
Each piece in the collection is available in eight different colors that go from a clean white to anthracite, including, light grey, dark grey, light green, dark green, light yellow, dark yellow.
Lladró Atelier is a new creative department within Lladró, set up under the creative guidance of designer Jaime Hayón. It’s a laboratory of ideas which welcomes projects proposed by the company’s in-house designers as well as by external designers.
Metropolis Collection: Vase I, Vase IV, Vase II, Vanity Mirror, Vase III, Lamp, from Lladró
The Kami collection of pots/vases/home lighting encourage a new way of thinking in eco-friendly lifestyle products. Made from 100% biodegradable cellulose, an enormously solid and light material, Kami transforms this most abundant natural raw material into objects for daily use by simple air drying.
Kami Pots, by Ett La Benn