The greatest challenge in designing homes is negotiating the delicate balance between aesthetics and the personal desires of the occupants. While it’s important for the structure to reflect the vision and style of the architect, the client must ultimately feel at home beneath the roof. It is particularly interesting, therefore, to examine the homes that architects create for themselves. If houses reflect their owners’ personalities, then architects’ own homes are like autobiographies. Location, layout, style, lighting, artwork, furnishings-every detail adds color to the story. Each of these dwellings, presented A-Z by architect, speaks more about its designer than any other building possibly could.
The Architect’s Home, by Gennaro Postiglione, Hardcover, 20.8 x 27.4 cm, 480 pages, published by Taschen, Buy it here: Amazon
Something between artwork, poster and illustration, this series of Cut-out prints documents some of the mid-century coffee and low tables designed by Gio Ponti, Gabriella Crespi, George Nakashima, Paul Kjaerholm and many others in very simple 2D shapes. It is our graphic homage to the formal mastery of the modernist design in a fresh contemporary graphic way.
Cut-out Prints, by Matěj Činčera, Jaroslav Moravec and Ondřej Přibyl, for OKOLO
Rock the Shack takes us to the places we long for. For the first time in the history of humankind, more people live in cities than in the country. Yet, at the same time, more and more city dwellers are yearning for rural farms, mountain cabins, or seaside homes. These kinds of refuges offer modern men and women a promise of what urban centers usually cannot provide: quiet, relaxation, being out of reach, getting back to basics, feeling human again.
Rock the Shack is a survey of such contemporary refuges from around the world–from basic to luxury. The book features a compelling range of sparingly to intricately furnished cabins, cottages, second homes, tree houses, transformations, shelters, and cocoons. The look of the included structures from the outside is just as important as the view from inside. What these diverse projects have in common is an exceptional spirit that melds the uniqueness of a geographic location with the individual character of the building’s owner and architect.
Rock the Shack: The Architecture of Cabins, Cocoons and Hide-Outs, Editors: S. Ehmann, S. Borges, 24 x 30 cm, 240 pages, full color, hardcover, English, ISBN: 978-3-89955-466-3, Published by gestalten
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After Ray’s death, the Eames family shared and cared for the Eames House and grounds, always mindful to safeguard their authenticity for the future. Now, the Eames Foundation is ready to preserve the house as it existed when Charles and Ray lived and worked in it for the last, most prolific half of their lives. This includes not only conserving the house for the future but also celebrating and transmiting the legacy and philosophy of Charles and Ray.
Help preserve the Eames House and own a piece of the Eames legacy. Each print is hand numbered. These prints are 100% original works inspired by the elegant geometry and understated simplicity of Eames designs. All proceeds will support the projects of the Eames Foundation.
Eames House Prints, Limited Edition of 500, from the Eames House
“Mandatory reading for every graphic designer and architect, as well as those that aspire to these two professions, and most importantly for all who are concerned with the humanizing possibilities inherent in the visual arts.”
- James Stewart Polshek, FAIA
For centuries, the intimate relationship between graphic design and architecture has shaped not only cities and their structures but also the lives of their inhabitants. Graphic Design and Architecture: A 20th-Century History is the first historical overview which examines this unique marriage of graphic design and architecture in the context of artistic, social, and cultural movements and influences of the twentieth century.
Graphic Design and Architecture, A 20th-Century History: A Guide to Type, Image, Symbol, and Visual Storytelling in the Modern World, by Richard Poulin, 8.5 x 10 inches, 272 pages, 300 illustrations, ISBN: 9781592537792
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An essential reference for architecture buffs, historians, and everyone who lives on or visits Long Island today, this unique resource–the first illustrated history of Long Island’s modern architecture–is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects–among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier.
Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture; the relatively unknown aspects of their production; and their associations with clients, artists, and politicians is complemented by more than three hundred striking archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures: residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders–as well as by those who wanted to settle away from the city–during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Long Island Modernism 1930 – 1980, by Caroline Rob Zaleski (Author), Published by W. W. Norton & Company, Hardcover, 9.4 × 12.3 in / 336 pages, ISBN 9780393733150
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Charles and Ray Eames created important, experimental and beautiful work in furniture, architecture, exhibit design, textile design, product design, graphic design, film and photography. This unique and sumptuous monograph is a visual celebration of their work and life and is destined to become a collector’s item.The packaging design of the slipcase is a pattern inspired by the triangles and colours of one of their designs for children, simply called “the toy”. Published with the co-operation and approval of the Eames family, this massive book includes essays and an introduction by Eames Demetrios — Charles’s grandson and the director of the Eames Office.
