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Crescent Beach by Campos Leckie Studio

Crescent Beach, White Rock, British Columbia, Canada, by Campos Leckie Studio

New Concrete House by Wespi de Meuron

This house is standing on a steep slope in S. Abbondio, it’s designed for two people and their guests. The property adjoins on three sides to existing and new constructions, while to the downhill side it’s attached at the access road and above it provides free views to the Lake Maggiore and to the mountains. The cleareasy-cut volumetry and also the naturalistic materializing of the concrete in the same colour like the natural rocks, integrates the new building with caution in the heterogeneous area. Concrete gets the natural stone of the modern era.

New Concrete House, S.Abbondio, Switzerland, Switzerland, by Wespi de Meuron
Photography © Hannes Henz

Clear Lake Cottage by MacLennan Jaunkalns Miller Architects

A Toronto family of five requested a cottage that is ‘modern and open’ but retains a quintessential ‘cottage feel’. The building was to be commodious and accommodate extended family but should avoid ostentation in scale and modernity. The Clear Lake Cottage proposes a simple tent-like envelope to house both program and outdoor spaces under a single vernacular form. A singular roof presents a child-like impression of house; rectilinear and ordered in symmetry while playfully skewed in volume. Nestled within a forest, the building is sculpted and stepped to take advantage of the land; modeling the natural grade. Open and closed faces respond to shoreline views or quiet wooded depths. Like a tent the porosity of the building’s envelope strengthens the experience of ‘cottage’.

Three volumes: a communal space, a bedroom bar, and a master suite are registered in response to the site to achieve views, separation, and privacy. The roof peak creates a sleeping loft, and enhances the communal space. The plan aligns a series of large sliding windows for summer cross ventilation. The tent-like ‘big top’ of the Douglas Fir interior has three exterior spaces carved into it to create sheltered outdoor areas. The relationship to site, the transition spaces, and operable transparent skin connects to this privileged landscape.

Clear Lake Cottage, Parry Sound, Ontario, Canada by MacLennan Jaunkalns Miller Architects

Burton Residence by Marmol Radziner

This vacation home is set on the crest of a grassy knoll on a 160-acre site in Mendocino County. The goal was to preserve and enhance the natural beauty of the property by siting the retreat in a careful, simple, and unobtrusive manner. The 10-module home forms an L-shaped plan, framing views of a canopy of mature oak trees to the south and east.

The road leading to the house climbs the hill and ends at the carport at the home’s west end. A set of concrete stairs lead up a gentle grade from the carport to the entry deck, which runs along the north side of the home. The main volume is oriented east to west and arranged in an open plan. The living room, kitchen, and dining room collectively open southward onto a covered patio with an outdoor fireplace and pool area. From the main volume, the master bedroom extends to the north, following the edge of the hilltop and ending in a private deck that takes in the morning light from the east.

Long Valley Ranch utilizes a number of sustainable strategies and materials. Passive solar heating and cooling are achieved through use of concrete flooring, covered decks, and natural through breezes. A 17-kW solar array offsets the electricity usage of the house, and a tankless hot water heater provides on-demand water heating. Sustainable materials are used throughout, including recycled denim insulation and low-VOC paint.

Burton Residence, Mendocino County, California, USA, by Marmol Radziner
Photography © Joe Fletcher

TP-H Residence by Jermyn Manthripragada Architecture

The project is the addition of a dining room, reading room and two bedroom suites to an existing 1948 adobe-brick house. It employs the material and formal language developed for a previous addition (the ‘Box Office’) completed in 2011: spare, platonic boxes of a perceptual mass defined precisely at their junctions to openings with a material thinness.
Four volumes control view and orchestrate movement through their various internal and external alignments. The reading of the solid/void relationship oscillates between additive and subtractive processes–on the one hand understood as a series of connected volumes while on the other seen as an initially pure box from which two L-forms are removed. The result is a rhythmic reciprocity between interior space and garden.

