Built in apprehension of the enemy that never came, Alex Fradkin has photographed the architecture of war along the coastal landscape of the San Francisco Bay area. The earliest bunkers date from the Mexican–American War all the way up to the Cold War. A personal photographic project which took Fradkin eight years to complete will be published by Chronicle Books in the Fall of 2009.
Bunkers: Ruins of War in a New American Landscape, by Alex Fradkin
The Design Encyclopedia aims to provide an account of the still largely unknown story of design. The book covers design throughout the world, from Japan to Finland. Manufacturers and key designers since the late 19th century are covered alphabetically, with biographical accounts of careers, listings of major works and exhibitions, and bibliographies for further reading.
The Design Encyclopedia, Edited by Mel Byars, 832 pages
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For the first time, a student can now find all the key plans in one place. Featuring more than 100 of the most significant and influential buildings of the 20th century, this book includes both classic works by such seminal architects as Le Corbusier, Frank Lloyd Wright, Mies van der Rohe and Alvar Aalto, as well as those by more recent masters, such as Norman Foster, Frank Gehry and Rem Koolhaas. For each of the buildings included there are numerous, accurate scale plans showing each floor, together with elevations, sections and site plans where appropriate. All of these have been specially commissioned for the book and are based on the most up-to-date information and sources. There is also a concise text explaining the significant architectural features of the building and the influences it shows or generated, together with full-colour images. Cross-references to other buildings in the book highlight the various connections between these key structures.
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Key Contemporary Buildings: Plans, Sections and Elevations
Key Buildings of the Twentieth Century: Plans, Sections, Elevations
Key Houses of the Twentieth Century: Plans, Sections, and Elevations
Parrworld is the title of the exhibition about Martin Parr’s collections, curated by Thomas Weski and first shown at Munich’s Haus der Knust in May 2008, and his combined two-volume accounts of Parr collected objects and postcards.
Postcards is both a serious consideration of the history of the form and a visual entertainment. Its themed chapters include World War I, Smog and Shopping, with sequences of cards on subjects as varied as the suffragettes, coronation bonfires and motorway service stations.
Objects presents Parr collection of eccentric ephemera-from Saddam Hussein watches to Spice Girls chocolate bars.
Both books are personal, hilarious and often poignant reflections upon the history of the 20th century…welcome to Parrworld!
Martin Parr Parrworld, Curated by Thomas Weski, Hardback in a slip case.
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Beachlife presents a selection of the best concepts in architecture, interiors and product design that deliver new and unusual insights into how the beach can be presented and utilised creatively. The book features structures such as beach clubs, hotels and vacation homes that can be found on ocean coasts and riverbanks. But, more than that, Beachlife also includes furniture and products made for the seaside, as well as original products by creatives from around the world who have discovered the beach as a location for experimental art, temporary installations and events.
Beachlife, Architecture and Interior Design on the Seaside, Edited by Clara Lowther, Sarah Schultz, 280 pages.
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Design in the 21st Century has liberated itself from industrial conditions and the associated physical demands. The clean and simplified designs of Minimalism, where less is more and form follows function, is widely practiced today but with new vigor and context. There is also an explosion of vibrant design today that breaks free from the minimal style of approach, prevailing in current design trends. With new technology, expanded choice of materials and a return to luxurious craftsmanship, designers are embracing design with scintillating attitude, challenging aesthetic boundaries and speculating new expressions in visual codes.
Desire is an up-to-date comprehensive survey on furniture and object design today, showcasing the crème de la crème of designers culled from around worldwide. It presents celebrated designers who represent the Modernists, creating sophisticated designs that are redefining the formal language of Modernism, blending the restraint of form with the refined use of materials. They are featured along with the inventors; visionary designers who continue to challenge our perception of design with futuristic shapes, and the experimental, innovative and often unprecedented use of materials.