Eames: Beautiful Details, by Steve Crist and Gloria Fowler (editors), Published by Ammo Books, 320 pages, ISBN: 9781934429747
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The Italian company Kartell is famous aroud the world for having invented the culture of plastic furniture and interior fittings. Kartell was founded in 1949 by Giulio Castelli, a chemical engineer with a vision to create something good from plastics, a material whose applications were still relatively unexplored. A fruitful collaboration with the great designer Gino Colombini started, who won the firm its first Compasso d’Oro award in 1955. Particularly since the plastic-loving era of the 1960s and 70s, Kartell has become an enduring household name; from the famous designs of Anna Castelli Ferrieri and Joe Colombo in the 1960s to more recent hits such as Philippe Starck’s Ghost Chairs or Ron Arad’s Bookworm shelves, Kartell has consistently chosen to work with the world’s most talented designers while reinventing plastic as a quality material for the new age.
This survey covers the entire history of the company, decade by decade, exploring all aspects of its evolution as well as the social and technological qualities of Kartell products. Also included is an interview with “Mr Plastic” Claudio Luti, owner and director of Kartell for more than 20 years and architect of the new boom. But most of all the objects themselves–in historical shots, ads, displays, and many photos especially made for this publication, with detailed captions on the technological innovations behind the design–tell the story of a company that brought us the culture of plastics.
Kartell: The Culture of Plastics, Hans Werner Holzwarth, Hardcover, 25 x 31.5 cm, 400 pages, ISBN 9783836530859, Multilingual Edition: English, French, German, Published by Taschen
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In various artistic traditions, flowers have figured as ornament, allegory, and vehicles for exploring color, light, and technique. Substituted for the most fundamental themes — death, sex, the spiritual realm — they abound by virtue of their physical beauty and diversity, but also due to their symbolic implications, ritualistic and medicinal applications, and their proximity to decay.
Dispensing with romanticism and narrative associations, Andrew Zuckerman’s Flower is predicated on contemporizing this seemingly exhausted terrain. Culled from an exploration of over 300 species, Zuckerman aims, as always, to translate the essential nature of his subjects and unearth qualities that have previously escaped scrutiny.
With characteristic minimalism, he creates an atmosphere of absolute clarity to reveal each flower on its own terms. In the blank field of pure white light, in exacting definition, they appear alternately alien, comestible, and anatomical. Every aspect is made explicit. What one notices immediately are the astonishing gradations of color and variations of form — some sculptural, others almost viscous — followed by boundless textural nuance.
The images contained within are not still lives, but flowers in a specific time and place, responding to the pull of light, gravity, and water. At close range, they reveal a kind of topography for survival. Zuckerman’s photographs expose the mechanisms beneath the surface — vascular, respiratory, reproductive – the structural imperatives for such arresting physical beauty.
Andrew Zuckerman Flower
‘Made in Japan’ is a simple phrase, but one full of meaning. From kettles and cutlery to chairs, Japan creates some of the most innovative, elegant, whimsical and well-made objects in the world. Combining high aesthetic standards with cutting-edge technology, many of these designs turn everyday items into functional works of art that would look as good in a museum as on a kitchen counter. Made in Japan surveys 100 of the country’s recent design triumphs, among them furnishings, utensils, gadgets, clothing, office equipment and even a silent guitar. While the book features mainly mass-produced objects, it also includes one-off prototypes and limited-edition items that are immensely popular in Japan. Created specifically for the Japanese consumer, these products reflect the way people live, work and play in a country that prizes highly both exceptional craftsmanship and industrial perfection.
Made in Japan: 100 New Products, Published by Merrell, Hardback, 240 pages, 200 colour illustrations, 25 x 20 cm (9.75 x 7.75 in) ISBN: 978-1-8589-4562-0
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