At the moment a sushi chef makes a sushi above a beautiful chopping board stage in tranquil and serious space with a dim light, a sushi atmosphere arises. The act of making a sushi actualizes the stage and creates a food-art which is done in a minimum time. A reclaimed wood counter and a scale of the space which accentuate the stage are naturally derived. Art pieces as valuable as foods are placed around the counter.
The space provides an impressive experience of eating with wabisabi (Japanese philosophy of simplicity and tranquilness) based on the relationship between sushi and space. When people sit at a long table and art as food is provided, we call it a sushi restaurant. This is the beginning place of a sushi restaurant. The store has a new style of a sushi restaurant which is a genesis of it. The new is found in its history. (Makoto Tanijiri / SUPPOSE DESIGN OFFICE)
Sushi Yoshii, Minato-ku, Tokyo, by SUPPOSE DESIGN OFFICE
Photography by Toshiyuki Yano
Serif is a collection of screens and televisions, which have been designed for Samsung during the past two years. They also designed the interface inside Serif.
Serif is a television that moves away from a preoccupation with ultra-flat screens. Instead, it is an object that can be turned around and manipulated. It can stand anywhere, even on the floor with its own legs. What designers were looking for was a solid presence that would sit naturally in various environments, just like an object or a piece of furniture. In profile, it forms a clear capital “I” shape, its slim body broadening to form a surface like a little shelf at the top.
Serif, by Ronan & Erwan Bouroullec, for Samsung
The owner of this Brighton house required an interior that reflected the geometry of the building’s architecture. To achieve this brief, Mim Design undertook full planning, interior architectural design and decoration. Each view has aspect to a key interior feature or form, and each element within the house proportionally creates a sculptural form. The interiors have a sense of balance, calm and space.
From the front entry, leading through to the lounge with its elegantly curved fireplace, the space feels soft and warm. Light streams through the windows, and natural elements such as smoked oak floors, elegant grey marble, and black stained timber, create a muted sense of luxury.
MAH Residence, Brighton, Australia, by MIM Design
Photography by Peter Clarke
Carbon Chair is a consistently constructive and yet formal and experimental design by Thomas Feichtner. It is a sheet of carbon fibre, which contacts the floor at three points and depicts a line from above and below, positively and negatively. The result is a formal interplay of inner and outer surfaces – a recurring theme that runs through many of Feichtner’s works. (Limited Edition of eight pieces).
The Carbon Chair is part of the exhibition ‘Austrian Design Pioneers’ during the Milano Design Week 2015.
Carbon Chair, by Designer, for Thomas Feichtner
Reproductions of original masterpieces from legendary architect, Frank Lloyd Wright.
Taliesin 4 Table Lamp, by Yamagiwa
In September 2014, twelve Master Product Design students of ECAL/University of Art and Design Lausanne were invited to reflect on a collection of objects to meet everyday needs in the Cité Radieuse in Marseille. The outcome of this research is being displayed as part of an exhibition staged in Apartment 50 from 4 to 19 July 2015. Apartment 50 was restored by two enthusiasts, Jean-Marc Drut and Patrick Blauwart, as close as possible to its original condition. Listed as a historical monument, the venue occasionally hosts exhibition projects.
World-renowned designers have already exhibited there, such as Jasper Morrison, Ronan & Erwan Bouroullec, Konstantin Grcic and Pierre Charpin. Thus, under the direction of Thilo Alex Brunner, head of the Master Product Design at ECAL, and of ECAL professor Augustin Scott de Martinville, a series of objects was produced over one semester by the Product Design Master students. The project began in September 2014 with a three-day workshop in the Cité Radieuse, allowing students to experience life in the building.
The design of No.2 is rational and long-lasting, but more so the new monochromatic solid brushed steel case, domed sapphire glass and Swiss quartz movement construction, marks outmost premium details which are what makes No.2 a successful evolutionary inheritor of No.1. The new addition to the TID collection is also available in two sizes, both the 40 mm and 36 mm. Besides working as a natural part of your everyday life, the watch you wear must be able to match any fraction of your life. That is why No.2 is both minimal and efficient.
TID No.2, by Form Us With Love, for TID
A concrete cartoon monkey holding a tray forms this table by Spanish designer Jaime Hayón for manufacturer BD Barcelona Design as a new piece added to the Gardenias Collection. Hayón’s table is shaped like a monkey from the waist up, and holds a flat tray above its head like a waiter. It is made from solid architectural concrete resin, making it suitable for indoor and outdoor use. The form of the cartoon monkey – with one hand supporting the platter and the other scratching its head – is created using a mould based on Hayón’s drawings.
Monkey-shaped table, by Jaime Hayón, for BD Barcelona
Group of low laminated and glued glass round tables, consoles and shelves characterized by a special iridescent multicolored finish; the nuance varies according to the incidence angle of the light and to the vantage point. Objects with magical and ethereal appearance emerge. Presented at the Salone del Mobile 2015, available in transparent glass or acid-etched glass.
Shimmer, by Patricia Urquiola, for Glas Italia