Featured designers include:
5.5 Designers, Ron Arad, Autoban, Maarten Baas, BarberOsgerby, Joost van Bleiswijk, BLESS, Jörg Boner, Bram Boo, Tord Boontje, Ronan & Erwan Bouroullec, Stephen Burks, Fernando & Humberto Campana, Committee, Christophe Delcourt, Stefan Diez, Tom Dixon, DRIFT, Kiki van Eijk, Olafur Eliasson, Thomas Feichtner, Folkform, FRONT, Martino Gamper, Konstantin Grcic, Anna Ter Haar, Ineke Hans, Jaime Hayon, Studio Job, Hella Jongerius, Max Lamb, Kwangho Lee, Mathieu Lehanneur, Leif.designpark, Doshi Levien, Studio Libertiny, Julia Lohmann, Malin Lundmark, Peter Marigold, Haldane Martin, Jason Miller, Jasper Morrison, Nendo, Ernesto Neto, Marc Newson, Patrick Norguet, o-d-a, od-v, Robert Stadler, Steven Holl Architects, Studio Makkink & Bey, STUDIOILSE, Tjep., Ünal & Böler Studio, Patricia Urquiola, Marcel Wanders, Hannes Wettstein, Dirk Winkel, WOK Media, Michael Young, Oskar Zieta and many more.
Desire: The Shape of Things to Come, Edited by R. Klanten, S. Ehmann, A. Kupetz, S. Moreno, A. Mollard. 280 pages.
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The buildings burned in our memories, which to us represent the spirit of fifties and sixties architectural design, were those whose pictures were widely published in magazines and books; but what about those that got lost in the process, hardly or never appearing in publication?
The exchange of visual information is crucial to the development, evolution, and promotion of architectural movements. If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion.
The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 250 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement. It’s like sneaking into a private history, into homes that have rarely been seen and hardly appreciated as of yet.
A resident of Los Angeles since 1920, Julius Shulman has been documenting modernist architecture in Southern California and across the globe for nearly eight decades. His images of Pierre Koenig’s Case Study House No. 22 (1960) in Los Angeles and Richard J. Neutra’s Kaufmann House (1947) in Palm Springs are among the most recognizable and iconic architectural photographs of the 20th century.
Julius Shulman, Modernism Rediscovered, 416 pages, Edited by Peter Gössel.
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The AK-47, also called the Kalashnikov after its inventor, is one of the most successful industrial products of all time. Since its introduction in 1947, an estimated 80 million AK-47s have been built. Its success is based not only on its resourceful construction, but also its affordable production, dependability, functionality and high demand. The AK-47 is one of the icons of the twentieth century, but it is also a deadly weapon.
For a new art project, the designer Martin Postler has investigated the history, the aesthetics and the lethal seductiveness of the Kalashnikov. He has freed the AK-47 from its terrible capacity to injure and kill by deconstructing it into a paper model construction set. When putting the detailed model together, the builder is automatically confronted with the Kalashnikov and its significance – both historical and personal. At the end of the construction process each person can decide if they would like to hang their own AK-47 on the wall, paint it, customize it with stickers or simply burn it. Then ultimately this AK-47 thankfully remains a piece of paper.
AK47, Paper Gun Model Kit, by Martin Postler
Available here: Van Stockum
The internationally renowned interior and retail designer Masamichi Katayama is synonymous with exquisite quality and applies his distinctive trademark showmanship to create visionary retail environments.
This publication introduces over forty recent projects by Japan’s hottest retail designer with an extraordinary selection of interior designs for boutiques and retail outlets from high-end luxury spaces to mega stores in Japan, Great Britain, France, the United States and Hong Kong. Masamichi Katayama skilfully integrates diverse interior design elements including light, furniture, material and proportion in a unique and unrivalled fashion that translates into flawless design, comfort and functionality. Insightful text by John C. Jay, Wieden+Kennedy’s Creative Director and quotes by Tyler Brulé, the Editor in Chief of Monocle and many more affirm this appraisal.
Wonderwall: Masamichi Katayama Projects N˚2, Edited by Satoko Suzuki.
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Explore the best architecture of the 21st century in this collection of 1037 exemplary buildings sited all over the world in the Phaidon Atlas of 21st Century World Architecture. Divided into six world regions, the Phaidon Atlas of 21st Century World Architecture provides an important overview of global and local trends in architecture. This truly unparalleled resource presents easily accessible world data exploring the geographical contexts for 21st century architectural production in a global framework. Each of the six world regions is introduced by an analysis of urban and architectural issues. This statistical information has been researched and elaborated by a team from the London School of Economics.
The Phaidon Atlas of 21st Century Architecture, by the Phaidon editors, 800 pp.
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