TP-H Residence, Palo Alto, California, by Jermyn Manthripragada Architecture, Photography by Lucas Fladzinski

Tom Ford’s New Mexico Ranch by Tadao Ando

Fashion icon Tom Ford, the ardent perfectionist credited with turning around a flagging Gucci and reinvigorating Yves Saint Laurent, is, unsurprisingly, just as exacting about his residences, but has largely kept them out of the limelight. That changed last year when he revealed his Santa Fe ranch in a guest-edited issue of French Vogue. Ford grew up in Austin, Texas, but would travel to New Mexico frequently to visit his grandmother. Evenutally, Ford’s father moved to Santa Fe, and the designer purchased a large tract of land south of town on which he constructed this dreamland of a ranch. Designed by Japanese architect Tadao Ando, the equestrian facility lies amid a 24,000-acre private tract, where classic Westerns like Silverado, Wyatt Earp, and 3:10 to Yuma were once shot. Ford spends roughly a quarter of the year on the ranch.

Tom Ford’s New Mexico Ranch by Tadao Ando, via: Curbed and Full Time Ford
Photography by Guido Mocafico/French Vogue

Buy the book:Ando. Complete Works, Updated Version 2010, Jodidio, Philip, Hardcover, 30.8 x 39 cm (12.1 x 15.4 in.), 600 pages, Published by Taschen, ISBN: 9783836509497
Buy it here: Amazon

Zacatitos 004 by Campos Leckie Studio

Zacatitos 004, Baja California Sur, Mexico, by Campos Leckie Studio

Mediterrrani 32 by Isern Associats

“For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life – the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.” Claude Monet.

The project for this house emerged from a very simple premise, to build on a very steep piece of land with a gradient of almost 100%, boasting wonderful views and on a tight budget. It was this highly complicated plot of land, surrounded by pine trees, that defined a good part of this project. The land, and its perspectives, constantly changing as the hours pass, the colour of the trees, the movement of sun and shadows…

On the one hand, the reduced dimensions of the plot and its complex orography, and on the other the desire to leave the minimum imprint on the land led us to seek out a floorplan which, matching the trees that surround it, emerges from a trunk well anchored to the land and opens up in braches on each floor, in such a way that each branch becomes the terrace of the upper level at the same time as it becomes the porch of the lower one. All this helps create a very formal building, with huge cantilevers facing out to emptiness, the woods and the sea which lie before it. A structure which opens up to these views and the sun, and which thanks to the terraces and the porches confuse the interior with the exterior.

A building which is equally formal in both its volume and the materials which compose it. Concrete, iron, timber and stone combining in a way that emphasizes the character of each one. In the end, the whole building represents a dialogue between emptiness and fullness, between materials, between outside and inside; seeking out a balance between these highly contrasting parts.

Mediterrrani 32, Sant Pol de Mar, Barcelona, Spain, by Isern Associats
Photography © Adrià Goula

Lavaflow 7 by Craig Steely Architecture

Located on five acres of dense Ohia forest, this cast-in-place concrete house frames indoor and outdoor living spaces along with views of the forest, the sky, and the coastline. It continues our exploration of a reductive architecture that enhances the experience of living in this compelling environment.

The main feature of the house is a concrete beam, 140 foot long, 48 inch tall x 12 inch wide running the length of the building with only three short concrete walls supporting it along its massive span. The concrete beam allows for sizable spans of uninterrupted glass and covered outdoor space, creating a permeable edge between the man-made and nature, amplify the sensation of living in the Ohia forest.

Lavaflow 7 – Mayer/Penland House, Big Island, Hawaii, by Craig Steely Architecture

LM Guest House by Desai/Chia Architecture

Located on a rolling farm property in upstate New York, the LM Guest House celebrates the beauty of the surrounding landscape-sweeping views through an all-glass facade magnify the spacious, open feel of the living areas. The home employs several sustainable design strategies including geothermal heating and cooling, radiant floors, motorized solar shading, photovoltaic panels, and rainwater harvesting.

The open living and sleeping areas flow around a compact slatted wood core that disguises the mechanical, storage, and bathing spaces. Two sleeping couchettes with built-in bunk beds provide efficient accommodations for additional weekend guests. Natural white oak wood detailing provides warmth and texture throughout the home.

The high-performance glass facade was pre-fabricated off site, shipped in one container, and erected in two days. An innovative steel frame structure allows the roof to cantilever dramatically over the open living areas and bedroom.

LM Guest House, by Desai/Chia Architecture, Photography by Paul Warchol

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